Coat Art

Ivor Roberts-Jones 1916-1996 British Sir Winston Churchill Numbered “132” (on base) Bronze with a brown patina on a stone base “My dear friends, this is your hour.” These were Wi...

"Art is a Weapon" FRAMED Photography 30" x 44" in Edition of 7 by Brendan North Signed and numbered by the artist. Comes with COA issued by the Artist Size framed: 34' x 44' in ABO...

David Bailey Kate Bush, 1978 Archival Inkjet on paper Signed by the artist, on verso Image: 36.83 x 36.83 cm Sheet: 42 x 59.4 cm Edition of 10

Koloman Moser (1868 –1918), AUSTRIAN Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art w...

Hand colored relief with collage on archival museum board. From 'Standing Couples' portfolio. Hand signed by Julian Opie on label attached on frame verso. Edition of 50 plus 5 Art...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Also available as a black and white silver gelatin print Bob Gruen (born 1945) is an...

2008, Edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date...

Rudolf Kosow’s Not So Bad is a haunting contemporary surrealistic oil painting that evokes the aesthetic and ethos of Americana, tinged with an unsettling air of mystery and nostalgi...

Honore Sharrer (1920 - 2009) Woman Listening Signed lower right Caseine on paper 15 x 20 inches Provenance: Forum Gallery, New York Private Collection ...

Felician Myrbach (1853-1940) Poèmes magyars, Magyar poems bears the monogram "M" on the lower left, titled in the upper right Ink on paper 29,8 x 19,8 cm in good condition, the sheet is slightly yellowed In a modern frame : 33 x 23 cm This is an illustration project by Felician Myrbach for François Coppée's work, "Poèmes magyars". He leaves the space to be occupied by the text blank on the sheet and arranges his composition accordingly. It is interesting to see the artist imagine his drawing with this constraint. Felician Myrbach (also Felicien de Myrbach, Felician von Myrbach, from 1919 Freiherr von Rheinfeld) was born on 9 February 1853 in Zalishchyky, he died 14 January 1940 in Klagenfurt He was an Austrian painter, graphic designer and illustrator. He was a founding member of the Vienna Secession and the director of the Applied Arts School in Vienna (now the University of Applied Arts Vienna), and was instrumental in the creation of the Wiener Werkstätte. Myrbach's father was Franz Myrbach (1818–1882), the Administrator of Bukovina in 1865–70. His older brother Franz Xaver (1850–1919) was an economist and professor at the University of Innsbruck. He attended the Theresian Military Academy in 1868–71, graduating as a Leutnant, then at the Academy of Fine Arts, Vienna under August Eisenmenger. In 1875, he joined the 19th Feldjäger Battalion, and in 1877 became an Oberleutnant in the Military Geographic Institute, then, after campaigning in Bosnia in 1878, he taught drawing at the Infantry Cadet School in Vienna. He continued his artistic studies under C R Huber. In 1881, he went on military leave and moved to Paris, retiring totally from the military in 1884 as a Hauptmann, 2nd Class. He stayed in Paris until 1897, working as an illustrator, including illustrating the works of Alphonse Daudet, Victor Hugo and Jules Verne. Myrbach was a founding member of the Vienna Secession in 1897. In the same year, he became the a professor of the Applied Arts School at the Museum of Art and Industry; Arthur von Scala, another reformer Modernist, was made head of the Museum. In 1889, Myrbach became the director of the school. He brought an enthusiastic Modernist attitude and encouraged an integration between art, design and production. He added Koloman Moser and Josef Hoffmann to the staff, amongst other Secession artists. This would lead to the foundation of the Wiener Werkstätte in 1903. Myrbach leant more towards an aesthetic approach than von Scala, but both worked together to bring about their combined vision of successful, popular Austrian applied art. Myrbach was a voice for reform towards Modernist ideals in the School, which was started 1899 with the support of Alfred Roller, and completed by 1901.The reform of the school has been described as his "lasting merit". Ludwig Hevesi called Myrbach "probably the best [illustrator] in Vienna", partially for his work (with Moser) in the Secession magazine Ver Sacrum. Myrbach visited America on a state-funded study trip in 1904, part of which was to represent the Applied Arts School at the 1904 World...

Walter Dendy Sadler British, (1854-1923) The Widow’s Birthday Oil on canvas, signed Image size: 23.5 inches x 33.5 inches Size including frame: 30...

Bob Gruen John Lennon NYC 1974 (printed later) 40 x 30 inches Signed and numbered edition of 75 Also available as a color C-print Bob Gruen (born 1945) is an American photographer ...

The paint inspires the movement that represents the city. The woman portrays a strength as she walks out front to lead the way. The painting has 1.5" finished sides and is ready to h...

Portrait Of 1st Baron Hawkstone, Sir Rowland Hill, Tory MP for Lichfield (1705-1783) by Charles JERVAS (1675-1739) Large 18th Century portrait of Baron Hawkstone, Sir Rowland Hill,...

Story illustration for "Hidden Ways" by Frederic F. van de Water published in Good Housekeeping, October 1935, pages 42-43. The full caption reads: "Allegra's face was white as she ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

"Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. It looked so ...

Sexy Scot from the Getty Archive The original James Bond, Scottish actor Sean Connery, lounges on a chintzy sofa with a cigarette as he converses with someone off camera. This por...

Outtake photograph from the "Beyond the Buttons" album shoot on London's Primrose Hill. 1966

The Old Days - Historical Photo is a black and white vintage photo, realized in Early 20th century.  It belongs to historical album including historical moment, royal families, and ...

The Old Days Photo is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal families, and political...

Old days Photo - Gathering is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album including ...

Old days Photo - Stony House is a black and white vintage photo, realized in the mid-20th century. Good conditions and aged. It belongs to a historical and Nostalgic album includin...

Ministers of Algerian Government - Historical Photo  is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of histo...

War in Algeria - Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of historical events and po...

Uses and Customs - Bavarian is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governm...

Portrait of Johann Quantz (1697-1773), flautist and composer, wearing a blue velvet coat, waistcoat and breeches, standing in a garden landscape with ...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

Black and white, fashion, model, street, mercer st, NYC, New York, New York City Photography, woman, model, fashion photography, B&W, black and white photography, Todd Burris, Listing is for UNFRAMED print. Inquire within for framing. Edition of 2 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

Basquiat and Gray at Hurrah's: New York, 1979 by Nicholas Taylor: A rare, intimate look at Jean-Michel Basquiat's history as a musician - this work was one of four Taylor photo's chosen for exhibit at the much noted, Basquiat: Boom For Real exhibition at London's Barbican Centre. This work has been featured in numerous major publications on Basquiat. Archival Inkjet Print. 16 x 20 inches (dimensions include a an approx 2 inch border). Hand signed & numbered from an Edition of 10 (+ 5 APs). Excellent condition. Provided directly by Nicholas Taylor (represented by listing dealer Lot 180 Gallery NY). Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named DJ High Priest by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Show catalog; Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat's and Gray please see: "Gray Matters...

While charcoal is naturally a loose drawing medium, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures the fine details with exacting clarity. In his drawing "Pritzlaff - 1903", the subject, a male with a glazed look, is wielding an ax and pointing a finger at the viewer. This drawing is framed in a simple black frame. The artist has signed with his initials and year on the front and signed his full name on the back of the piece. David Becker Pritzlaff - 1903 vine charcoal on paper 32h x 24w in 81.28h x 60.96w cm DB0027 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Auguste Adolphe CHAUVIN (Liege, 1810 – Liege 1884) Portrait of Coraline Oil on canvas Signed and dated lower right 91 x 68cm 1868 Auguste Adolphe Chauvin, born in Liège on October 2...

Louis Valtat 1869-1952 French Portrait of Pierre Renoir Signed "L. Valtat" (lower right) Oil on canvas This vibrant painting by Louis Valtat depicts the famed Renoir's eldest son...

2015, Unique Artwork resin and pigments polychrome on fiberglass under protective plexiglass cap with LED 12 1/5 × 31 1/2 × 13 in - 31 × 80 × 33 cm The artwork is signed by the Artis...

Art Sz: 14 3/4"H x 10 1/2"W Frame Sz: 22 1/4"H x 17 3/4"W w/ Ascot grey matte & gilt wood frame 1930s British Horseman's Caricature in watercolour and ink caricature for "The Tatl...

This original etching and drypoint is hand signed in pencil by the artist "L. Ury" at the lower left margin. It is an artist’s proof aside from the standard edition of 100. There was...

Edition 2 of 5, with 2 APs. GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of ...

Suite of four large family portraits, kept together to this day. Created around 1840 by the painter Théophile Morel, who presented portraits at the Salon des Artistes Français from t...

Pollack, Bob (American, born 1936). ARNOLD PALMER. Original painting in acrylics on paper, 2003. Signed and dated within the image. 16 X 12 inches. In ex...

Kenn Duncan (1928-1986). Fashion editorial photo of male model Pat Anderson, ca. 1973. 11 x 14 inches; 12 x 15 inches framed. The print was used for publication in After Dark Magazine. From the estate of William Como, Editor in Chief, After Dark Magazine. Kenneth Duncan was born September 22, 1928, in New Jersey. He began his career as a skater and then a dancer. After breaking his foot and taking a six-week course on photography at a YMCA, he became a photographer. Duncan worked as a principal photographer for After Dark and Dance Magazine. His photographs also regularly appeared in Vogue, Harper's Bazaar, Life, Time, and Newsweek. In addition, he photographed a score of Broadway shows, including Hair, Applause, The Elephant Man, and Sophisticated Ladies and many dance and Broadway stars including Chita...

This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.

A stylish, vintage, 1940s fashion study featuring colorful designs for women's red Robin Hood hat, suit and coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 in...

A stylish, vintage, 1940s fashion study featuring colorful designs for women's hat, suit, shoes & coat. Artwork size: 11 x 8 1/4 inches. Archivally matted to 16 x 12 inches. Pro...

The Widow is an Original China Ink Drawing realized by Hermann Paul (1864-1940). Good condition on a white paper. Hand-signed and titled on the lower margin. Hermann René Georges...

Woman Before Paris Opera Artist: Pierre Neveu (French b.1929) Medium: oil on canvas, unframed Canvas: 22 x 18 inches Condition: Good and sound condition with slight scratches to the ...

Frederic Lepia is an original Lithograph realized by D. M. Raffet in 1848. Good condition included a cream colored cardboard passpartout. Denis Auguste Marie Raffet (2 March 1804 –...

24 x 13.25 inches - Edition 1 of 5 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Giulietta Masina - Golden Age of Italian Cinema is a vintage black and white photograph realized in the mid-20th Century. Good conditions. Giulietta Masina is considered one of the...

Giulietta Masina - Golden Age of Italian Cinema is a vintage black and white photograph realized in the mid-20th Century. Good conditions. Giulietta Masina is considered one of the...

Giulietta Masina - Golden Period of Italian Cinema is a vintage black and white photograph realized in the1960s. Good conditions. Giulietta Masina is considered one of the best Italian actresses best known for her performances as Gelsomina in La Strada directed by her husband Federico Fellini. Her portrayal of an innocent woman served as the emotional focal point for some of Fellini’s best films. Masina began acting in student theatre productions when she was in her teens. Although she enrolled as a student at the University of Rome in 1938, she continued to devote a good deal of time to acting in university plays and on the radio . In 1939 she made her professional debut in an Italian translation of Thornton Wilder...

Known for her bold visionary take on figurative realism, Erin Cone has twice been recognized in the national art press as one of the top young emerging artists in the country. After ...

Photograph taken in Spain, inspired by Ophelia, a painting by British artist Sir John Everett Millais. The photo is printed on museum quality fine art paper Canson Prestige 310gr...

Audouin Dolfuss , a French Scientist is an original black and white photograph realized by an Anonymous photographer. With the typed notes in Italian " the description" on the rear. ...

First Royal Guard Shooter Battalion is an original lithograph by Antonio Zezon. Naples 1856. Interesting colored lithograph which describes the royal guard shooters: on the left, a ...

Man with Headdress is a modern artwork realized in the 19th Century. Original drawing in pencil on paper. The signature of the drawer is present on the mantle of the man. Some fox...

Vintage Photo. Humphrey Bogart, Ward Bond, Mary Astor and Barton MacLane in a scene from the movie The Maltese Falcon, a 1941 noir movie directed by Jo...

This Vintage Photo shows the Actor Ben Kingsley and the Writer Simon Wiesenthal.

Stephen Shames limited-edition portfolio of three photographs: The Black Panthers Bobby Seale speaks at a Free Huey rally in DeFremery Park, Oakland, California, 1968 Paper Size: 14 x 11 inches Image Size: 12 x 8 inches At home, Huey P. Newton listens to Bob Dylan's Highway 61 Revisited, Berkeley, 1970 Paper Size: 14 x 11 inches Image Size: 12 x 8 inches Glen Wheeler and Claudia Grayson, known as Sister Sheeba, stand outside George Jackson's funeral at St. Augustine's Church, Oakland, California, August 1971  Paper Size: 11 x 14 inches Image Size: 8 x 12 inches "For me the most important part of the Black Panthers' legacy is a belief that one can effect change even when things seem hopeless."  —Stephen Shames In the midst of the largely nonviolent Civil Rights movement sweeping through America, Huey P. Newton and Bobby Seale founded the legendary Black Panther Party...