Chalk Figurative Sculptures

Carved and painted wooden sculpture - Madonna praying - Italy, 17th-18th century. 35 x 20 x h 65 cm. Entirely in carved, lacquered and painted wood. Some missing parts and color lo...

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

"Pioneer Family," 23 1/2 x 16 1/4 x 10 3/4 inPlaster. c. 1927. Unsigned. Realism The Smithsonian has a cast of this sculpture in its collection. Pictured on the cover of “The Sculpt...

'Mother and Child' is an original stone sculpture by the Zimbabwean artist Obert Mukumbi. This sculpture is unlike most other examples of Shona sculpture in that it has been carved to sit on a step, ledge or shelf rather than to stand upright. While this difference offers the chance for a more interactive artwork that can be set in unexpected locations, the aesthetics sensibilities that Obert applies to the subject are steeped in the Shona tradition. The materiality of the stone is on full display, with the artist playing with textures of rough-hewn stone and smooth polish. In addition, the mother and child show an intimate relationship, a common and desired theme amongst Shona artists. springstone not signed 25 x 10 x 11 inches, overall body stands 16 inches tall from seat legs extend 9.25 inches downward from seat concrete base included at request of buyer 95 lbs Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

The bronze sculpture of a woman by Charles Rumsey is undated, but was created at a point in his career where he began to transition from realism to more modern, looser depictions of ...

'Fish Totem' is an original springstone sculpture by the Zimbabwean artist Obert Mukumbi. The sculpture presents an interactive and playful combination of subjects, both of which are beloved themes in the Shona tradition. As one faces the sculpture, they are presented at first with a pair of figures: an adult and child, one towering above the other. Surrounding them like a shawl is a mandorla-form, which emphasizes their tall upward posture and movement. This pair of figures emphasizes close relationships and family ties. As one walks around the sculpture, however, the almond shape transforms into the body of a boldly striped fish. This duality of human and animal brings mysticism and transformation to the sculpture and suggests the power and vitality of nature in sustenance and spirit. springstone signed "Obert Mukumbi" along bottom edge 34.5 x 7 x 12 inches concrete base included at buyer request hole drilled into bottom to accommodate steel support rod Overall excellent condition with no signs of wear or damage. Obert Mukumbi was born on February 11, 1974 in the village of Dengu in Bindura, some 86 kilometers north east of Harare, Zimbabwe, where he likewise completed his O-levels in school. During his education, he was interested in wood craft. By age twelve, however, he began working in stone under the guidance and encouragement of his brother Kennedy Musekiwa...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Bust of a man is an original sculpture in bronze realized after Aurelio Mistruzzi in the late 1990s. Bronze casting. 18 cm height, 24 cm height with wooden base. Good conditions.

A superb smaller version of a large scale commission work that stands in Bordeaux at the Hotel Fruges! Lovely patina - a lighter but rich and warm brown tone that is rare to see in ...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Pair of bookend sculptures. Venice, 17th century. 15 x 15 x h 29 cm. Entirely in finely carved wood. - This item is sold with a certificate of authenticity with legal validity. -...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...