Alexandr Onishenko Art

These are three bird paintings by Chilean artist Viviana Ovanda.The framed size on the first 2 is 9 x 9. The size on the third on is 8 x 9. These were painted in Santiago, Chile where the artist resides with her family. The fixed price on each one is $350 each. All proceeds go back to the artist to develop here career in Chile. I included the cow painting to show her other work at the gallery. It is 24 x 31 and is $1700 Viviana Ovando Cid Visual Artist and Painter. She studied Visual Arts at the University of Chile and specialized as a Painter at the Martín Soria Academy of Fine Arts. Awarded by the Chilean-Japanese Cultural Institute and the National Society of Fine Arts. Viviana has participated constantly in group and individual exhibitions nationwide, Thanks to her constant concern she handles different painting techniques, from those coined by the Classic Academy to digital techniques, participating in 2D and 3D animation projects, exploring new representation techniques. Who are your biggest influences? Are you inspired by the work of your colleagues or someone else in particular? Antonio López, Goya, Rembrandt, Velásquez, Sorolla, Caravaggio, Franz Marc, Muñoz Vera, Sergio Castillo...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

"Sheridan Herd" is an original oil painting on masonite by Heather Foster. The artist initialed the work in the lower right. This painting depicts a herd of cows in a yellow hilly me...

Marjorie Reed a.k.a. Harvey Day (1915-1996) California, Arizona Artist Size: 18 x 24 Frame: 23.25 x 29.25 Medium: Oil on Canvas "Valley of the Monuments" Marjorie Reed Biography Biography Marjorie Reed a.k.a. Harvey Day (1915-1996) Born in Springfield, Illinois and raised in Los Angeles, Marjorie Reed gained a reputation for paintings of western scenes, particularly Butterfield Overland Stagecoaches and other scenes of cowboys, horses and figures associated with the Overland Mail Route. Sometimes she signed her paintings with men's names including Harvey Day and Fred Day. At age three, she began art lessons from her father, Walter Stephen Reed, a commercial artist, whom she later assisted in the designing of Christmas cards and with illustrations for the Mickey Mouse Beverage Company, affiliated with Walt Disney. In fact, she was so accomplished that shortly after, she was hired by Walt Disney Studios to do animation. But she did not like the regimentation of that work. In the mid-1930s, she studied at the Chouinard Art School and took lessons from Jack Wilkinson Smith, a renowned landscape painter who was a key artist in establishing the Biltmore Salon in Los Angeles. Knowing her love of the outdoors and horses, he encouraged her to roam the countryside. She became a friend of Captain William Banning who had been a stagecoach driver for his father Phineas Banning. She learned the romantic story of the Butterfield Overland Mail Stage, which, from 1857 to 1858, ran from San Francisco to the Yuma crossing on the Colorado River. In her Model-T Ford with her Alaskan Husky dog, she, based in Los Angeles from the late 1930s to late 1940s, traveled the stage-coach route and sketched for the paintings of her project to learn about and sketch various points along the route. Her travels included Palm Springs, which she visited many times after her first stop in 1937, and she also spent time in Julian, a California mountain town. Her "Butterfield Stage" series, about the 1858 Butterfield Overland Stage from St. Louis to San Francisco were completed in 1957 after years of travel and research, and a book titled The Colorful Overland Stage was published with twenty of her color reproductions and text by Richard Pourade. In 1967, she finished a second set of Overland Stage illustrations focused on Arizona. A third set was then devoted to New Mexico and Texas and a fourth set to Oklahoma, Arkansas and Missouri. In her later years, she and her fourth husband, Cecil Creese, a miner, became residents of Tombstone, Arizona in 1963 after living in northern California on the Placer River. According to her daughter, Judy Morris, Marjorie Reed died in 1997, living in the desert near the Butterfield Stage Station in California. Exhibition venues included the Biltmore Salon and Ebell Salon in Los Angeles, the Heard Museum in Phoenix, the Desert Inn Gallery in Palm Springs, and the Palm Desert Art...

Conditions: In excellent overall conditions, with no repaint under UV light, original canvas and frame. Signed Lower left "Ls Reinhardt". Dimensions with the frame are approximately...

Laszlo Neogrady was born into an artistic family in Budapest in 1896. His father, Antal Neogrady, taught him all the basic rudiments of painting, he also studied at the Hungarian Aca...

This painting is filled with life, movement, and the sunny mood of a rural morning. At the center of the composition is a majestic white rooster with a fiery red comb, spreading his ...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1998 by a private collector, San Carlos, Palo Alto, and Oceanside, California; From the Santa Barbara Historical Society Signed "Carl Sammons" on lower right Description This luminous coastal landscape by Carl Sammons is a striking example of the artist’s signature plein air style, depicting the rolling coastal dunes and lush vegetation of California’s shoreline. Best known for his depictions of Carmel and Monterey, the composition and palette of this work suggest inspiration from the Monterey Peninsula dunes. Sammons’ ability to merge vibrant, clean color with a sense of atmospheric perspective is evident here in the interplay of bright, sunlit sands and the rich greens of windswept foliage. His vibrant yet naturalistic color harmonies, crisp edges, and keen sensitivity to light bring the fleeting beauty of the coastal environment to life. The hazy eucalyptus grove in the background adds a distinctive regional touch, situating the composition firmly within California’s coastal identity. Sammons’ paintings of California’s unique landscapes played a significant role in documenting the natural beauty of the state during the early 20th century. Connection to the Monterey Art Colony By the 1920s and 1930s, Sammons became closely associated with the Monterey art colony, an influential hub for plein air painters such as Armin Hansen (1886–1957), William Ritschel (1864–1949), and Percy Gray...

Ross Stefan (1934-1999) Arizona / Wisconsin Artist Image Size: 16 x 12 Frame Size: 19 3/4 x 15 3/4 Medium: Oil on Canvas "Indian Maidens" Biography Ross St...