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Ulises Jimenez ObregonSTANDING NUDE2000
2000
$1,050List Price
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A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi
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A late 17th c. Italian carved figure of Mermaid,
Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702)
Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base)
Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock.
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The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude.
Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral.
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Our sculpture was probably part of a decorative monumental palace.
The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries.
Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa.
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By Demetre Chiparus
Located in Los Angeles, CA
Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris.
He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher.
Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris.
The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children.
The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated.
He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models.
Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened.
Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican.
Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers.
Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time.
After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt...
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RECLINGING WOMAN
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ANTONIUCCI VOLTI
"RECLINGING WOMAN"
BRONZE, SIGNED, NUMBERED 2/6
VALSUANI FOUNDRY
ITALiAN, WORKED IN PARIS, C.1960
6.5 X 18.5 X 10.5 INCHES
Antoniucci Volti
1915-1989
Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France.
Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen.
After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed.
From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris.
He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...
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L'ABISSO
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Document from the Nashvile Art Association dated 1925. The marble was purchased in Florence, Italy at an exhibit of The Association of of Italian Artists.
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Kneeling Nude
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Located in Los Angeles, CA
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A tall dynamic chipped wood standing nude torso mounted on a stone base.
Great form and patina.
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Standing Nude
By Eugene Wagner
Located in Los Angeles, CA
An original carved wood sculpture of an Art Deco standing nude .
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