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Brandon Vickerd
Dead Astronaut

2008

Price:$16,000

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Untitled Contemporary Sculpture in Paint and Resin, 2010s, Unframed

Untitled Contemporary Sculpture in Paint and Resin, 2010s, Unframed

By Guillaume Lachapelle

Located in Montreal, Quebec

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Category

2010s Contemporary Figurative Sculptures

Materials

Resin, Paint

Project 596 (Phantom Pain) Contemporary Bronze Sculpture, Unframed

Project 596 (Phantom Pain) Contemporary Bronze Sculpture, Unframed

By Brandon Vickerd

Located in Montreal, Quebec

I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrative...

Category

2010s Contemporary Figurative Sculptures

Materials

Bronze, Steel

Landslip Mixed Media Sculpture, Contemporary, Unframed, 2010+

Landslip Mixed Media Sculpture, Contemporary, Unframed, 2010+

Located in Montreal, Quebec

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

Category

2010s Contemporary Figurative Sculptures

Materials

Mixed Media

Extrapolation 2 Contemporary Sculpture in Paint and Resin, 2010+

Extrapolation 2 Contemporary Sculpture in Paint and Resin, 2010+

By Guillaume Lachapelle

Located in Montreal, Quebec

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Category

2010s Contemporary Figurative Sculptures

Materials

Resin, Paint

My Father Came Over From England Sculpture, Contemporary, 21st Century

My Father Came Over From England Sculpture, Contemporary, 21st Century

By Bevan Ramsay

Located in Montreal, Quebec

Beyond Sociology: The Act of Seeing a Person Text by Edwin Janzen It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity. Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...

Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Plaster, Wood

Cranium Sculpture, Contemporary Bronze and Steel, 2010s, Unframed

Cranium Sculpture, Contemporary Bronze and Steel, 2010s, Unframed

By Brandon Vickerd

Located in Montreal, Quebec

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

Category

2010s Contemporary Figurative Sculptures

Materials

Bronze, Steel