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Period: 1870s
Antoine-Louis Barye Petit Fou De Rome Bronze
Located in Dallas, TX
Antoine-Louis Barye (French, Paris 1795–1875 Paris)
Roman Jester (Petit fou de Rome)
modeled probably circa 1874, executed after 1875
Measure: Height 6.25 inches
Condition: Very go...
Category
1870s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Lion Qui marche 17 Inch
Located in Dallas, TX
ANTOINE LOUIS BARYE (FRENCH 1795-1875)
Lion Qui Marche; The Walking Lion is an iconic Barye bronze depicting the fierce and elegant Lion Barye studied in the Paris zoo in the early n...
Category
1870s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Bronze Dromadaire Harnaché D'Égypte Camel
Located in Dallas, TX
ANTOINE-LOUIS BARYE (FRENCH, 1796-1875): A patinated bronze model of Dromadaire harnaché d'Égypte
Signed 'BARYE' and stamped 'BARYE' by the Brame foundry
Raised on naturalistic base...
Category
1870s Figurative Sculptures
Materials
Bronze
Jean Baptiste Auguste Clesinger Femme Piquée Par Un Serpent
Located in Dallas, TX
JEAN-BAPSITSE AUGUSTE CLÉSINGER (FRENCH, 1814-1883)
Femme piquée par un serpent
Inscribed J. CLESINGER and F. BARBEDIENNE. FONDEUR
Bronze, dark brown patina
8 in. (20.3 cm.) high, 22...
Category
1870s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Tigre Qui Marche 17”
Located in Dallas, TX
ANTOINE LOUIS BARYE (FRENCH 1795-1875)
Tigre Qui Marche; The Walking Tiger is an iconic Barye bronze depicting the fierce and elegant tiger Barye studied in the Paris zoo in the earl...
Category
1870s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Tigre Marchant
Located in Dallas, TX
Antoine-Louis Barye (French 1799 - 1875)
tigre marchant (walking tiger)
signed: BARYE Circa 1876
bronze, dark brown patina
Dimensions: 17 Inches long x 9.75 Inches high x 4 Inches d...
Category
1870s Figurative Sculptures
Materials
Bronze
Antoine Louis Barye Dromadaire D’Algerie Camel
Located in Dallas, TX
Antoine-Louis Barye
Dromadaire d'Algérie Circa. 1874
First offered in Barye's 1862 catalogue under the title Dromadaire d'Égypte, the present study became known as Dromadaire d'Alg...
Category
1870s Figurative Sculptures
Materials
Bronze
Vasili Grachev Troika Passage
Located in Dallas, TX
Vasili Grachev, 1831-1905. A patinated chocolate brown bronze grouping of horses pulling a troika with figures. A Classic Russian bronze grouping of three horses tearing through the ...
Category
1870s Figurative Sculptures
Materials
Bronze
Bust in patinated plaster " terracotta style " 19th century with Louvre seal
Located in Gavere, BE
Important patinated plaster bust representing the Faun of Vienna.
the original of which is in the collections of the Louvre museum (marble statue discovered in Vienna in 1820 and dat...
Category
Baroque 1870s Figurative Sculptures
Materials
Plaster
Tiger and Lion walking
Located in PARIS, FR
Rare pair of "Tiger and Lion walking"
by Antoine-Louis BARYE (1796-1875)
A very fine pair of bronze sculptures with a nuanced brown patina
each signed "Barye" on the base
cast by "F...
Category
French School 1870s Figurative Sculptures
Materials
Bronze
The Spring
Located in PARIS, FR
The Spring
by Albert-Ernest CARRIER-BELLEUSE (1824-1887)
Sculpture made in white Carrara marble
signed on the base "A. Carrier-Belleuse"
France
circa 1870
height 76,5 cm
width 30 cm
depth 24 cm
Biography :
Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date.
In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer.
Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church.
Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart.
Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois, Eugène Delaplanche, Jules Dalou or Joseph Chéret; but he was best known for having been the master of Auguste Rodin who entered his studio as a practitioner in 1864.
Carrier-Belleuse devoted himself a lot to decorative sculpture. He contributed to the decorations of many important buildings. We owe him in particular the caryatids of the Renaissance theater in Paris, the pediment of the main entrance to the Banque de France, the stucco ceilings of the Lesdiguières and La Trémoïlle pavilions at the Louvre Palace, the frieze of the Palais de la Bourse in Brussels, or the decoration of the Hôtel de la Païva on the Champs-Elysées in Paris. He also received State commissions for monuments: that of Jean-Jacques Rousseau in Montmorency, of Alexandre Dumas, in Villers-Cotterêts, of Masséna in Nice. Abroad, he produced the equestrian statue of Michael the brave in Bucharest and the tomb of José de San Martín in Buenos Aires.
In 1873, Carrier-Belleuse took part in the construction of the Paris Opera house, directed by his friend Charles Garnier. He created the two monumental torchieres...
Category
French School 1870s Figurative Sculptures
Materials
Marble
Diana with an arrow
Located in PARIS, FR
Diana with an arrow
by Albert-Ernest CARRIER-BELLEUSE (1824-1887)
Bronze sculpture with a dual light and dark brown patina
signed on the base "Carrier-Belleuse"
inscribed on a front plaque "Diane à la Flèche par Carrier-Belleuse (Sculptr)"
France
circa 1870
height 83 cm
arrow added probably in the 20th c.
Biography :
Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date.
In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer.
Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church.
Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart.
Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...
Category
French School 1870s Figurative Sculptures
Materials
Bronze
Suzanne Surprise
Located in PARIS, FR
"Suzanne Surprise" by Jean-Baptiste Carpeaux (1827-1875)
Terra cotta
"Propriété Carpeaux"
Marked with the stamp ‘Propriété Carpeaux’ with the Imperial Eagle and the stamp 'Atelier ...
Category
French School 1870s Figurative Sculptures
Materials
Terracotta
“Ane d’Afrique” African Donkey bronze by Auguste Cain, Susse foundry
By Auguste Cain
Located in PARIS, FR
Charming little bronze by the great animal sculptor Auguste-Nicolas Cain, signed A.Cain on the side, inscribed Ane d’Afrique (Donkey from Africa) and Susse Fres on the terrace. The...
Category
Impressionist 1870s Figurative Sculptures
Materials
Bronze
Antique, Chinoiserie Figural Group
Located in Newport Beach, CA
An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...
Category
1870s Figurative Sculptures
Materials
Terracotta, Wood
Antique Horse Bronze Trotting Stallion Isidore Jules Bonheur (France, 1827-1901)
Located in SANTA FE, NM
Antique Horse Bronze
Portrait of a Trotting Stallion
Isidore Jules Bonheur (France, 1827-1901)
Cast bronze mounted on a rectangular plinth with dark brown patina,
Signed: I. BONHEUR
17 x 11 3/4
A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones.
Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899.
Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy.
An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...
Category
Realist 1870s Figurative Sculptures
Materials
Bronze
Antique Bronze Portrait Draft Horse by Isidore Jules Bonheur (France, 1827-1901)
Located in SANTA FE, NM
Antique Bronze Portrait of a Draft Horse
Isidore Jules Bonheur (France, 1827-1901)
Circa 1840s
Cast bronze mounted on a rectangular plinth atop a marble s...
Category
Realist 1870s Figurative Sculptures
Materials
Bronze
The Swimmer
Located in Costa Mesa, CA
This very finely carved statue is of a swimmer just leaning over to dive into an unseen pool. Signed P. Barzanti, Florence for Pietro Barzanti (1825-1895) of Florence, Italy. Barzani was a well known sculptor known for classical works in marble which is reflected in this figure's very delicate facial features and the skill shown in the carving of her hair and the cloth of her bathing costume...
Category
1870s Figurative Sculptures
Materials
Marble
Indian Art Pottery Buddha Large Charger Swans Flowers Art India 19th Century
Located in Norfolk, GB
A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves.
Bombay Scho...
Category
Other Art Style 1870s Figurative Sculptures
Materials
Clay, Terracotta, Paint, Glaze
Marble Sculpture 19th Century White Carrara Marble Nude Man Wounded Nude
Located in Miami, FL
Signed and titled at the base, Sloan's Auctioneers, 1998
The work shows a peak moment of drama and is meticulously carved in the neo-classical style.
Lion garment in the back with ...
Category
Realist 1870s Figurative Sculptures
Materials
Marble
Warrior and Wounded Youth. Helmeted mustachioed man holding Wounded - Lion Face
Located in Miami, FL
Signed and titled at the base, Sloan's Auctioneers, 1998
The work shows a peak moment of drama and is meticulously carved in the neo-classical style.
Lion garment in the back with ...
Category
Realist 1870s Figurative Sculptures
Materials
Marble
Perseus Freeing Andromeda
Located in New York, NY
JEAN-LÉON GRÉGOIRE
French, (1840-1890)
Perseus Freeing Andromeda
Patinated bronze; Signed 'L. GREGOIRE’
25 1/2 x 13 x 11 inches
Notes:
Jean-Léon Grégoire started to exhibit at...
Category
1870s Figurative Sculptures
Materials
Bronze
St Cecilia
Located in London, GB
D. BRUCCIANI & CO
(19th Century)
St Cecilia
Polychrome painted plaster bust with mould lines visible (probably later painting)
47 cm., 18 ½ in. high
Dom...
Category
Renaissance 1870s Figurative Sculptures
Materials
Plaster
Mountain Goat
Located in Missouri, MO
Jules Moigniez
"Mountain Goat"
Bronze
approx 11 x 9 x 4 inches
Signed
Jules Moigniez (1835-1894)
Jules Moigniez was born in Senlis sur L'Oise, France ...
Category
Realist 1870s Figurative Sculptures
Materials
Bronze
The Hunter and Hound
Located in Missouri, MO
Pierre-Jules Mene
"The Hunter and Hound" (Le Valet de Limier) 1879
Bronze
approx. 19 x 8 x 14 inches
Signed
PIERRE JULES MENE (1810-1879)
Pierre...
Category
Realist 1870s Figurative Sculptures
Materials
Bronze
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