Dye Transfer Nude Sculptures

WRESTLERS 1936 Olympics Porcelain Gay Mid-Century Art Deco Modernist LGBT Herend "Wrestlers" Porcelain, 1936 Stamped P. Farkus on top of base. Stamped Herend on bottom of base. 16...

The unique contemporary figurative sculptures of William Hung often express the human condition and are imbued with emotion. This striking piece, cast in ...

Large sized sculpture of a standing shirt including large piedestal.

PIETA II by Lorenzo Vignoli hand formed glazed ceramic sculpture by contemporary Italian sculptor Lorenzo Vignoli Sculpture dimensions: 14inch W x 8inch H x 11inch D 36cm W x 24...

Medusa and Andromeda, is a unique three dimensional terra cotta sculpture/vase, created by the German firm Magdeburger Kunstwerkstatten, Reps and Trinte, a studio that specialized in fine works in terra cotta. This monumental piece depicts the entire story of the Medusa, who holds Andromeda captive by chaining her to rocks in the ocean. You can see the chains at her wrists and ankles. Medusa charges the Leviathan (dragon) as guard over the captive Andromeda. Andromeda was rescued by her future husband Perseus who killed the dragon and saved his future bride. This is one of the most unique works of its kind that has been seen to date. It was probably a sculpture/vase designed and created for presentation at one of the yearly Salon exhibitions in Europe. We have consulted experts in European ceramics...

Jenik Cook Handmade ceramic vase or pot sculpture Hand signed by the artist. Fired clay with a luster bronze painted finish Jenik Esterm Simonian Cook is a painter and ceramicist ...

Light relief. Hug Litofany, bone porcelain, diam. 31 cm Lithophane is a technique where an image is created by manipulating the varying degrees of translucency in porcelain. This c...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Academy of Fine Arts in Gdansk (dipl...

The sculpture is signed below. Monika Zadurska-Bielak, Graduated from the studio of Prof. Franciszek Duszeńko at the Faculty of Sculpture of the Acade...

Bald and chunky, Esther Shimazu’s quirky clay figures are unabashedly naked and delightfully indulgent. Drawing up on her Japanese ancestry and experience...

"Can't Get Her Off My Mind" is an original ceramic sculpture created by Steven Kemenyffy. 43"x30"x14" Ceramic Steven Kemenyffy (born 1943) is an American ceramic artist living and working in Pennsylvania. He is most recognized for his contributions to the development of the American ceramic raku tradition. He has served as a Professor of Ceramic Art at Edinboro University of Pennsylvania (formerly Edinboro State College) since 1969. He Has retired from teaching, but continues to produce artwork at his home studio in McKean, Pennsylvania. Kemenyffy is often characterized in regard to his contributions to American experimental ceramics of the late 1960s and early 1970s. More specifically, Kemenyffy’s contributions to American raku techniques are often cited. Kemenyffy has stated that his interest in raku came out of practical considerations: “We [Steven and Susan] were doing a variety of workshops in a variety of different media. Raku was always an official way of making pieces in a short period of time…In raku it seems to compress all the firings into one.” Kemenyffy, himself, describes his early work as “Biomorphic forms alluding to old ceramic traditions such as tiles, vases, and containers.” These works were often in excess of six feet tall and many times included mixed media elements. In 1974, Kemenyffy wrote about the work he was producing; “For several years now, my work has dealt with certain formal considerations. Chief among these is using clay in such a way as to crystallize the moment and permanentize the impermanent. These have been among the primary concerns of all potters since the earliest times.” Today, Kemenyffy continues his pursuit of biomorphic imagery and themes. He writes, “Personally I am most challenged by the business of transforming porous organics into porcelain.” For much of Kemenyffy’s career, he has worked in tandem with his wife, Susan Hale Kemenyffy. In 1987 Susan stated about their collaborative works: “Steven is the [sculptor], I am the drawer. These works would not exist if it weren’t for the sculpture; if it weren’t for the clay. The clay entity comes first and my drawings come second.” James Paul Thompson further clarifies this relationship (as observed in 1987): “Steven Kemenyffy uses patterns as a point of departure for his work, while Susan Kemenyffy...

The sculpture is signed outside - unique and handmade, unglazed ceramics, double firing,  weight of the sculpture including the base apr. 6 kg Material: unglazed ceramics, base of ...