Countryside Art

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

In "WEST The American Cowboy", Anouk revisits this enduring iconic symbol of America's pioneering spirit. The new series inspire with a fresh and contemporary perspective of the Amer...

Michael Gregory lives and works in Bolinas, California, and for several years, Gregory has been fascinated with the study of old barns and silos. While...

Signed by the photographer

Laszlo Neogrady (1896-1962) "Tending the Flock" c. 1930 Oil on Canvas approx 24 x 30 approx 30 x 36 framed Laszlo Neogrady was born in Budapest, Hungary in 1896. He was the son of...

Joseph Orr "Winter Wood" Acrylic on Canvas 18 x 24 28 x 34 framed Joseph Orr, from Missouri, has been painting professionally since 1972. He paints much o...

827 Nuussuaq, 07/2006 74° 06'45" N, 57° 03'32" W - Olaf Otto Becker (Landscape) Signed on reverse Archival pigment print Available in three sizes: 25 x 29.5 inches, from an edition ...

705 Nuussuaq, 07/2006 74° 06'45" N, 57° 03'32" W - Olaf Otto Becker (Landscape) Signed on reverse Archival pigment print Available in three sizes: 25 x 29.5 inches, from an edition ...

804 Tasiussaq, 07/2006 73° 22'09" N, 56° 04'56" W - Olaf Otto Becker Signed on reverse Archival pigment print Available in three sizes: 25 x 29.5 inches, from an edition of five 4...

794 S" Atut, 07/2005 70° 48'42" N, 51° 37'42" W - Olaf Otto Becker (Landscape) Signed on reverse Archival pigment print Available in three sizes: 25 x 29.5 inches, from an edition o...

579 Oquaatsut, 07/2003 69° 20'23" N, 51° 00'15" W - Olaf Otto Becker (Landscape) Signed on reverse Archival pigment print Available in three sizes: 25 x 29.5 inches, from an edition...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...

Photograph of houseboats in Kashmir. Signed, numbered, and dated on verso. Additional sizes available

Image 9 1/2 x 7 1/2 inches; Paper 14 x 11 inches Signed in pencil on recto Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print...

Signed in pencil on recto; Titled and dated in pencil on verso George Tice is one of the finest American photographers of his generation. His body of work has continually focused on the American rural and suburban landscape. This platinum print photograph...

Thin Cloud, Campo Imperatore, Abruzzo, Italy - Michael Kenna (Black and White) Signed, dated and numbered on mount Signed, dated, inscribed with title...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Born and raised in France, Anouk Masson Krantz moved to the United States in the late 1990s. She earned her bachelor's degree and worked at Cartier’s New York corporate office. Anou...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

Gustavo Ten Hoever was born in Uruguay and attended photography school in Montevideo, Uruguay. He moved to New York in 1986 and now divides his time between Paris and New York. After an eye opening time spent traveling into the Brazilian Amazon, he began shooting for his first photo exhibit, Full Moon People, covering the indigenous people of this region. Since then, the artist has traveled continuously and exhibited globally, while his editorial work can be seen in publications around the world. Publications featuring his work include I-D Magazine, French Vogue, Wall Street Journal Magazine, US Vogue, Arena, and the New Yorker. His clients include Hermes, Dosa, Editions Gallimard, Persol, Dunhill, Jose...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

For sale

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Last Light There is solace in the night. I find it comforting when the sun finally slips away, taking with it the expectations and disappointments of the day. Darkness shrouds th...

Banaue Rice Terraces in the Philippines. Signed, numbered, and dated on verso. Please contact us for additional sizes. Cavalier Galleries Greenwich, Ne...

Boy Rides Bike Down Dirt Road in Vietnam Please contact us for additional sizes. Cavalier Galleries Greenwich, New York, Nantucket

Hanzlova

Esko Mannikko

24 x 20

Hunting For Fun, 1960: Hunter Reggie Destro and photographer Arnold Newman outside Nairobi, Kenya. Staley-Wise Gallery offers photographic prints from the Slim Aarons Archive, owned...

Archival Pigment Print 10 x 10 inches, edition of 5 32 x 32 inches, edition of 5

From the series Compulsion Sun Valley: 48 x 60 inches Eye #3: 17 x 19 inches

Stamped on the back of the mount and signed and verified by the trust with date and number. Available in various sizes. One original cibachrome print is available printed and signed ...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately. Over...

Signed, numbered and dated on front of the mount. Signed, dated, numbered and titled with artist's copyright stamp on back of the mount. Image size: 8 x 8 inches approximately.

Signed on front of the mount. Edition number and date on back of the mount. Edition of 50. May be available in various sizes. Prices subject to change.

Signed, stamped, dated and number on back of print. Edition of 15.

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches

Signed, dated, titled and numbered on print recto. Signed, titled with artist's copyright stamp on mount verso. Available in 15 x 15 inches or 22 x 22 inches. Availability subject to...

Printed title mount recto with annotations Photographed by R. Fenton.Manchester Published by T. Agnew & Sons, Feb. 29th 1856.London P.&D. Colnaghi Co. Paris, Moulin,23 Rue Richer New...

Titled and inscribed in printed ink,'Photographed by R. Fenton, Manchester, Published by T. Agnew & Sons, Feb. 29, 1856. London D & P Colnaghi & Co., Paris, Moulin, 23 Rue Richer. Ne...

From the "Horizon" series. Archival digital pigment print. Available a few various sizes: 24 x 30 inches (edition of 15) 32 x 40 inches (edition of 7) 40 x 50 inches (edition of...

Signed and editioned on front of the print. Edition of 33. 24 x 36 inches.

Stamped.