Comics Art

Gilbert & George The Paradisical Pictures Exhibition Poster 2019 / 2021 Size: 25.98 × 20.08 inches (66 x 51 cm) Edition: Unknown Signed and inscribed by hand COA provided (galler...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 15 x 15 inches. Frame size: 16.75 x 16.75 x 2 (white floating frame). ...

Artist: Mark Drew Title: My Real Doggs (RIP Nate Dogg) Size: 60 x 60 Inches Medium: Acrylic on Canvas Edition: Original Year: 2021 Notes: Hand Signed and Dated on Verso. Abo...

"This is not a Picasso" decorated wood sculpture. It is created by the French artist Eric Liot. About the artwork: TECHNIQUE: Mixte, Low reliefs, wood...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Japanese Accessories is a Woodcut print realized in the first half of the 19th century by Utagawa Kunisada. Good condition. This wonderful modern artwork represents Japanese acce...

Mixed Media. Pop Art. Humorous. On canvas. Play off First Class on Plane. Girl featured. Vibrant colors. One of a kind. About the Artist: NE...

Michael Wittmann The Magus Giclée on Hahnemuehle Velvet 2020 Size: 24 x 17 inches (60.96 × 43.18 cm) Edition: 25 Signed and numbered in marker by the artist COA provided (gallery is...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the rever...

Salvador Dali - The Lane of the Birches - Original Stamp-Signed Etching Stamp signed by Dali Edition of 294 copies. Paper : Arches vellum. Dimensions : 16x12". Catalogue Raisonné ...

Pioneering Woman Illustrator Margery Stocking Hart draws a pen-and-ink story depicting a round table of predators encircling a vulnerable bunny rabbit. ...

Title: Garden of Earthly Delights Artist: TheDirtyFabulous Media: Oil on metal with polyurethane varnish Size: 60 x 40 inches / 153 x 102cm Year created: 2012-2014 Societies have long employed images that visualize their belief systems or attempt to encapsulate a narrative of our human destiny. This work follows in that tradition. The uppermost vignette is a silhouette from the nursery rhyme “Jack be nimble”, a children’s rhyme that refers to a 19th century game and a form of fortune telling. In Roman mythology Parcae (plural) were the personifications of fate. They are used in this painting as bookend figures on either side of a cosmic machine that answers questions of fate. Three vintage light bulbs labeled “yes”, “maybe” and “no” sit atop the clock – like machine and illuminate answers to humanity’s eternal questions. At the top of the composition are several re- configured tarot / divination cards belonging to an anonymous person circa 1930’s. The cards here are labeled; satisfaction dark woman, jealousy, dark man and betrayal. The grouping of these four cards refers to both positive and negative potentials concerning fate and offer clues to the viewer on a number of possible scenarios it could describe. The lower portion of the picture contains two silhouetted vignettes on either side of a central image of stars and planets against a dark void. The left image is of two children in a small wagon being pulled by a beetle. This is a reference to Egyptian mythology and the sun god Khepri. who personifies birth / rebirth. Khepri is portrayed as a beetle that pushes the sun across the sky. Here the young innocents...

China ink, tempera and watercolor on cardboard realized by Gabriele Galantara in 1904. Hand signed in the top left corner. Published on "L'Asino" on 7/24th, 1904. Very good condit...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas size: 40 x 48 inches. Frame size: 41.62 x 49.62 x 2 (white floating frame hand ...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

Raymond Pettibon illustrated Black Flag flyer New York City 1981: Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...

Brother and sister, together as friends, ready to face whatever life sends. - Robert Brault :: Painting :: Abstract Expressionism :: This piece comes with an official certificate of ...

This lithograph was created by Banksy for Greenpeace to highlight deforestation issues. Features famous cartoon characters blindfolded in the midst of a destroyed forest. Very limite...

Statue of Liberty by Jim Sundquist, German/American (1949) Date: 1986 Screenprint, signed and numbered in pencil Edition of 150 Image Size: 24 x 34 inches Size: 29.5 in. x 41.5 in. (...

This graphite pencil drawing ‘Sans Titre – 28-06-23’ depicts moviestar Veronica Lake. After Roundism (Tribute to Anita Ekberg) – 22-06-23 I thought I’d do another celebrity...

"Harvest Home" is an original color lithograph poster by an unknown artist. It features a scene of a field with a few pumpkins and wheat. Below the image is an excerpt from a Henry A...

This stylised woodcut by Ali Kurt Baumgarten (1914-2009) depicts a shepherd guiding his flock across a simplified, pastoral landscape, rendered in bold, organic shapes that convey rh...

Daphne Sweet, artist working and living in Missoula, Mt. Using acrylic, oil, clay, and fabric. Bouncing between classical references and personal allegory, the paintings and found ...

A dramatic mid-nineteenth century ukiyo-e print by Toyohara Kunichika (1835-1900), depicting actors Actors Ichikawa Kuzô III as Kômori Yasu and Sawamura Tanosuke III as Kirare Otomi....

Jean-Emile Laboureur (1877-1943), Chez la Fleuriste, etching, 1919-1920, unsigned [with initials and date in the plate]. Reference: Laboureur 192, second state (of 2), from the editi...

Pioneering female illustrator Gwenda Morgan creates an exuberantly complex image of a squad of broom-riding - pointed-hatted witches with black cats in tow. They fly through an inky black moonlit sky and are witnessed by only a rooftop owl. With the simple means of black and white, Morgan has rendered a highly charged composition that pluses with electricity. The whole image is on the cusp of being abstract while being representational. It is brilliantly designed with great attention to detail and is evocative of a sorcerer's malignant powers. Unframed. not signed Printed from the original block as part of the suite of 8 prints that accompanied the limited edition book Diary of a Land Girl, Whittington Press, 2000. The suite of prints was included with the first 50 copies of the book, and a further 8 suites were printed, from which this print comes. Gwenda Morgan (1 February 1908 – 1991) was a British wood engraver. She lived in the town of Petworth in West Sussex. Early life Morgan was born in Petworth, her father having moved there to work at the ironmongers, Austen & Co, of which he later became proprietor. He was the son of a Welsh-born military farrier. Education Following school in Petworth and at Brighton and Hove High School, Morgan, studied at Goldsmiths' College of Art in London from 1926. From 1930 she attended the Grosvenor School of Modern Art in Pimlico where she was taught and strongly influenced by the principal, Iain Macnab. The Grosvenor School was a progressive art school and the championing of wood engraving and linocuts fitted with its democratic approach to the arts. Works Morgan was commissioned to illustrate a number of books published by private presses. For the Samson Press she produced the frontispiece for Duke Hamilton...

Large French Theatre Poster for Les Howard and leures Marionettes

Jean-Emile Laboureur (1877-1943), Le Souper des Dockers, engraving, 1919-1920, signed in pencil lower left, titled lower left, and numbered (27/35) lower right. Reference: Laboureur ...

This is a set of 6 signed and numbered prints created by the great French poster artist, Gerard Courbouleix, known as Razzia. Each print measures 10.5” x 14.5” and is from a limite...

Del Monte Roundup Blue Shirt is part of a c. 1965 advertising campaign for Del Monte Foods. Del Monte Foods is a California based company founded in 1886 that specializes in process...

Navy Blue These are limited edition archival prints They come in a variety of colors. Please Inquire Unframed. World-renowned guru of Jap Pop Art - Zane Fix, is an American artist,...

Ben Frost Happy Happy Joy Joy, 2016 6-color screen print on Mohawk Superfine UltraWhite, 160 lb cover 18 x 15 in., 40.6 x 50.8 cm Edition of 5, Signed and numbered by Ben Frost

Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...

Bettie Page - 19-05-18 I found this great early picture of a young Bettie Page posing before her pin-up days of fame. Like all previous reference pictures this one shows great li...

Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left and numbered lower right 28/35 [also with the signature and d...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Big Daddy Ink on archival paper White frame under plexiglass. Keith Carrington’s experiences have led him to express his talents through the fluid & exactin...

This is an original mixed media work on canvas by Southern California artist, Cheryl Tall. It is a triptych in three vertical canvases. Its dimensions are 48" x 90" x 1.5". It is unf...

For Rock and Roll art collectors this is one incredible work of art. It is the original 1971 drawing for Bill Graham's Fillmore East program cover art created by Rock and Roll and Broadway superstar artist David Byrd. framed size 22x17". I have included in this listing an image of an actual program cover for reference purposes, it is not part of the sale. David Byrd created some of the most memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. This is the first time that this rare original one of a kind drawing has been available for sale since it was first created over 40 years ago. This is the actual drawing that was presented for approval of the final artwork. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. These museum quality drawings are rarely made available for sale, they are not only wonderful rare works of art, but are truly historically important works in the field of Theatre and Rock and Roll collecting. It has been framed with archival double matting. David Byrd's poster art is in many museum collections, including : The Louvre, in Paris, Victoria & Albert in London, The Museum of Modern Art in New York and The Smithsonian in Washington, DC. We have included an image featuring some of the memorable art David Byrd has created for the Rock and Roll industry and classic Broadway shows. A large coffee table book is in the final edit and getting ready to go to press of the art of David Byrd titled "Poster Child...

The 1977 original poster by Koukryniksy represents a classic example of Soviet Cold War satire, aimed squarely at NATO, known in French as OTAN (Organisation du Traité de l'Atlantiqu...

Original 1957 San Diego Great Annual Fiesta Poster – Rare Clark-Allen Lithography . This is an original vintage 1957 travel poster celebrating San Diego's Great Annual Fiesta. A prim...

Pygmalion (Triptych), 2014 Acrylic marker on paper (Signed) 28.34 H x 60.23 W in. (28.34 H x 20.07 W in. each) 72 H x 153 W cm (72 H x 51 W cm each) Contemporary art uses the past ...

This poster titled The Infamous was produced in 1920 as part of Jules Chéret’s graphic output in the early twentieth century. The work belongs to the tradition of illustrated posters...

Screen print in colors on had torn Coventry Rag 335 gsm paper. Hand signed lower right corner by Pose. Hand numbered 10/25 lower left. Artwork size 40 x 30 inches. Artwork is in ...

Hight brow couple having relationship issues rendered in a black and white stylized Art Deco fashion. In pencil the caption reads "Are you willing to divorce your wife the minute sh...

The image of “Landscape with Figures and Rainbow, 1980” was used for the design of this exhibition poster held at the Museum Ludwig Koln in 1989. The serigraph/poster measures 39.25 ...

Figures allongées is an print by the British artist  Henry Moore  (Castleford, 1898 - Much Hadham, 1986). This color lithograph on paper was edited by the French magazine XXe Siécle...

Leonetto Cappiello's original 1949 poster for "Le Thermogène engendre la chaleur et combat : toux, rhumatismes, points de côté" is a striking piece of adve...

Original poster: Radio L.M.T. "La Meilleure Tonalite". Elle l'aime tant. French antique vintage poster for the L. M. T. Radio. The radio wit...

Liberator Cycles & Automobiles

Rf Art Super Smash Bros Giclee on Hahnemuehle Velvet 2021 Size: 24.01 x 17.32 inches (61 x 44 cm) Edition: BAT from a limited edtion of 25 Signed and numbered by the artist *Framing...

Giclee on canvas. Hand signed lower right by Doug Bloodworth. Hand numbered 24/150 lower right. Canvas size 38 x 50 inches. Canvas is not stretched. Artwork is in excellent co...

Louis Recchia's "On the Rocks" is an original, handmade mixed media painting using acrylic paint and collaging on plexiglass. Louis Recchia has been producing contemporary art in De...

Jane Birch I Only Have Eyes for You graphite on paper 8h x 9w in 13h x 16w in framed 20.32h x 22.86w cm JAB006 My drawings are lovingly objectifying. I’m an alien researcher, and my...

Ed Templeton grew up and lives in Huntington Beach. While Templeton originally gained fame as a professional skateboarder, he is now recognized as a semin...

Figures allongées is an print by the British artist  Henry Moore  (Castleford, 1898 - Much Hadham, 1986). This color lithograph on paper was edited by the French magazine XXe Siécle...

From the Nudes portfolio, single sheet titled "Thinking Nude, State I" by Roy Lichtenstein published by Tyler Graphics. Not numbered and unsigned. Paper Size: 8.5 x 11 inches ( 22 x...

Ink, tempera and watercolor on paper. Hand monogrammed. This drawing exemplifies Gabriele Galantara’s mature satirical language, articulated through a narrative structure divided in...

CRUSADERS FOR JUSTICE is a hand pulled original limited edition relief print created using linocut printmaking techniques on white archival heavyweight paper, 100% acid free. Penci...

Art Sz: 11 3/4"H x 8 1/4"W w/ original couture boucle swatch