Coat Art

This distinguished portrait masterfully blends understated minimalism with profound narrative depth, making it an exceptional addition to refined interiors and curated collections. ...

In Lost Samuraicat’s Whispers : Translation Symphony, Hiro Ando orchestrates a subtle encounter between cinematic memory, urban solitude, and his personal mythology within a suspende...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Signed and numbered by the artist. Unframed. Edition: 360 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

Robert Longo Untitled (Riot Cops), from Charcoal, 2017 Signed and numbered 19/30 in pencil (there were also 10 artist's proofs) Ditone print, on Hahnemühle photo paper, with full mar...

Gelatin silver print (black & white photograph). The Italian world champion boxer Nino Benvenuti (1938–) is captured in a social or formal setting, smiling broadly while posing b...

Gioacchino and Gian Nicola Fiilippi pose before a display of antlers mounted on the wall behind them in San Marino, in September 1982. One carries a shotgun over his shoulder while o...

Parisi Butchers from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Paris Colour from the Paris In Colour Series 1956-61 By Peter Cornelius Giant oversize 60 x 40 inches / 152 x 101 cm paper size Printed 2022 Archival pigment print Framing and siz...

New Book from the Paris In Colour Series 1956-61 By Peter Cornelius Large Oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

This haunting black and white photograph by Gérard Uféras shows two shadowed figures in hats, their bodies softened by blur and darkness. The image suggests a backstage corridor or t...

In this dramatic black and white photograph, Gérard Uféras captures a performer on a painted stage set at the English National Opera in London. The tilted architecture, shadowed figu...

This poignant black and white photograph by Gérard Uféras captures a group of young performers backstage at the Bolshoi Theatre. Their faces, costumes, and close arrangement create a...

In this atmospheric photograph, Gérard Uféras captures the Arena di Verona under rain, where umbrellas, wet seats, and attentive spectators create a richly textured visual field. A m...

In this touching image from the Arena di Verona, Gérard Uféras photographs a couple in rain ponchos, one seated and carefully adjusting the other’s collar. The vast arena and weather...

Utopia - Signed limited edition archival pigment print, 2016 - Edition of 10 Aida FOLCH ( Spanish actress) and Utopie, Barcelona Tribute to Jean Rochefort ( French actor) This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 40 x 27 cm / 15,75 x 10,63 in - Edition of 10 60 x 40 cm / 23,62 x 15,75 in. - Edition of 5 Laurent Campus...

In this elegant black and white photograph, Gérard Uféras captures the refined world of Valentino Haute Couture through a sequence of poised silhouettes. Models in sleek dark dresses...

The Guide A frontal, iconic figure in muted grisaille suggests authority, mentorship, and memory. The title “Mentor” inscribed in the field gives the image a quiet reverence, as thou...

Bowie Beverly Hills - Limited Edition Mick Rock Estate Print David Bowie, Beverly Hills, 1972. (photo Mick Rock). All prints are numbered by the Estate. Edition size varies accord...

David Bowie With Hunky Dory - Limited Edition Mick Rock Estate Print David Bowie sitting with the Hunky Dory cover, 1972 (photo Mick Rock). All prints are numbered by the Estate. ...

in FAKE, three cowboys stand side by side, dressed in dusty, timeworn attire, they exude an air of quiet contemplation, perplexed with their hands resting on their hips as they gaze ...

Artist: David Rucli, Italian (1944 - ) Title: Scarecrow II Year: circa 1989 Medium: Oil on Canvas, signed u.l. Size: 50 in. x 32 in. (127 cm x 81.28 cm)

oil on board, unframed board: 13 x 9.5 inches provenance: private collection, France condition: very good and sound condition

Original “All About Eve” Happy 50th Anniversary vintage movie poster. Archivally linen backed in excellent condition, ready to frame. All About Eve, the classic 1950 Joseph L. Ma...

"Penny Farthing Bugle" by Fox Photos 17th October 1932: Edwin Davey, riding a penny farthing bicycle over Lambeth bridge in London, and blowing...

"Hepburn At Paris" by Bert Hardy Belgian-born US actress Audrey Hepburn (1929 - 1993) in a street at Paris during the filming of 'Funny Face' Original Publication: Picture Post - 85...

"Prince Alexander Of Yugoslavia At Eton College 1937" by Keystone-France UNITED KINGDOM - SEPTEMBER 23: Prince Alexander Of Yugoslavia (2Nd From Left), The Son Of Regent Prince Paul...

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

French women's fashion design from 'La Revue Paris Mode' a Parisien fashion periodical, illustrated by Bryn Smith. 370mm by 270mm (sheet)

" Life inmitates art… Faces are arguably one of the most informative and significant visual stimuli in human perception. A brief glimpse of a person’s face readily reveals their iden...

After Francois-Joseph Bosio (French, 1768-1845) "Henry IV of France" Patinated Bronze Sculpture, late 19th century, depicted as a child, on a square base, inscribed "Bosio". 46" H x ...

Elena Burykina's "The Big Mirror 1" (2023) is an original, handmade oil painting that depicts a portrait of a woman in a red coat stretching her arms behind her head.. This piece mea...

Joan Jett - signed limited edition print Joan Jett, I Love Rock'n'Roll album cover photograph, 1981. (photo Mick Rock) paper size : 24x20 inches / 51 x 61...

French men's fashion design published as a Supplement to 'L'Homme et Le Maitre Tailleur', a Parisien fashion periodical. Jean Darroux was a Parisien tailor, who designed several seri...

Soho Saturday Date: 1980 Lithograph, signed and numbered in pencil Edition of 250 Image Size: 28 x 20 inches Size: 30 in. x 22.5 in. (76.2 cm x 57.15 cm)

'a good soldier'. Vanity Fair portrait of Lt.General George Wentworth Alexander Higginson, who was born in 1826. He joined the Grenadier Guards at 1...

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

European fashion design from the 'Atelier Sogra', published in Vienna. 325mm by 220mm (sheet)

Artists often are alone in their studios with little interaction with the outside world. Bruno is no exception. To ease this loneliness, Bruno brings his most trusted companion wit...

'H Searle, Professional Champion Sculler of the World'. Vanity Fair rowing portrait of Henry Searle (1866-1889), an Australian sculler who raced in...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

French fashion design published as a Supplement to 'L'Homme', a Parisien fashion periodical. Darroux was a Parisien tailor, who designed several ...

Contemporary Modern Photography "Soldier Monument" 21st C Pencil signed (illegibly - see pics) A man stands barefoot in front of a monument of a soldier Phot...

Unknown Photographer. ROBERT PEARY, THE LORD MAYOR OF MANCHESTER, ENGLAND AND OTHERS. Gelatin silver print, 1910. The image shows Commander Peary with Cha...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In her ninth solo show at the Robin Rice Gallery, veteran artist Patricia Heal documents her visual narrative of their enchanted home in upstate New York. Hidden within untouched forests lies Peabrook, a babbling brook running through the property. The classic architecture of the house is offset by uniquely quirky interiors designed by the English-born Patricia and her husband, Anthony Cotsifas, which generate an otherworldly existence within the estate. “Peabrook is my Neverland,” Heal states, in reference to J.M. Barrie’s Peter Pan. “It is a fictional place often described as a metaphor for eternal childhood.” Heal hopes that, with just a visit to the gallery and a little imagination, you, too, can see Peabrook. Her use of the large format, now-extinct Polaroid film for her black and white photographs, and the warm soft colors found in many of the other pieces of the collection, contribute to the sense of antiquity and fantasy surrounding Peabrook. The whimsical subject matter, including mythical creatures and extensive taxidermy, complete the “magical” representation of Heal’s home that she strove to depict. The simply framed 4” x 5”, 5” x 7” and 8” x 10” photographs sit within large mattes, in keeping with the classical quality of her images. “I really wanted to work in film again, and this project seemed the right one to do it with,” says Heal, who lists Sarah Moon and André Kertesz as artistic inspirations. The dark and mysterious invitational image, “Willow”, depicts a portrait of a hooded woman, her downward gaze partially obstructed by the soft branches of a fern from the surrounding garden. The earth-toned image contains the unpredictable streaked effect of developed instant film. In another image, entitled “Sitting Room”, we see a positive image of a film negative. Most notable is the hanging rhinoceros head towering impressively over two antique sitting chairs...

Jacqueline de Ribes in Gray Dior Suit, 1959 -- Photographed for Life by Mark Shaw in 1959, no variations of this image ever appeared in the article which featured photographs of the Paris couturiers' private customers in their personal selections of daytime and evening wear. This image was shot at de Ribes' Paris home. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of Jacqueline de Ribes in a Dior gray suit. She is also wearing gray gloves and a gray hat with a veil. She also has an umbrella with a gold cane handle...

Gelatin Silver Print Paper size: 11 x 14 in. Image size: 6.25 x 9 in. Signed in black ink on print margin Titled, dated and print date in black ink on artist label on mat verso Print...

Louis Charles Auguste Couder (1789-1873) Portrait of a young man signed on the right border Pastel on paper 28.5 x 21 cm In good condition In a modern frame : 48 x 40.5 cm Augu...

This black-and-white photograph, taken in Brighton in 1952, depicts a street photographer labeled "Official Beach Photographer," standing confidently with his vintage camera on a tri...

Jeffrey Morgan (British, b.1942) Charlie Chaplin Poster paint and collage 23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.) A 1960s pop art design for a tin print f...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Herb Greene (1942-2025) Janis Joplin, c. 1966 Signed, dated & numbered on recto in ink Gelatin silver print 20 x 16 inches Edition 31 of 100

Robert Doisneau 1912-1994 Le Fox-Terrier du Pont des Arts, 1953 Signed in ink on recto; Tiled and dated in ink on verso Gelatin Silver Print Paper: 16 x 12", Mat: 20 x 16"

Felician Myrbach (1853-1940) Poèmes magyars, Magyar poems bears the monogram "M" on the lower left, titled in the upper right Ink on paper 29,8 x 19,8 cm in good condition, the sheet is slightly yellowed In a modern frame : 33 x 23 cm This is an illustration project by Felician Myrbach for François Coppée's work, "Poèmes magyars". He leaves the space to be occupied by the text blank on the sheet and arranges his composition accordingly. It is interesting to see the artist imagine his drawing with this constraint. Felician Myrbach (also Felicien de Myrbach, Felician von Myrbach, from 1919 Freiherr von Rheinfeld) was born on 9 February 1853 in Zalishchyky, he died 14 January 1940 in Klagenfurt He was an Austrian painter, graphic designer and illustrator. He was a founding member of the Vienna Secession and the director of the Applied Arts School in Vienna (now the University of Applied Arts Vienna), and was instrumental in the creation of the Wiener Werkstätte. Myrbach's father was Franz Myrbach (1818–1882), the Administrator of Bukovina in 1865–70. His older brother Franz Xaver (1850–1919) was an economist and professor at the University of Innsbruck. He attended the Theresian Military Academy in 1868–71, graduating as a Leutnant, then at the Academy of Fine Arts, Vienna under August Eisenmenger. In 1875, he joined the 19th Feldjäger Battalion, and in 1877 became an Oberleutnant in the Military Geographic Institute, then, after campaigning in Bosnia in 1878, he taught drawing at the Infantry Cadet School in Vienna. He continued his artistic studies under C R Huber. In 1881, he went on military leave and moved to Paris, retiring totally from the military in 1884 as a Hauptmann, 2nd Class. He stayed in Paris until 1897, working as an illustrator, including illustrating the works of Alphonse Daudet, Victor Hugo and Jules Verne. Myrbach was a founding member of the Vienna Secession in 1897. In the same year, he became the a professor of the Applied Arts School at the Museum of Art and Industry; Arthur von Scala, another reformer Modernist, was made head of the Museum. In 1889, Myrbach became the director of the school. He brought an enthusiastic Modernist attitude and encouraged an integration between art, design and production. He added Koloman Moser and Josef Hoffmann to the staff, amongst other Secession artists. This would lead to the foundation of the Wiener Werkstätte in 1903. Myrbach leant more towards an aesthetic approach than von Scala, but both worked together to bring about their combined vision of successful, popular Austrian applied art. Myrbach was a voice for reform towards Modernist ideals in the School, which was started 1899 with the support of Alfred Roller, and completed by 1901.The reform of the school has been described as his "lasting merit". Ludwig Hevesi called Myrbach "probably the best [illustrator] in Vienna", partially for his work (with Moser) in the Secession magazine Ver Sacrum. Myrbach visited America on a state-funded study trip in 1904, part of which was to represent the Applied Arts School at the 1904 World...