Video Still-life Sculptures

This piece is Vacuum formed with metal cards, painted and fabricated to be physically 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

This piece is Vacuum formed with plastic, painted and fabricated to be 3-D. All Yuki's works represent the 2-D while tricking our eyes in the 3-D physical world.

This piece titled "Dragon City" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w x ...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

Goblets is a unique wall sculpture by Joanne Tinker, depicting goblets made of recycled foil wrappers. This work is a one-off but commissions are welcome. Joanne’s work is heavily in...

"Father and Son Used Tires" is a wall-hanging paper sculpture by American artist Drew Leshko measuring 12”h x 22.125”w x 8”d. It is made from paper, enamel, acrylic, basswood, wire,...

"Shop" James Bassler, brown paper Trader Joe's shopping bags, cut and twisted, with yellow and red waxed linen thread, 16" x 11" x 5", 2009. "Shop", by ...

This piece titled "Pizzaria" is original artwork made from paper, inkjet print, enamel, wire, chain, aluminum tube, and pastel by Drew Leshko. This piece measures 10"h x 0.75"w x 8"d...

Artist statement- "Working in a range of materials— wood, epoxy, metal, and found materials— I hand-fabricate and assemble objects, signage and tableaux that investigate the mech...

This piece titled "An Liang Chamber of Commerce and Industry" is original artwork made from paper, inkjet print, enamel, aluminum tube, pastel by Drew Leshko. This piece measures 9"h...

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making tech...