Platter Figurative Sculptures

Melanie Sherman Vintage Moth I (Hand-Painted, Gold Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster Year: 2025 Size: 4.5 x 6 x 0.5 inches Sig...

Pablo Picasso Corrida with Spectators, 1950 Original ceramic of Pablo Picasso, white faience earth and enamel Stamp on the Back : Empreinte originale Picasso - Madoura Plein Feu Lim...

• Picasso began working with ceramics in 1946 at the Madoura workshop in Vallauris, opening an important new chapter in his career. • He created over 3,500 ceramic works, transformi...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

In this new series of wall plaques, titled "Behind Closed Doors," the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features w...

In this new series of wall plaques, titled ""Behind Closed Doors,"" the artist reimagines original images from a book titled In Praise of the Backside. The book's collection features...

Melanie Sherman "Owl Bowl Eulenschale" Year: 2021 Porcelain, Chinapaint, German Gold Luster, Flocking, Gold Leaf Cone 6, oxidation + multiple cone 018 firin...

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate R (“Fish” Service Plate), 1947 A.R. 3. A sweeping blue back and a orange belly make up the...

Created in 1952, Tête de chèvre de profil (Goat’s Head in Profile) 1952 A.R. 145, is a Madoura oblong dish of white earthenware clay with decoration in engobes on partial brushed glaze (mat blue, green, ivory, black). From an edition of 250, this work is stamped with the 'Empreinte Originale de Picasso' and 'Madoura Plein Feu' pottery stamps on verso. Pablo Picasso ceramic Tête de chèvre de profil (Goat’s Head in Profile), 1952 A.R. 145 is a playful and exuberant work of art that highlights Picasso’s capability as a well-rounded artist. Using lines, circles, and earthy colors, he showcases a goat’s head in profile. This work takes its viewers on a journey of sensation as we plunge into the crevices of the ridges that give texture to the coating of the plate. The sensation attributes to the liveliness of the goat as we can almost feel and touch it. Moving from the goat’s profile, we see heavy uses of blue dots outlining the head, reaching out towards the perimeter of the plate. These embellishments can be described as eccentric and imaginative—all of which perfectly designate Picasso as a prolific artist. Electric green, rustic blue, and tranquil beige are all a part of the color palette that bring out all the intricate details and accents. This work encapsulates the mastery of him as an experimenter and innovator. Taking us on a whimsical journey through the sensation of touch and color, this outstanding work embodies Picasso’s ingenious artistic talents. Catalogue Raisonné: Pablo Picasso ceramic Goat...

Danseurs et Joueur de Diaule (Dancers and Diaulos Player), A.R. 341 can be compared to several other white earthenware pieces created by Picasso in 1956. Each depicts the carefree imagery of dancers, musicians, and fauns to which the artist returns time and again. Framed under a sloping mountain, two figures dance with arms raised above their heads, hands clasped in a spontaneous gesture. Leafy trees and flowers mark...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Melanie Sherman Zierkarpfen (Koi) Year: 2016 Porcelain, China Paint, 24K German Gold Luster, Flocking Fired multiple times, Cone 6, Cone 018 Size: 1.25 x 16 x 7.75 inches Signed Exhi...

THIS PIECE WILL BE MADE TO ORDER BY THE ARTIST* Melanie Sherman "Hand mit Blumen" (Hand with Flowers) Year: 202* Porcelain, China Paint, 24K German Gold Luster, Hand-made Decals Fired multiple times, Cone 6, Cone 018 Size: 1.25 x 16 x 7.75 inches Signed Exhibition History: Red Lodge...

The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...