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Demetre Chiparus
Hoop Dancer
1920's

Name: Hoop Dancer
Brand: Demetre Chiparus
Rating: 4.9 (41 reviews)

About the Item

Demetre Haralamb Chiparus (also known as Dumitru Chiparus) (16 September 1886 in Dorohoi, Romania - 22 January 1947 in Paris, France) was a Romanian Art Deco* era sculptor who lived and worked in Paris. He was born in Romania, the son of Haralamb and Saveta. In 1909 he went to Italy, where he attended the classes of Italian sculptor Raffaello Romanelli. In 1912 he traveled to Paris to attend the Ecole des Beaux Arts* to pursue his art at the classes of Antonin Mercie and Jean Boucher. Demetre Chiparus died in 1947 and was buried in Bagneux cemetery, just south of Paris. The first sculptures of Chiparus were created in the realistic style and were exhibited at the Salon of 1914. He employed the combination of bronze and ivory, called chryselephantine*, to great effect. Most of his renowned works were made between 1914 and 1933. The first series of sculptures manufactured by Chiparus were the series of the children. The mature style of Chiparus took shape beginning in the 1920s. His sculptures are remarkable for their bright and outstanding decorative effect. Dancers of the Russian Ballet, French theatre, and early motion pictures were among his more notable subjects and were typified by a long, slender, stylized appearance. His work was influenced by an interest in Egypt, after Pharaoh Tutankhamen's tomb was excavated. He worked primarily with the Edmond Etling and Cie Foundry in Paris administrated by Julien Dreyfus. Les Neveux de J. Lehmann was the second foundry which constantly worked with Chiparus and produced the sculptures of his models. Chiparus rarely exhibited at the Salon. In 1923 he showed his Javelin Thrower, and in 1928 exhibited his Ta-Keo dancer. During the period of Nazi persecution and the World War II, the foundries discontinued production of work by Chiparus. The economic situation of that time was not favorable to the development of decorative arts and circumstances for many sculptors worsened. Since the early 1940s almost no works of Chiparus were sold, but he continued sculpting for his own pleasure, depicting animals in the Art Deco style. At the 1942 Paris Salon, the plaster sculptures Polar Bear and American Bison were exhibited, and in 1943 he showed a marble Polar Bear and plaster Pelican. Sculptures of Dimitri Chiparus represent the classical manifestation of Art Deco style in decorative bronze ivory sculpture. Traditionally, four factors of influence over the creative activity of the artist can be distinguished: Serge Diaghilev's Ballets Russes, ancient Egyptian art, and French theatre. Early motion pictures were among his more notable subjects and were typified by figures with a long, slender, stylized appearance. Some of his sculptures were directly inspired by Russian dancers. Quite often, Chiparus used the photos of Russian and French dancers, stars and models from fashion magazines of his time. After the tomb of Tutankhamun was discovered in 1922, the art of ancient Egypt and the East came to French fashion and is also reflected in the creative activity of Chiparus. Several sculptures by Dimitri Chiparus and Claire Colinet represent queen Cleopatra and Egyptian dancers. The sculptures of Chiparus reflect his time and 1920-1930s sentiment of "folle". Coming from the oldest French tradition of high-quality and extra-artistic decorative arts, the sculptures of Dimitri Chiparus combine elegance and luxury, embodying the spirit of the Art Deco epoch.

Creator:
Demetre Chiparus (1888 - 1950, Romanian)
Creation Year:
1920's
Dimensions:
Height: 12 in (30.48 cm)Width: 13 in (33.02 cm)
Medium:
Bronze,Marble
Movement & Style:
Art Deco
Period:
1920-1929
Condition:
Mild age appropriate wear to bronze. Faintly signed on marble base.
Gallery Location:
Los Angeles, CA
Reference Number:
1stDibs: LU3914524412

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Demetre Chiparus

Romanian sculptor Demetre Chiparus — who is sometimes referred to as Dumitru Chiparus or Dimitri Chiparus — was a renowned Art Deco-era artist most often associated with realism. He initially created sculptures that featured small children. As his work began to mature, he continued to create figurative sculptures but shifted his focus, and his output was marked by an appreciation for the lithe female form — a popular subject during the 1920s. Chiparus was later known for his animal sculptures, too.

Chiparus lived comfortably as an artist owing in part to his family fortune. At the age of 23, he moved to Italy and began his formal art and sculpting studies under Italian sculptor Raffaello Romanelli. Following his time in Italy, he moved to Paris where he attended L'École des Beaux-Arts. He studied under sculptors Antonin Mercie and Jean Boucher. He was inspired by the Russian Ballet, French theater and early motion pictures.

Though he wouldn’t sell many of his pieces during his lifetime, Chiparus was well known for his bright and colorful busts and sculptures featuring dancing ladies. He was equally inspired by the discovery of King Tut’s tomb — a common influence for designers and artists of the Art Deco era — which is obvious in his references to Egyptian themes in his decorative objects and other realist works.

Chiparus worked with a combination of ivory and bronze to create chryselephantine sculptures, a method and type of sculpture that was particularly popular during the Archaic period. The bases of his pieces were typically made of marble or onyx and he adorned his life-like subjects with vibrant enamel that lent a touch of whimsicality to his art.

Chiparus exhibited his works at the Salon of 1914 and lived in Paris until his death. A range of his sculptures is held in the permanent collection of the Museo Art Nouveau and Art Deco in Spain.

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