Futurist Art

This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...

Medium: original linoleum cut. This linocut by Italian Futurist Gino Severini was printed in 1939 for the art revue XXe Siecle and published in Paris by San Lazzaro. Size: 12 1/2 x 9...

Studio per l’opera Aeroarmonie esposto alla biennale di Venezia del 1934 Sul retro cartiglio : Ufficio storico -Popolo d’Italaia- Autentica prof. Duranti N° archivio 2272 Osvaldo Per...

This vintage 1941 gouache painting on paper, titled Birth of Mind, signed and dated lower right, is a striking example of retrofuturism by Charles Ragland Bunnell, a prominent artist from the Broadmoor Academy...

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important Italian private collection. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali, Fortunato Depero and Gerardo Dottori. In 1953 he took part in the exhibition ‘l'arte nella vita del mezzogiorno’ (art in the life of southern Italy) in Rome and was included in the jury for the awarding of prizes. He also took part in the third exhibition ‘il maggio di Bari’ and in the ‘biennale del mare’ in Rimini. From 1954 to 1960 he took part in many collective exhibitions such as the ‘Sesto Maggio di Bari’, the ‘Villa San Giovanni’ award, the ‘Terni award’, the ‘Avezzano award’, the fifth exhibition of the ‘Triglia d'Oro’, the Michetti award, a personal exhibition in Varese, at the ‘piccola permanente’ In 1961, he stayed in Munich in Germany and exhibited at the Schoeninger Gallery and in the city's ‘Kuntz-Cabnier-Klimt’ studio. Encouraged by his long-standing friendship with Emilio Pettoruti, he also stayed in Paris, where he painted syntheses of the city that were very successful. In 1962, he held a personal exhibition in Venice at the San Vidal gallery and another in Munich at the Wolfgang Gurlit gallery. In 1964 he returned to Rome with a solo exhibition at the Antea gallery. In 1965 he presented his works at the ‘Italian medal...

Painting from series Landscape of the future. The Golden mountain is a symbol of the wealth of nature. Landscape lines create harmony in the perception of the picture. Canvas on carb...

Futurista,Decò,Liberty ARTURO CIACELLI (Arnara, 1883 - Venezia, 1966) Florale n.2, 1935 Oil on canvas 58x37 cm Signed and dated lower left "Ciacelli - 35 -" On the reverse, cartou...

Painting from the series Landscape of the future. The artist is looking forward to meeting his family in a peace and prosperity reign.

Aerei ,rosso ,blu,carta di giornale -La Stampa - Siglato in basso a destra M. L'opera viene venduta con certificato di autenticità dell'archivio Michele Falanga - Messina - Italia M...

.A painting from the series ecology of the future. Northern motifs have their own charm. Homes of the future in unity with nature. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne Bleka...

Symbolic and surreal landscape with three women in a mystical garden setting walking toward a plaque "The dream and the dreamer are one" by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Unique painting with dream-like quality with three blonde figures looking at a garden folly...

This striking vintage 1939 original painting, titled Man In His Search for God, is a powerful piece from Charles Bunnell’s renowned Black and Blue Series. The artwork is painted in i...

The incredibly beautiful play of light in the mountains creates the atmosphere of a fairy tale. The wind can change everything in an instant, and a person feels helpless in front of...

The picture describes 3 people supporting each other. The figures organically interwine each other. This motive will refresh any interior. High-quality materials were used for work. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne...

"Untitled" is a dramatically placed individual who appears to be withdrawing into herself surrounded by a soft pinkish color. She has a sad look in her non-reflective eyes. This pain...

'The Stray Cat', oil on board, by F. DuParc (circa 1960s). A thoroughly modern depiction of a colourful, graceful feline most likely inspired by Italian Futurist, Fortunato Depero (1...

"Airplanes Dive Over Enemy Skies" Italian Futurism Futurist Transportation Plane Guglielmo “Tato” Sansoni (Italian, 1896 – 1974) "Airplanes Dive Over Enemy Skies (Aerei in Picchiata su Stabilimenti Nemici)," 20 x 28 inches. Oil on canvas. Circa 1930s. Signed lower right. Titled and signed verso. Guglielmo Sansoni...

'Portrait of Future Man', oil on board, Berlin School, (circa 1960s). A thoroughly modern portrait clearly in the style of Italian Futurist, Fortunato Depero (1892-1960). Futurism co...

Futurist composition is an original artwork realized in 1969 by Gerardo Dottori. Black and white lithograph is an original lithograph. Hand signed and dated on the lower right marg...

The picture describes creative people looking for a recipe for happiness. The artist uses impossible figures in the painting that enhance the arsthetic effect. This motive will refresh any interior. High-quality materials were used for work. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne Bleka...

Hawaiian Symbolism Figurative & Landscape Oil painting of Huakai Hui (Journey Together) Symbolic and surreal landscape of a female and male figure ascending stairway flanked by to...

Edition of 100 prints, numbered and hand signed. Good conditions. A nice and rare graphic work, probably one of the last ones, by a key figure of Futurism. This artwork is shipped f...

Mid Century Hawaiian Symbolism -- Stairway to Destiny Symbolic figurative abstract with climbing stairway in bright spring colors by Marguerite Loui...

Symbolic figurative of woman having visions with religious themes and icons (cross, bride, salamander, crown, meeting Christ) while reading by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Marguerite and her husband Frank Blasingame...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT** This is a limited edition print on CANVAS. It will arrive rolled inside a tube. Farting Glitter Balloon Dog...

Hand signed lower right: “F. Depero”. Certificate of authenticity by the Archive of Fortunato Depero. There are different versions of drafts that the Italian artist Fortunato Depero realized before the final Collage poster...

It is signed in a stitch Omaggio a Depero, Ivana, 2000 Fortunato Depero (1892 – 1960) was an Italian futurist artist and painter, writer, sculptor and graphic designer who worked in...

Les Amans d'Arlequin is an artwork realized by Gino Severini in 1930. Pochoir from the Suite "Fleurs et Masques". Very good condition. Signed in plate on the lower right. Ref. Ca...

Wonderful futuristic mixed media (watercolor and acrylic) of transparent orb with ghost-like Cosmos flowers in foreground by T. Yokozawa (Japanese/American, 20th Century), circa 2000...

Image dimensions: 54 x 40 cm. Still Life is a beautiful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 197...

Hand signed lower left: “Depero”. Certificate of authenticity by the Archive of Fortunato Depero. In 1929, Fortunato Depero realized some proposals for internal illustrations of t...

Futurist Composition is an original pastel drawing realized in the beginning of XX century by Anonymous futurist artist Mixed colored pastels on plywood. Includes a very beautiful...

Still life is an original modern artwork realizeb by Gino Severini in 1964/65. Original LIthograph in 10 colors. Hand signed and numbered on the lower margin. Edition of II/XV. R...

A very good impression of this color lithograph with strong colors. Signed and numbered 119/140 in pencil by Severini. Printed by Michael Cassé, Paris. Published by L'Œuvre Gravée, P...

Original Magazine. Florence, (Printers: Tip. A. Vallecchi), Jan 1913-May 1915, 4°, (h. I: 350x250 mm: aa, II-III 370x270mm) 16 pp. per issue (8 in y. III) numbered progressively by year. Complete collection (unbound) of the 69 issues of the famous fortnightly review (weekly in 1915) edited by Papini and Soffici. Lacerba was an Italian literary review (fortnightly at first, then weekly) started by Giovanni Papini and Ardengo Soffici in 1913 In Florence. The title is taken from a 14th Century poem, Lacerba, by Cecco d’Ascoli, as well as the line, “Quinonsicantaal mondodellerane” (“Here we don’t sing to the world of frogs”), used as a slogan printed below the masthead. Many of the most famous futurists contributed to thereview,so that it became the principal vehicle for futurist ideas and graphics between 1913 and 1914. “The intensity of its presence, its luck and the range of its coverage, its polemical tone as well as the richness and scattershot breadth of its subject matter, its language and themes, and its articles and pictures, place it among Europe’s leading avant-garde publications alongside France’s Les Soirées de Paris, Germany’s Der Sturm and Blaue Reiter almanac...

Plastic dynamism, Blac,white Futurism, Speed, Signature bottom left ALFREDO GAURO AMBROSI (Rome 1901 – Verona 1945) Painter of the second Futurism, he is mainly dedicated to aeropainting. His most famous work is the Air-Portrait of Mussolini the aviator...

John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches. Provenance: Hirschl and Adler Galleries, Inc., New York, New York. A fine bright impression. Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...

Francesco Scianna Framed Acrylic Painting Frame size 42" x 35" inches Artwork Size 33.5' x 23.5 inches Nicely framed. Some wear on the frame. An architect, painter and classic ca...

Fictional Nonfiction: Archaeology 3019, Plaster, Crushed glass. Book is sealed in Original Packaging and each Book is Unique from one another. Numbered l...

Clare Halifax Changing Seasons at St Pauls Limited Edition 10 Colour Screen Print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto som...

The artwork is signed on the lower right. Ivar Albertovitch Puni, known as Jean Pougny, was born in Kuokkala (now Finland, then in the administrative district of St. Petersburg) in...

This Fortunato Depero wonderful serigraphy is a multiple of 250 printed with the authorization of Museum of Depero in Rovereto (Italy). This is the number XI (eleven) The title is: L...

Pioneering Street Photographer Mitchell Funk exploits an upward angle of the Twin Towers at the World Trade Center. At the convergence of the two towers, a full moon appears wedged...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Medium: original lithograph. Published in Milan by Groupe Espace for the very rare 1958 volume of Documenti d'Arte d'Oggi. Sheet size 12 1/2 x 8 5/8 inches (318 x 220 mm); with print...

The painting shows the artist`s perception of the epidemic. The little mouse has the Latin name « Pande Mus». This painting is bursting with surrealism and symbolism. It features a...

Powerful visual done at Stella's peak period of creativity in Barbados. Signed lower right. Provenance: Doyle, New York Elegantly framed.

CLAUDE FLIGHT (1881 -1955) SWING BOATS 1921 (Coppel CF5) Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...

Il bronzo raffigura un fantino e nel 1957 venne esposto alle personali dell'artista alla Strozzina di Firenze e alla Galleria Cocchini di Livorno. Esiste anche un disegno preparator...

Organic shapes and prickly cactus. Combination of shapes and textures through imagination. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by pu...

What is an ideal in your undetstanding? Everyone has their own. We are so different and this is how we attract each other. The gallery guarantees the uniqueness and high quality of ...

A picture about the beginning of two halves. The color scheme of the painting enhances the effect of perception.

Carlo Carrà (Italian, 1881-1966) Untitled, 1916 Lithograph Sight: 15 3/4 x 11 1/4 in. Framed: 23 1/2 x 18 1/2 x 1 in. Edition 14/60 Numbered lower left, signed and dated lower right ...

Mid-20th Century 1950s/1960s Soviet Ukraine - Khrushchev & Brezhnev Era. Three Generations Of Steel Factory Workers. Framed Charcoal On Paper Period Drawing. Image size 24.4 inches x...

A painting from the series Ecology and Man. The artist shows the idyll of life in a stunningly beautiful place with harmony and the infinity of time like a river flowing nearby. This motive will refresh any interior. High-quality materials were used for work. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne Bleka...

The figures in the painting symbolize mobility. The world is changing quicly and requires changes from us. The gallery guarantees the uniqueness and high quality of this work of art,...

Paris 27th Salon International de la Machine Acricole. Original 1955 vintage poster lithograph created by Henri Faivre. Paris, 27th Salon International de la Machine Agricole. ...

Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue raisonné references: Meloni, Francesco, and Gino Severin...

The picture shows a moment of waiting that can last forever. The gallery guarantees the uniqueness and high quality of this work of art, confirmed by purchasing paintings by Sanne Bl...

Landscape of the Future. The illusion of the grandeur of human structures is nothing compared to the forms and creativity of nature itself. This motive will refresh any interior. Hi...