Iran do Espirito Santo

Globe 1

2011

Edition of 25

Edition of 4

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Linda Ridgway's formal education includes an M.F.A. from Tulane University and a B.F.A. from Louisville School of Art. She was trained as a printmaker but has since expanded her tech...

Ms. Cowpants, Queen P, is a reference to the Greek goddess, Pasiphaë, the daughter of Helios and the Oceanid nymph Perse. Pasiphaë was a queen of Crete, having been given in marriage...

Raffinato busto in marmo bianco di Carrara raffigurante la dea Diana cacciatrice dopo l'originale di Jean-Antoine Houdon. Scuola francese, seconda metà del XIX secolo. Sul retro si ...

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

A good antique bronze sculpture of a brown bear by the celebrated French Animalier sculptor Antoine-Louis Barye, circa 1870. The bronze depicts a brown bear in a dynamic pose, head h...