French School Figurative Sculptures

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

Inspired by the head of Apollo by Antoine Bourdelle. A woman with strong firm but still vulnerable expresson.

Pheasant by François Pompon (1855-1933) Exceptional bronze with old gilded patina Cast by Valsuani Period cast France circa 1930 height 8,2 cm length 14,2 cm width 3,6 cm A simila...

Woman taking off her shirt by James PRADIER (1790-1852) Bronze with a nuanced brown patina cast by SOYER and INGE France circa 1850 height 28,5 cm Biography : Jean-Jacques Pradier...

Equestrian Joan of Arc by Emmanuel FREMIET (1824-1910) A very fine bronze equestrian group with a delicate and nuanced brown patina signed "E. Fremiet" on the base cast by "F. Barb...

"Centaur" by Laurent Belloni (born 1969) Bronze cast with a nuanced dark brown patina Signed "Belloni" on the base Foundry mark "Susse fondeur Paris" numbered 1/1 France circa 1996...

Man's head wearing glasses by Laurent Belloni (né En 1969) Bronze cast with a nuanced black patina Signed "Belloni" on the base Foundry mark "Susse fondeur Paris", and foundry stam...

Laurent Belloni (né En 1969) Man's head Bronze cast with a nuanced black patina Signed "Belloni" on the foot Foundry mark "Susse fondeur Paris" numbered 1/8 France around 1996 hei...

Turkish Horse Antoine-Louis BARYE (1796-1875) "Cheval turc, antérieur gauche levé, terrasse carrée" Bronze with nuanced dark brown patina signed "Barye" on the base cast by "F. Barb...

" Vertical Position N.1 " by Laurent Belloni (né En 1969) Bronze cast with a nuanced black patina Signed "Belloni" on the base Foundry mark "Susse fondeur Paris", and foundry stamp...

Ape riding on a Gnu by Antoine-Louis BARYE (1796-1875) A bronze group with a nuanced dark green patina signed "Barye" on the base Old cast probably by Brame France circa 1890 heig...

Gunnar Knut Nilsson, born 1904 in Karlskrona, died 1995 in Versailles in France, was a Swedish sculptor. Gunnar Nilsson studied watercolor painting and modeling at the Technical Vocational School in Karlskrona in 1918-19 and on his own in addition to working as a clerk at Finspångs Metallwerk. His debut exhibition was in Finspång in 1927. With the help of a local fundraiser, and after the encouragement of Carl Eldh, he traveled to Paris in 1928 to study sculpture for, among others, Charles Despiau and Paul Niclausse. In Paris he socialized with Bror Hjorth, whose former studio he also rented, Carl Frisendahl and Alberto Giacometti. He came to belong to "Le groupe des Neuf'' with Paul Cornet...

The Spring by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture made in white Carrara marble signed on the base "A. Carrier-Belleuse" France circa 1870 height 76,5 cm width 30 cm depth 24 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois, Eugène Delaplanche, Jules Dalou or Joseph Chéret; but he was best known for having been the master of Auguste Rodin who entered his studio as a practitioner in 1864. Carrier-Belleuse devoted himself a lot to decorative sculpture. He contributed to the decorations of many important buildings. We owe him in particular the caryatids of the Renaissance theater in Paris, the pediment of the main entrance to the Banque de France, the stucco ceilings of the Lesdiguières and La Trémoïlle pavilions at the Louvre Palace, the frieze of the Palais de la Bourse in Brussels, or the decoration of the Hôtel de la Païva on the Champs-Elysées in Paris. He also received State commissions for monuments: that of Jean-Jacques Rousseau in Montmorency, of Alexandre Dumas, in Villers-Cotterêts, of Masséna in Nice. Abroad, he produced the equestrian statue of Michael the brave in Bucharest and the tomb of José de San Martín in Buenos Aires. In 1873, Carrier-Belleuse took part in the construction of the Paris Opera house, directed by his friend Charles Garnier. He created the two monumental torchieres...

A fine & large (34" tall) antique French gilt-bronze on marble column of Diana, cast by Ferdinand Barbedienne (1810-1892) after a statue by Jean Antoine Houdon (1741-1828), the bronz...

Elephant trotting by Roger GODCHAUX (1878-1958) Rare sculpture in bronze with a nuanced dark brown patina Signed " Roger Godchaux " on the base Artist's cast, with no foundry mark France circa 1930 height 15 cm length : 25 cm Biography : Roger Godchaux (1878-1958) was a French painter, drawer and animal sculptor. If all domestic and wild bestiary was part of his artistic universe, wild beasts and elephants having been his favorite subjects. As a figurative sculptor, he represented the animal without artifice, in his attitudes of everyday life. From Vendôme Godchaux joined Paris, where he prepared in 1894 admission to the School of Fine Arts. He soon turned to animal art. He became a pupil of Jules Adler...

Lion and snake n°3 by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark greenish brown patina signed "Barye" on the base old edition cast – probably from the Bary...

Bust of a young woman wearing a shawl by Albert-Ernest Carrier-Belleuse (1824-1887) Terracotta bust Raised on a in blackened wood pedestal signed "A. Carrier " France circa 1860 total height 41 cm width 24 cm depth 17 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart...

" Businessman " by Honoré DAUMIER (1808–1879) A very fine sculpture in bronze with a black patina. Monogramed on the base « HD » for Honoré Daumier. Old edition cast by C. Valsuani ...

Purebred named "Coyote" by Georges MALISSARD (1877-1942) Horse bronze sculpture with a dark brown patina old cast Signed on the base " G. Malissard " And titled " Coyote " France E...

Reclining Doe by Antoine-Louis Barye (1796-1875) Bronze sculpture with a nuanced dark brown patina signed "Barye" on the base old edition cast – probably from the Barye's workshop (...

Bear Dentist by Christophe FRATIN (1801-1864) Bronze with nuanced old gilt-light brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 15 cm A s...

Bear Bagpiper by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Old edition cast France mid-19th century height 10,5 cm Biography ...

Parrotlet by Armand PETERSEN (1891-1969) & SEVRES Manufacture Sculpture in white paste porcelain Signed « A. Petersen » Old edition artwork. Stamped by the porcelain manufacture of ...

Rembrandt BUGATTI (1884-1916) French bulldog also known as The Dog of Teresa Lorioli (mother of the artist) Small size Sculpture in bronze with a nuanced black patina. Signed on the base "R.Bugatti" A lost wax cast by "A.A. Hébrard" (with founder stamp) and numbered "11" Model created in 1905 Cast before 1934 Edition of 50 copies height 13,5 cm length of the base 13,2 cm depth of the base 8,4 cm A similar copy acquired in 1906 directly from the artist and numbered "35" is now part of the collection of the Alte Nationalgalerie in Berlin (inv. BI 251). Bibliography : - Mary Harvey, The Bronzes of...

Self-portrait "Fratin by himself" by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Raised on a wooden base, with an old collector s...

Bronze sculpture with a nuanced dark brown patina signed on the base "A. Carrier" inscribed on a front plaque "Charmeuse de Serpents par Carrier-Belleuse" France circa 1860 height 80,5 cm Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...

Pair of bookends with Elephants by Ary BITTER (1883-1973) A very fine pair of bronze sculptures with old gilded nuanced dark brown patina Signed " Ary Bitter Sclp " on an original plaque Old cast by Susse Frères Raised on wooden bases France Circa 1935 total height for one: 27,5 cm total height for the other: 17 cm Biography: Ary Jean Léon...

Head of a girl by Paul BELMONDO (1898-1982) Bronze with a nuanced dark brown patina Signed "P. Belmondo" Stamped with the foundry mark "Alexis Rudier. Fondeur Paris" Raised on its ...

Diana with an arrow by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with a dual light and dark brown patina signed on the base "Carrier-Belleuse" inscribed on a front plaque "Diane à la Flèche par Carrier-Belleuse (Sculptr)" France circa 1870 height 83 cm arrow added probably in the 20th c. Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...

Bather by Etienne Hachenburger (19th-20th C.) Sculpture in white Carrara marble Signed on the side of the base "E. Hachenburger" A simiilar model was exhibited at the Paris Salon oh...

Sculpture in bronze with a nuanced greenish brown patina Signed " F. Sicard " on the base With the foundry stamp " Fumière et Cie Sucrs, Thiébaut Fres, Paris " Stands on its original green marble base With a dedication to the wellknown French chef Edouard Nignon : "A Mr Nignon, ses fournisseurs. En souvenir de son élévation au grade de Chevalier dans la Légion d'Honneur. Paris le 7 mai 1921" France cast around 1920 height 100 cm Biography : François-Léon Sicard (1862-1934), known as François Sicard, was a French sculptor. Originally from Tours, he obtained a municipal grant to study at the Fine arts Schoool in Paris. He learned sculpture there under the direction of Jules Cavelier and Louis-Ernest Barrias and became a laureate of the Prix de Rome in 1891. As a resident of the Villa Medici in Rome from 1892 to 1895, he befriended Adolphe Déchenaud who painted his portrait. His career earned him numerous public and private commissions and Sicard received various awards at fairs and exhibitions, including the medal of honor at the 1900 World's Fair and the medal of honor at the 1905 Salon. Having become a professor at the School of Fine Arts in Paris, François Sicard was elected member of the Institute in 1924 and president of the Fine arts Academy in 1930. He was the appointed sculptor of Georges Clemenceau, of whom he sculpted the bust, the group statue of Sainte-Hermine, and which commanded him the Minerva in blond Egyptian stone...

Petite tête de l'Homme au nez cassé Small head of the Man with the broken nose by Auguste RODIN (1840-1917) Sketch for the Gates of Hell Variant with symmetric neck Bronze with blac...

St Michel Archangel Sculpture by P Barlaud Wooden Sculpture of Saint Michel fighting the Dragon Classic French subject which also has Georg...

(after) Arthur Marie Gabriel comte du Passage (1838-1909) Horse training with its stable lad A rare large bronze group with nuanced dark brown patina circa 1896 signed on the base "...

"Minerva driving her chariot" by Emmanuel Fremiet (1824-1910) Very beautiful group in bronze with old gilded patina Cast by BARBEDIENNE France circa 1880 height : 54 cm length : 54...

"Motherhood" by Jules DALOU (1838-1902) Bronze with a dark brown patina A very fine cast by HEBRARD The casts by Hébrard are always the finest ones regarding Dalou's works. Perfect in quality of cast and patina. France model dated 1874 cast around 1905 Height 45 cm A similar model reproduced in "Jules Dalou, le sculpteur de la République", Exhibition held at the Musée du Petit Palais, Paris, 2013, page 356, n°286. Biography : Aimé-Jules Dalou, said Jules Dalou(1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

"Suzanne Surprise" by Jean-Baptiste Carpeaux (1827-1875) Terra cotta "Propriété Carpeaux" Marked with the stamp ‘Propriété Carpeaux’ with the Imperial Eagle and the stamp 'Atelier ...

"Turkish Horse" by Antoine-Louis Barye (1796-1875) Bronze with nuanced dark brown patina cast by BARBEDIENNE France circa 1880 height 28 cm length 31,5 cm This is the biggest size...

"Caesar crossing the Rubicon" by Jean-Léon Gérôme (1824-1904) Bronze with triple patina, gilded, brown and dark brown Cast by SIOT France circa 1900 height 38 cm length of the bas...

Bronze Art Déco représentant une oie, les ailes déployées. Il est à fine patine brune. Socle en marbre vert. Signé de LUC. H.31 L.21.

Seated Woman with a Fan by Auguste Seysses (1862-1946) Bronze with nuanced light brown patina cast by HEBRARD France Early 20th century height 49.5 cm width 47 cm Biography : Feli...

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

A recent show in 2023- 2024 of Richard Guino's work was a beautiful survey showing his work, and the work of Senior, are almost interchangeable. This exhibit in Perpignan France sho...

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

Mixed media Unique piece Hand signed Certificate of authenticity included

Jacques COQUILLAY (né en 1935) Victoire Original bronze Size : 105 x 22 x 20 cm Copy No. 1/8 Signature and numbered on the base. Original bronze made with “lost wax” The edition o...

Jacques COQUILLAY (né en 1935) Marie Original bronze Size : 56x39x17cm Copy No. 4/8 Signature and numbered on the base. Original bronze made with “lost wax” The edition of the bro...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced brown patina cast by Susse Frè...

Equestrian sculpture "Roman driver on his chariot" by Emmanuel Fremiet (1824-1910) Bronze with its original nuanced dark brown patina cast by MORE France circa 1880 height 41,5 cm l...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina no founder s...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Suss...

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

inscribed J. Moigniez bronze with brown patina, cast during the artist’s lifetime height 18 1⁄2 inches (47 cm.), width 29 1⁄8 inches (74 cm.) PROVENANCE James Graham & Sons, Inc., N...

This bearer of sheave is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frère...

This Hay binder is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - st...

This paver is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - stamped...

This Hay baler is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina c...

STATUE REPRESENTANT UN MAURE Trois dauphins supportant un matelot des iles portant une corne d'abondance et petits animaux marins dont crabe et coquillage. Sculpture en bois polychro...