Dog Art

Empty Pocket Saloon Arizona, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the fr...

Longhorn Wall Art, Animal Photography, Modern Art-Mottled Matilda ABOUT THIS PIECE: This piece of modern art titled "Mottled Matilda" was part of a photography landscape series fea...

Untitled (Buffaloes), Photograph by David Wojnarowicz 1988/1994 Estate stamp in black ink, vesro Also initialed “TWR” and numbered in black ink, vesro Platinum print (Edition of 10...

The Dogfather Nantucket, Massachusetts - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 71 inches 67 x 101 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The Brotherhood of Thieves, on the tiny old whaling island of Nantucket, is as good a bar as any we know in America from which to tell old stories - and we know quite a few. The ambient light from the window is powerful enough to remove the need for a gaffer and this is such a help when trying to tell tales with a sense of place. The detail in the dog’s face is all lit from the window and this effect lends a sense of timeless drama. This picture could have been taken 50 or 100 years ago rather than April 2022. Mastiff dogs are among some of the oldest breeds known to humans and were among the first canines to accompany humans on their migrations across the globe. More importantly, for the purpose of this role, their faces have a rather majestic human countenance allowing me to build stories around them. We have worked with many breeds over the years, but for this kind of work, Mastiffs are in a league of their own...

The Fox and Hound Los Angeles, California - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbere...

The Power Of The Dog The Rocky Mountains - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: ...

Signed by the photographer

This minimalist painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

Signed by the Photographer

Museum quality fine art print of David Bowie by photographer Markus Klinko, from his celebrated collection "Bowie Unseen", released for the first time in 2016. This stunning shot of...

It Was the Whiskey Talking Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 ...

Hot Chicks Montana, USA - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition ...

Signed, titled and dated in pencil on sheet verso Gelatin silver print 20 x 16" sheet; 17.5 x 12" image

Cori at the ‘Texas T’ conference 1991 Signed and numbered, verso Archival pigment print (Edition of 12) 23 x 15.25 inches, image This work is offered by Cla...

Animal Prints, Landscape Photography, Water Photography-Floating Through Life ABOUT THIS PIECE: This art photography piece named "Floating Through ...

Dog and Coffin, silver gelatin print, limited edition photograph Described as a "Poet of the Ordinary," Keith came of age during the turbulent sixties and seventies, developing a ...

Bloodhound and Raccoon, silver gelatin print, limited edition photograph Described as a "Poet of the Ordinary," Keith came of age during the turbulent sixties and seventies, devel...

South Africa, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 49 ...

Other sizes and high-end frame on request. On the road again - the supermodel Cindy Crawford in a car with a wolf David Yarrow is a famous British fine-art photographer and one of ...

The Daily News Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 66 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Proof again that Cindy Crawford is gold dust for a photographer. She looks quite sensational in this “film noir” piece taken at the very location made famous by her Pepsi commercial in 1992. My idea was to build a 1950s set and shoot at night; not just to add drama and contrast, but also to legitimise the period evening glam look. One I knew Cindy would excel in. In the weeks running up to the shoot, I played around with a few possible narratives and I was drawn to the concept of a film set within a film set. I had long admired Peter Lindberg...

1992 Santa Clarita, California - 2021 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 67 inches 67 x 95 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. Joe Pytka’s 1992 Pepsi Ad with Cindy Crawford is iconic; indeed, it is probably one of the most celebrated commercials of all time. So much so, that there have been many retakes and parodies. As we all know, it featured a 26-year-old Crawford pulling up to the Halfway Café in a red sports car wearing a white tank top and jean shorts. Two young boys stare as the supermodel buys a Pepsi from a vending machine and drinks it down. For some time I had yearned to do my own interpretation of the advert with a still photograph and I secured Cindy’s involvement, who in turn secured Pepsi’s approval (given the implicit tribute, why would Pepsi say “no”?). The Halfway House...

This "Dog" painting vibrantly pops with hyperrealistic color. It depicts a highly detailed dog standing in a bare room, its floor and wall awash in the same catoonish purple wallpaper...

Bjorn Skaarup Biography Danish, b. 1973 Bjorn Skaarup holds a MA in History and Art History from the University of Copenhagen, and a PHD in History from the European University Inst...

Fuji Crystal Archival Print. Signed by the photographer. Additional sizes may be available upon request.

William Wegman Pawns, 2015 Pigment print 30 x 23 inches (76.2 x 58.4 cm) Edition 4/7

“Everything that surrounds me affects me. Memories, politics, nature, people, a dry leaf on the ground, music and books.” Corvengi’s works explore his version of a lost paradise, an...

This work is a playful rendering of a placid homestead scene. The warm and reserved color palette encourages a laid-back atmosphere, which also serves to complement the aloofness o...

Study of a dog Oil on paper laid down on panel, 17.5 x 25.5 cm Provenance Private collection, the Netherlands Note: We are grateful to Mr Fred Meijer for his attribution to Ludolf de Jongh Ludolf de Jongh was the son of a shoemaker. When his father moved to Rotterdam, the young Ludolf decided to learn art rather than shoemaking and became a pupil of Cornelis Saftleven. Later he studied under Anthony Palamedes in Delft and still later with Jan van Bijlert in Utrecht. In 1635 he travelled to France with Francis Bacon. Seven years later, in 1642, he returned to the Netherlands when he heard that his mother had fallen ill. He set up a shop in Rotterdam, and his earliest signed paintings date from that year. According to Houbraken, his travels had caused him to speak French so fluently, that his parents had to learn French in order to speak with him. De Jongh’s work shows a strong influence from the Utrecht school of Caravaggio admirers, especially Jacob Duck...

Ross Bonfanti Rugby with yellow chain, 2015 Concrete, mixed media 15 1/2 x 17 x 10 inches (39.4 x 43.2 x 25.4 cm)

Drive Moab, Utah - 2021 Available sizes: Large Edition of 20 Image Size: 56" x 85" Framed Size (with a 5" mat): 71" x 100" Standard Edition of 20 Image Size: 37" x 56" Framed Size...

The Bills Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available si...

The Girl on the Train Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 68 inches 67 x 97 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This old railway carriage, was built in Mon- tana in 1902 and operated until 1968. It now lies abandoned in the ghost town of Nevada City and serves as a reminder of the busier days in the mountains. At today’s value, when mining came to an end in 1922, some $2.5bn of gold had been extracted from the region. The state of Montana played...

Signed and numbered on label affixed to reverse of mount Pigment print 44 x 57 1/3 inches Edition of 4 The dogs, bewigged and bedecked with outfits and props, demonstrate a wide ran...

Roger BALLEN (*1950, America/South Africa) Lured, 2016 Archival pigment print 43 x 61 cm (16 7/8 x 24 in.) Edition of 9, plus 2 AP; Ed. no. 2/9 Print only – Roger the Rat Surreal, ...

This Blue Dog work consists of a matching numbers set of prints each with 4 dogs on motorcycles each of a different color with varying neck scarf colors. Each print within the set h...

On the Road Again Montana - 2020 Available Sizes: Standard Edition of 20 Image Size: 37" x 52" Framed Size (with a 5" mat): 52" x 67" Large Editio...

Indecent Proposal Montana, USA - 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standa...

Pablo Picasso, dans la chambre Grands Augustins, 1944 - Robert Capa Silver gelatin print 6 1/2 x 7 inches Robert Capa (1913-1954) was one of the most celebrated photographers of the...

David Bowie working on the Album Cover for Diamond Dogs, London - Terry O'Neill Signed and numbered Silver gelatin print 24 x 34 inches 30 x 40 inches From an edition of 50 + 10 APs ...

Signed by the photographer

This photograph is in an edition of 20 and is signed by the photographer.

Inscribed 'Mrs Sacheverell Sitwell' and 'Mrs Sitwell' in unknown hand and stamped with photographer's and Sotheby's Cecil Beaton Studio ink stamps on reverse Silver gelatin print, pr...

Once Upon a Time... Los Angeles, California - 2019 Available Sizes: Standard Edition of 12 Image Size: 37" x 50" Framed Size (with a 5" mat): 52" x ...

Road Trip II Utah, USA - 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available size...

Emma SUMMERTON (*1970, Australia) Nude Dress #1, 2005 Archival pigment print on Hahnemühle Paper 100 x 120 cm (39 3/8 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 3/5 Print only Australian born Emma Summerton (*1970) graduated from the National Art School in Sydney, where she studied fine arts majoring in Photography. Summerton moved to London in 1998, where she worked as an assistant to artist Fiona Banner...

Montana, USA 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 68 i...

The Wolf of Main Street III Ghost Town, USA 2015 Standard Edition of 12 Image Size: 37" x 61" Framed Size (with a 5" mat): 52" x 76" Large Edition of 12 Image Size: 56" x 92" Framed Size (with a 5" mat): 71" x 107" A Small Artist Proof may be available upon request. Price includes David Yarrow's custom black ash frame with white linen archival mat and UV protective acrylic. The print is also available unframed and with custom framing options. Please inquire. Archival Pigment Print. All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow's narrative on "The Wolf of Main Street III": "Sometimes the most engaging pictures just happen with no real forward planning, but rather a spontaneous reaction to a fresh canvas that just presents itself. This staged shot in a ghost town in Montana was one such occasion. We had finished filming on a cold January morning and retreated to the only working premises in the deserted town to get warm and have a drink. Our refuge met every preconception of what a timeless wild west American inn should look like – a long wooden bar, wagon wheels on the ceiling, faded black and white photographs of the glory years, the odd moose head and of course a pool table. My cameras were packed away, but I saw an opportunity. There was just enough light in the room to work an image that told a story of tough folk living at the last frontier. I asked the bar owner, Rosie – who had a “seen it all before” look about him, if he had a problem with us bringing a wolf into the deserted bar. Not a normal request perhaps, but he welcomed the idea, only asking what the wolf liked to drink. The central premise of the shot was that I wanted everyone to behave as if a wolf in a bar was the most normal occurrence in this part of the world – they should act with total indifference. The difficulty with the idea was that I had so little light to play with that my depth of focus would be measured in centimeters. The focus had to be the wolf’s eyes...

Stamped with Scott Polar Research Institute blind stamp and numbered on reverse Platinum print Available in two sizes: 14 x 20 inches, edition of 30 22 x 31 inches, edition of 20

Castle on Sunset Los Angeles, USA - 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Available sizes: Stand...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

Butte, Montana 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 60 x 48...

Montana, USA, 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 67 ...

Montana, USA 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 63 i...

Red Shoes and a Bulldog, 1991 Archival pigment print 30” x 40” (76.2x101.6 cm) Edition of 10 signed and numbered $ 9,000.00 40” x 60” (101.6x152.4 cm) Edition of 10 signed and n...

Other Editions: 15 x 15" Edition of 20- Price Upon Request 22 x 22" Edition of 10- Price Upon Request 36 x 36" Edition of 9- Price Upon Request After completing her prodigious serie...

Monocerus, limited edition, pigment ink photograph, signed and numbered Storytelling comes naturally for photographer Keith Carter whose East Texas ro...

South Arrica, 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 48 x 68 inches 67 x 98 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I know 2 things from photographing hyenas. The first is that they have a few idiosyncrasies - they run funny, smell funny and with their oversized heads and large ears, they look dead funny too. Maybe they are just laughing at themselves - a good sign in any mammal. I don't actually think many of us really know exactly what hyenas look like because, they are the least photographed of all the storied animals in Africa. We are not familiar with them as we don’t revere them - indeed to be called a hyena, has become a term of abuse, which seems rather unfair on a species that adds to the rich fauna of sub-Saharan Africa. Hyenas are clearly useful additions to animated films and musicals as they can be demonised and portrayed as the bad guys. But here is the other thing about hyenas which slightly plays towards their stereotyping of being the villains - they don't respect camera equipment...

Signed and numbered by artist on verso.

Montana, USA 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition size: 12 Available sizes: 48 x 72 inches 67 x 104 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The first time that I set foot in Montana, I knew I was in a very special place. It was not just the majesty of the scenery, it was the characters that lived there. I have long had a visceral attraction to the Wild West and no State embodies the final frontier of America more than Montana. In the hills in the winter, there is a sense of timelessness. The clock seemingly stopped about 100 years ago. We have spent the last few years networking in a village in the mountains. I have been there seven times and we have invested emotionally as well as financially in order to be able to tell stories with the camera. This week – on Robbie Burns night – appropriately enough – we had our reward. There was no point attempting this without a solid base of locals that genuinely wanted to help. I know this bar in the mountains inside out and the locals know me. Everyone wanted a role in the shoot, but we had to be selective. I wanted ex-convicts, wolf wranglers, wannabe Davey Crocketts and crazy old mountain men that are drunk by 11 am. But it needed more – the barmaid had to have the right look – as she would be pivotal to the image – as would the chosen mountain man. It would be a key juxtaposition. I found the girl – Roxanna Redfoot (what a name) – from Dallas and she was brilliant. I knew I could rely on the wolf – I have worked with him before and so long as he didn’t lose interest, I had a chance. But there is no light in the bar – so it is all seat-of-the-pants stuff technically – there was no margin for error in focus. A flash gun would destroy the emotion and sense of place. As I expected, most of the photographs were not sharp or someone messed up (including me). The composition, however, was always bang on, I just needed one stroke of luck – 1/125th of a second that would capture Montana. I think we nailed it! “The Usual Suspects...