Elephant Art

Inspired by her love for nature, Griet Van Malderen (Belgium, 1970), a self-taught wildlife photographer from Flanders in Belgium, has been exploring Africa’s wild places for the pas...

"Banana's leaf (back view)", black and white photograph of an elephant by Cécile Plaisance. In her new series of black and white photographs...

"On Tembo's Back", black and white photograph of an elephant by Cécile Plaisance. In her new series of black and white photographs...

"Under Tembo's protection", black and white photograph of an elephant by Cécile Plaisance. In her new series of black and white photographs...

Dog sculpture. Fun smiley face theme. Steel Armature, Plastic Drop Cloth, Plastic Bags, Duct Tape, Resin Sculpture. 114 x 50 x 96 in. World-renowned hamptons sculptor.

The Untouchables II Amboseli, Kenya - 2017 Available Sizes: *Standard (AP2) with a 3" mat is in stock and available for immediate shipment* Standard Edition of 12 Image Size: 37" ...

His Private Island Acrylic on canvas 60 x 54 inches (152.4 x 137.2 cm)

Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48 x 64 inches Large: 67 x 92 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is an unusual shot for me, but it “hits the spot” and, overtime, I have grown fonder and fonder of it. It’s actually a punchy photograph. It’s not typical of my work because I tend to avoid the harshness of a midday sun and secondly, I was working from inside my vehicle which, in Amboseli, is rare. I tend to be out and about. The key factor in the image, however, was more prescriptive and truer to form. I was exceedingly close and this enabled me to use a portrait rather than a telephoto lens. To be given that choice, is the biggest luxury for a photographer. This a huge and magnificent elephant who had enjoyed a morning mud bath. The mud dries quickly as the day heats up and the only evidence of his indulgence lay just under his right eye. From that point on, we always called him the pirate...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard...

Tanzania 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48 x...

Amboseli, Kenya 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x...

Amboseli, Kenya 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 44 x 7...

Amboseli, Kenya 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 6...

Amboseli, Kenya 2019 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 7...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 36 x 76 inches 48 x 108 in...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 77 inches 67 x 112 inch...

Africa 2 Amboseli, Kenya - 2018 Standard Edition of 12 Image Size: 37” x 54” Framed Size (with a 3" mat): Framed Size (with a 5" mat): 52” x 69” Standard size with 3" mat availabl...

Amboseli, Kenya 2015 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 74 inches 67 x 107 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is a simple image – but its vastness lends it a biblical character – therein lies the joy of the dry lake at Amboseli. It is an arid, raw and elemental amphitheater, without equal as a canvas on which to film in Africa. These lake crossings are rarer now as the ecosystem has changed, largely due to the influx of the Maasai and their cattle. The one constant in Africa is that there is never inertia – habitat changes and animal and human behavior changes with it. It is the random walk of life. As a result of the poor accord between cattle and elephants, there are not many cameras that have had this awesome scene in their line of fire over the last three years and I consider myself privileged. Equally, I have put in the time and know the area as well as any film maker. Looking at my notes, I have been on this lake on 47 occasions in the last three years and this is the biggest herd that has crossed during my visits. When our look out scouts saw the opportunity, we reacted very quickly. I don’t think that my guide and friend – Juma Wanyama – has ever driven quicker from base to the lake. I think that big pictures need either transcending content that engages across much of the print, or the use of space to create a distinct sense of place. The Crossing...

Amboseli Kenya, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 ...

Zambelzi, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 71 inch...

Tsavo, Kenya 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 48 ...

Zambezi, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 82 inches 63 x 111 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This image was close to the preconception of what I envisioned when I arrived on the Zambezi (just a little better than I dared hope). My goal was a full on “face off” portrait of a hippopotamus, which emphatically conveyed both the enormity of a bull and also the primeval bone structure of his face. This animal, more than any other remaining on our planet, would have walked onto Steven Spielberg’s Jurassic Park set, had they ceased to exist. They are half contemporary African wildlife, half dinosaur, and 100% lethal when compromised. The problem I had was that I wanted to get close and low and with thousands of hippos on the Zambezi, this requires either a large dose of bravery or a momentarily compliant animal. In most cases, they will drop their heads and go underwater if approached - they are mammal submarines with little tolerance for humans. Working on the Zambezi can be extremely frustrating and the world does not need any more long distance banal hippo shots from a boat - in which there is neither intensity nor immersion. I had one card in my hand - the help and support of the best guide on the lower Zambezi - Ryan from Port Elizabeth in South Africa. To him, each hippo on his stretch has a personality and - in a few cases - even a name. Over the years, he has become familiar with many individual male hippos that to the rest of us look identical. There was one hippo who showboated and was not intimidated by boats or humans which was ideal. I trusted Ryan and I am still here - so it was the right judgment call. The hippo was an enormous male called Dexter and he owns the entrance of a creek on the Zambian side of the Zambezi and can often be found sunbathing on the banks. Ryan recommended I lie on the other bank 30 yards...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 66 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is one of the most unusual contextual images I have taken in East Africa in the last few years. The white of the flowering meadows and the white of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions - it had rained torrentially for four or five days - had resulted in an implausible theatre of dreams. There was more snow on Kilimanjaro than I have ever seen before and the normal arid dustbowl of Amboseli was a garden bursting into acres of white carpet. For anyone that knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather. The biblical rainfall had discouraged almost any other visitors and we had the amphitheatre to ourselves. We also had a film permit which allowed us to go off road - albeit the ground was very saturated and we were getting stuck regularly - we needed two vehicles to be safe. The bigger problem was that there were very few elephants in the park - the rain had pushed them out of the park and into the forests below Kilimanjaro. I knew, however, that in the vicinity of the KWS Rangers’ HQ, there are always a good number of big elephants hanging around as they feel safe. It was here that we spent much of our time this March - despite it being a 90 minute drive from our base. As soon as I saw the white meadows, I knew we had the chance of an image that offered a story of both lyrical grace and beauty - especially if the cloud lifted and we were exposed for a few brief minutes to the summit of Africa’s tallest mountain. Then we just needed the elephants and this was the X factor. No elephant - no party. About 5 pm on one unforgettable evening, everything came together as a small group of elephants headed to the foothills for the night and in so doing walked right through the white meadows. Getting in the right place for the composition was a fairly intense 10 minutes - I knew that this was a moment in time and I would not forgive myself if we missed it. I look at this picture a great deal and wonder whether it would be better if the elephants had been coming away from Kilimanjaro rather than moving towards it? We will never know, but the formation of the herd has a nice diagonal shape and it tells a story of a journey unaffected by my presence. I think the anonymity of the individual elephants helps focus on the wider context - which is really a hallmark of some sort of fantasy. Was this what The Garden of Eden...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 52 x 5...

Amboseli, Kenya 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inches All prints ...

Amboseli, Kenya 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x ...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 60 inches 67 x 84 inch...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 73 inches 67 x 105 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "I have long aspired to capture imagery of big elephant shadows in Sub-Saharan Africa. This is normally only feasible from the air on little bush planes and this practice is both expensive and hardly in keeping with the serenity of the subject matter. The far better alternative is to find vantage points high enough to be able to look down on the land below and perhaps capture shadows from nearby elephants. On the edge of Amboseli National Park there is such a place. The problem then is simply that big shadows...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Kate Moss and Elephant Nepal. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector re...

This print is in an edition of 15 and is signed by the photographer. Additional sizes may be available upon request.

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Framed Size: 67 x 94 inches Price includes David Yarrow's custom black ash frame, white archiv...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 20 Available sizes: 67 x 100 inches All prints...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Signed, dated and numbered on front of print. Titled on back of print. This print is edition number 1/50. Includes custom, archival overmatting measuring 34 x 28 inches.

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 7 x 11 i...

Gelatin Silver or Archival Pigment Print. All editions signed by the photographer.

Gelatin Silver or Archival Pigment Print. All editions signed by the photographer.

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Photo of an Elephant with Sleeping People, India. Signed, numbered, and dated on verso. Please contact us for additional sizes. Cavalier Galleries ...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

As a conceptual artist, Joe Zammit-Lucia works with a photographic medium to explore issues within the human-animal relationship. He is one of the world’s leading animal portrait art...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Hanzlova

Seven Pollarded Trees, Chapaize, Bourgogne, France, 1998 - Michael Kenna signed, dated and numbered on mount signed, dated, inscribed with title and stamped with photographer's copy...

This photograph is an Edition of 30. Please see additional editions and sizes listed below. All editions are signed by the photographer. Larger sizes may be available upon request.

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certifica...

The Hare and Tortoise from Aesop's Fables engaged in a sack race.