Post-War Abstract Sculptures

"Untitled" is an abstract extruded anodized aluminum sculpture by Donald Judd in 1991. The artwork is 5 7/8 x 41 3/8 x 5 7/8 inches. It is stamped on plaque, "Don Judd...

Paul Dierkes (1907 Cloppenburg - 1968 Berlin), Archaic Head. Limestone, 1952. 15 x 9 x 12 cm (without plinth), 19 x 10 x 11 cm (with plinth), monogrammed "PD" on the reverse. - S...

"Canada Series" is a Post War abstract sculpture made with plexiglass with metal fasteners by Louise Nevelson in 1968. The artwork is 44 1/4 x 31 x 11 1/2 inches and weighs 80 lbs. ...

"Untitled (Sounding Sculpture)" is a Post-War abstract metal sculpture created by Harry Bertoia in circa 1970. This artwork is 56.25 x 10 x 10 inches and weighs 45 lbs. Bertoia was...

"Untitled (Sounding Sculpture)" is a Post-War abstract metal sculpture created by Harry Bertoia in circa 1970s. This artwork is 77 x 11 x 11 inches and weighs 47 lbs. Bertoia was e...

"Untitled (Sounding Sculpture)" is a Post-War abstract sculpture by Harry Bertoia in circa 1970. The artwork is 40.5 x 8 x 8 inches and weighs 15 lbs. Bertoia was enthralled by mus...

"Eight Lines II - Sketch for Twenty Four Lines" is a Post-War abstract sculpture by George Rickey in 1963. The artwork is 57.75 x 54 x 54 inches and weighs 15 lbs. It is signed on th...

"Two Up One Down Staggered" is a Post-War abstract sculpture by George Rickey in 1967-1968. The artwork size is 97 x 52 x 8 inches. The sculpture weighs 30 lbs. It is signed on the b...

The small bronze statue portrays a lady standing, with the arms lifted up to help her looking far away. It's an single cast. It can be dated to th...

Gerome L. Kamrowski (1914 - 2004) Abstract Sculpture Oil on wood 62 inches high Provenance: The artist's estate Gerome Kamrowski was born in Warren, Minnesota, on January 19, 1914. In 1932 he enrolled in the Saint Paul School of Art (now Minnesota Museum of American Art - MMAA), where he studied with Leroy Turner, and Cameron Booth. Both Turner and Booth had been students of Hans Hofmann, and were also associated with the Abstraction-Création group in Paris. It was from these peers that Kamrowski was introduced to a "kind of expressionist cubism." In 1933 Kamrowski was awarded a scholarship to the Art Students League, where he would study in New York under Hans Hofmann. Unfortunately, immigration problems had prevented Hofmann from assuming his post. Nevertheless, Kamrowski decided to remain in New York for a short time, to attend classes taught by George Grosz. After a few weeks, he returned to St. Paul, and found a position in the mural painting division of the Minnesota FAP/WPA (Works Progress Administration). In 1936 he contributed “Synthetic Cubist Style” frescoes in the Northrup Auditorium of the University of Minnesota. In 1937 Kamrowski went to Chicago to study under László Moholy-Nagy and Alexander Archipenko at the New Bauhaus (now Illinois Institute of Technology's Institute of Design). There he was exposed to new and interesting ideas regarding the role of nature in art and the "geometric basis of natural form". In 1938 Kamrowski received a Guggenheim fellowship to attend Hans Hofmann's summer school in Provincetown, Massachusetts. He then relocated to New York where he met William Baziotes. Together they shared a fascination in Surrealist automatic writing, and both artists explored its possibilities in their paintings. Kamrowski was particularly drawn to Surrealism's fundamental appeal of intuition over intellect. He was interested seeking a process that "binds all things together...a kind of cosmic rhythm". Throughout the late 1930s and early 1940s while living in New York, Kamrowski became an integral part of the emerging surrealists. In 1942, the artist Roberto Matta attempted to form a group of artists to investigate new applications for Surrealist methods. He invited Kamrowski, along with William Baziotes, Jackson Pollock, Peter Busa...

An artwork by Louise Nevelson. "Untitled" is a found-object, assemblage, abstract sculpture, painted wood, violin key and clothespin in a black palette by Post War artist Louise Nevelson. Louise Nevelson was an early conceptual artist who worked in a variety of media before engrossing herself with wood sculpture. Her sculptures are made of intricately cut and built wood pieces that create puzzle-like compositions. Often, these sculptures were painted black to incorporate every color – for Nevelson, black was not the absence of color, but the totality of it. Later in her career, she began to incorporate white and gold into her repetoire, however the sculptures remained monochromatic. Nevelson was a prolific artist, who was accorded the highest critical acclaim yet achieved by an American woman artist. Her artwork is held in a number of exceptional private and public collections, including the Metropolitan Museum of Art in New York, the Cleveland Art Museum, and the Los Angeles County Museum of Art. Provenance: Gertrude Stein Gallery, New York The Arthur and Anita Kahn...

Smooth surfaced, black granite has been engineered into an elegant and classic depiction of a female figure by Jeremy Guy. The formalist play of positive and negative space reveals a...