Arch Art

Work on wood Golden wooden frame 58.5 x 48.5 x 3 cm This work depicts a serene coastal scene, dominated by an ancient stone tower overlooking the sea. The architecture of the tower, ...

Signed with initials. On canvas. Image size: 31 x 41cm.

Winter Church Landscape by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on thin card, unframed board: 18 x 13 inches condition: sli...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on paper, unframed size: 11.75 x 8.5 inches condition: very good and ready to be en...

Title: Historic Miniature Watercolor of Bath Abbey View from the West Front by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3.7...

Each 8 x 6 inches (202 x 150 mm), full margins. Each with scattered light handling wear, surface soiling, and each with a small bookworm hole in the lower left sheet, well outside of...

Etching and drypoint on greenish cream wove paper, 3 1/4 x 1 15/16 inches (81 x 48 mm), full margins. Signed, dated, and inscribed "III" in pencil. Number 46 from the French Churche...

"Landscape" by Maurice Mazeilie (French) watercolour painting on artist paper, unframed stamped verso painting: 6.25 x 10 inches A delightful original oil painting by the 20th cen...

Signed Adolfo Perez Frameless

Title: Teddington Bridge River Thames Scene with Boat Swan and Trees Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 7.5 inches (height) x 11.25 i...

Artist/ School: French School, mid 20th century Title: Notre Dame Paris, from the River Seine Medium: oil painting on canvas laid to board. Measures: framed: 12 x 16.25 inches pa...

Etching realized by Amedeo Tedeschi Toschi in 1990s. Artist Proof. Excellent condition.

Title: Riverside Walk by Richmond Bridge with Boats and Trees London Watercolour Scene By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 8.25 inches (height) x ...

"Clunie Bridge, Pitlochry" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, framed canvas: 12 ...

Title: Charmouth Dorset River Scene with Wooden Footbridge and Rolling Hills Landscape By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.75 inches (height) x...

Artist/ School: French Impressionist school, signed lower corner, 20th century Title: The Japanese Bridge, Monet's waterlily pond at Giverny. Medium...

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

1930s French Impressionist Barbizon School oil on panel view of a church in a bucolic landscape by Georges Guerin (1910-1984). The painting is signed bottom right and also signed top...

A charming depiction of Washington Square Park located in Manhattan on 10th Street and 5th Avenue. A cozy impressionistic street scene with colors of Indian red, lush greens, and bur...

View of the magnificent substructure is an original etching realized by the italian artist Giovanni Battista Piranesi. Very precoius and rare specimen. Roman edition. Complete tit...

An overflow of traffic in front of St. Bartholomew's Episcopal Cathedral on Park Avenue between 50th and 51st

Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In very good condition. Fletcher states only two tria...

Screen print on paper. Hand signed, titled and numbered. Edition of 299. Excellent condition. A striking large-format colour screen print by Italian artist Franco Costa, depictin...

Etching on cream wove paper, 8 1/8 x 9 3/4 inches (205 x 246 mm), full margins. Signed in pencil, lower right margin. One minor printing defect appearing as a slightly folded bottom ...

Watercolour on paper of a Cornish beach scene by Oliver Bedford. Signed bottom right. Titled and located on a trade label for The Rowley Gallery, Kensington, London. Presented in cus...

Quiet Street at Dusk by Jean Fourie (1927-2015) dated 1950 French artist, painting in the Champagne region of France oil painting on thin card, unframed board: 18 x 13 inches conditi...

Etching on antique cream laid paper, 12 7/8 x 5 1/2 inches (328 x 140 mm), full margins. Signed in pencil, lower margin. Laid down to non-archival board, general age tone and some ma...

Title: Flatford Mill Footbridge with Reflections and Thatched Cottages Suffolk By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 7 x 10.25 inches Condition: good...

Rio del Santi Apostoli, Venice. 1930. Etching. Fletcher catalog 22 state .ii. 8 x 6 (sheet 11 x 7 3/16). Italian series #4. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of...

London Bridge, River Thames signed by Minty Ramsey, British contemporary acrylic painting on Canvas 9 x 12 inches Wonderful original painting by the British contemporary artist, Mi...

It represents the "Petit Saconnex" square in Geneva, including the "café du commerce" and the "café du soleil". The work is signed and framed by René Zwahlen, painter and watercolour...

John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks ...

Title: British Impressionist Watercolor of Riverside Buildings, a Church and Bridge by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 10...

Etching on cream wove paper, 5 1/2 x 7 inches (138 x 176 mm), full margins. Signed in pencil in the lower margin. With minor mat tone, and two pin-point spots...

The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...

Screen print on paper realized in 1990. Hand signed and numbered in pencil. Edition of 75. Excellent condition.

At low tide on a stormy day in London, people rummage around in the muddy shores of the River Thames. Dominating the scene is the formidable Tower Bridge. These ‘mudlarkers’ are sear...

Etching on fine, light cream laid paper, 2 1/4 x 2 15/16 inches ( 58 x 75 mm), full margins. Signed and inscribed "II" in pencil, lower margin. A trial proof impression of the second...

Alexander III Bridge and the banks of the Seine Oil on canvas, 55x81 cm Gustave Madelain (1867-1944) Landscape painter, Gustave Madelain was born in...

Roman Castels  is a vintage offset poster realized after a photograph by Franco Fontana. Realized in occasion of Fontana's exhibition at Galleria Rondanini, Roma. Limited edition o...

Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...

ROBERT KENNETH WHITE (b. 1950) – "IRON BENEATH THE ARCH" Oil on Canvas ⚜ Signed Lower Right ⚜ Frameless Display A DIALOGUE BETWEEN INDUSTRY AND CLASSICAL FORM "Iron Beneath the Arch...

Balcic 2 Gothic Arches 27.5 x 27.5in / 70 x70cm Shipped stretched, as it is, ready for hanging , framed

'Elevation Geometralle d'Un Buffet D'Orgue d'Une Nouvelle Decoration' Copper-line engraving. C1770. 380mm by 420mm (platemark) 460mm by 560mm (sheet) From Roubo's 'L'Art du Menui...

Title: Historic Miniature Watercolor of Minster House and Bristol Cathedral circa 1833 by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measur...

Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...

A unique, original silver gelatin black and white photograph. A view of Paris and the River Seine from the Notre Dame Cathedral, circa 1950. Features: Original Silver Gelatin Print P...

Medium: original etching. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfolio, and published in New York. Image size: 9 x 11 3/4 inches (225 x ...

Title: Miniature Watercolor Triptych of Historic English Churches and Gatehouses by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Title: Yanzhou Island Medium: Oil on canvas Size: 27.25 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Stone Ruins signed by Georges Bordonave (French contemporary) dated 1954 oil painting on canvas, unframed unframed: 20 x 24 inches condition: very good provenance: from a large priv...

Title: French Expressionist Gouache of Arched Bridge and Village Church by Fanche Lel Size: 8.75 inches (height) x 11.5 inches (width) Gouache painting on paper, unframed Condition: ...

In 1959, Pan American-Grace Airways (Panagra) produced a travel poster promoting Colombia as a premier destination for international travelers. As part of the airline’s broader campaign to encourage tourism across South America, this poster represents the elegance and optimism of mid-century airline advertising, transporting viewers to an era when air travel was synonymous with adventure, sophistication, and discovery. Panagra, a joint venture between Pan American World Airways and W.R. Grace & Company, played a crucial role in connecting North and South America throughout the early and mid-20th century. The airline was known for its luxurious service and for pioneering routes that introduced international travelers to the diverse landscapes, cultures, and cities of Latin America. With Colombia’s growing appeal as a destination for both business and leisure, Panagra sought to highlight its natural beauty, rich history, and vibrant cities through its promotional campaigns. During this period, airline posters were not just advertisements but also works of art, created by talented illustrators and graphic designers who understood the power of visual storytelling. These posters served as invitations to explore new destinations, reflecting the excitement of international travel and the prestige associated with airliners of the time. Today, original Panagra posters remain highly sought-after by collectors of vintage travel memorabilia, aviation enthusiasts, and those with a passion for mid-century design. The Panagra Colombia poster...

Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2 inches (225 x 292 mm), narrow lefthand margin, with a full margin with a deckle edge on ...

Title: Bristol Cathedral Clifton Suspension Bridge and Glastonbury Tor Watercolors by Jack Grunwell, 20th century British artist Medium: Wat...

Landscape with Ruins is an original artwork realized by Jean-Baptiste Huet in the Late 19th Century. Etching print. Good conditions. Signed on the plate. The artwork is depicted ...

Title: British Impressionist Watercolor of a Sunlit Historic Town Square By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 in...

Title: Historic Miniature Watercolor of Bristol Cathedral from College Green by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 2....

Ippolito Nicolò Spinola di Lerma (Genoa 1778 – Turin 1856) - Venice, View of St. Mark's Square from the Portico of the Doge's Palace. 56 x 69 cm unframed, 75 x 88 cm framed. Oil on...