Fountain Art

The Trevi Fountain in Rome, September 1978. The Roman god Nepture stands in the central niche, framed by the facade of the Palazzo Poli. Slim Aarons Estate Edition, Certificate of ...

The Trevi Fountain in Rome, September 1978. The Roman god Nepture stands in the central niche, framed by the facade of the Palazzo Poli. Slim Aarons Estate Edition, Certificate of ...

The Trevi Fountain in Rome, September 1978. The Roman god Nepture stands in the central niche, framed by the facade of the Palazzo Poli. Slim Aarons Estate Edition, Certificate of ...

Cuban photographer, Luis Mallo roams city streets taking pictures of obstructed urban landscapes, as shown in this evocative work. Leaving much to the imagination, the artist reveals...

Former fashion model Helen Dzo Dzo (left) talking to Nelda Linsk, wife of art dealer Joseph Linsk, at the Kaufmann Desert House in Palm Springs, California, January 1970. Slim Aaro...

Artist Commentary: Needed a break from some recent intense paintings so I created this simple picture in 6 hours... Keywords: Abstract, sea life, colorful, green, red, blue, yellow ...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

Trevor Young is a quintessentially American painter. He makes no bones about his affection for the trappings of car culture, life on the road, and 1960s West Coast art. His main subj...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...

"The Old Vaduz, Liechtenstein" depicts a cozy corner of the capital of the Principality of Liechtenstein with a picturesque fountain in the foreground. The sunlight falls softly on t...

Oil on board.

Marcel Dyf French, 1899-1985 “Place de La Concorde” , 1948 Signed Dyf and dated 1948 Paris (lr) Oil on canvas Canvas: 29 x 39.75 Inches (73.6 x 99 cm) Framed: 35 x 45.25 Inches ...

A woman in a purple umbrella is captured in front of Bethesda Fountain Central Park in a driving snowstorm. Her formal pose perfectly aligns with the bronze sculpture so that one ele...

The first time I visited Paris at the age of 14 and it was my first foreign trip. Immediately, I was overwhelmed with the culture, art, beauty, and history of Paris, it was fascinati...

Painting, 20th century, charcoal drawing "Venice - Venezia" by Paul Kuhfuss Original drawing. Signed and dated. Title "Venezia". Framed, behind glass. Dimensions with frame 65.5cm x 51cm. Age-related condition. For magazines from the publishers Scherl, Mosse, Ullstein, youth (Munich) he worked as an illustrator. In October 1935, he was denounced to the Gestapo by a member of the artist association "Berlin North" for "expressionist impact" and "resistance to Nazi cultural propaganda" and the defense of Jewish colleagues after an exhibition opening in the castle Niederschönhausen. After that, participation in art exhibitions in Berlin was no longer possible. From 1945 he was until January 1960 lecturer at the Volkshochschule Berlin. From 1949 to 1954 he was in charge of the class "Act, Set Design and Costume Design" at the Textile and Clothing School Berlin. From 1912 to 1960 he participated in 173 exhibitions, in particular the Great Berlin Art Exhibitions...

Slim Aarons Laguna Beach Surfers 1970 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Principessa Doris Pignatelli poses...

Slim Aarons Trevi Fountain, Rome 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The Trevi Fountain in the Trevi r...

Painting: Acrylic, ink, neon color, Spray Paint, pastels on Canvas. Glückskinder IX (children of happiness) is a 60 cm/23.62 in H x 60 cm/23.62 in, 4 cm/1.5 in deep mixed media pai...

The ambition, imagination, and wonder behind science fiction writing are fascinating, and nothing is more haunting than the cold, unending depths of outer space. This painting sugges...

Painting is part of my new Corona Collection. Sides are painted black, art is varnished with a matte finish and wired to hang without a frame. :: Painting :: Contemporary :: This ...

abstract of a ship hull found in New Orleans :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sign...

Signed lower left American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson...

Acrylic on canvas Carlos Sablòn Perez is a Cuban artist born in 1981 who lives & works in Châlons-en-Champagne, France. His talent is quickly recognized in the four corners of the C...

"Flower" is an original signed springstone sculpture by the Shona artist Rangarirai Makunde. It depicts an abstracted flower with swirling and unfolding dark forms. The sculpture wei...

H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...

Charles Cobelle French, 1902-1998 La Place de la Concorde, Paris Oil on canvas 20 by 24 in. W/frame 28 by 32 in. Signed lower right Born in Alsace-Lorraine, France, and becoming a U.S. citizen in the late 1920s, Charles Cobelle, whose birth name was Carl Edelman, began his career in Paris after earning Bachelor and Master's Degrees at the University of Munich. Later he studied at the L'Ecole des Beaux Arts in Paris and with Marc Chagall. At Menton on the Riviera, he apprenticed with Raoul Dufy. In the United States where he lived in Brookfield and Fairfield, Connecticut, he continued to create mixed-media paintings, and also did mural work for commercial establishments such as Neiman Marcus Company in Dallas, Texas; The Desert Inn...

American, b. 1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include ...

Cody works almost entirely with infrared film, using a range of different cameras, from a 4x5, a 6x17 panoramic, to a pinhole. The analog captures are then scanned and output as blac...

The gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging t...

People scattered among the snowflakes become simple graphic elements in Central Park in Snow Bethesda Fountain with Monochromatic Color Scheme image. The...

The artworks presented in ÍSLENSKIR FOSSAR were produced in Iceland in October of 2021 towards the end of global travel restrictions. Traversing the stark volcanic landscape, Johnson...

The artworks presented in ÍSLENSKIR FOSSAR were produced in Iceland in October of 2021 towards the end of global travel restrictions. Traversing the stark volcanic landscape, Johnson...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

This is a straight shot. The two figures wrapped in colorful garb and corresponding colorful canines were not posed. The subjects are romping around in the snow and are captured in m...

No Edition Signed in black ink on print margin by Morris Engel Signed, titled, and dated in pencil on print verso by Morris Engel. Gelatin silver print, 13 x 10 in. Morris Engel was born in Brooklyn, New York on April 8, 1918. He attended Abraham Lincoln High School and joined the Photo League in 1936 where he met Aaron Siskind and Paul Strand who became major influences in his life. He worked on the paper PM, and then enlisted in the Navy, where he was a combat photographer. He later did many magazine picture stories in the late 40’s. He also made films, and his classic film, LITTLE FUGITIVE was released in 1953. He shot several more features, and later worked with video...

Artist Commentary: Dark, raining and the street light silhoettes 2 birds. Keywords: bird, street light, street, black and white, painting, creepy, eerie, halloween, scary, white, bl...

Silver Gelatin Print Hand Signed by Simeon Posen

Rodrigo Katayama Nature Abstraction #4 (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

David Burdeny Fontana di Trevi, Rome, Italy, 2018 Archival Pigment Print Signature Label Price for Print only. Ask us for framing options.

20 x 24 inch chromogenic print, from an edition of 25, each accompanied by a signature label with the title, date, edition number, and artist's signature. As one of Japan's most re...

Art Sz: 10"H x 7"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Snow scene in Central Park in blue and white. White Doves over New York City Bethesda Fountain in the Snow. This is an image about the interaction between winged creatures.. .some are birds, and some are statues. The birds are in flight and the bronze with outstretched wings is poised to flight. Circling the bronze, the birds seem to be egging on the bronze statue to join them. Funk employs a blur effect of the birds combined with soft snow that envelops the fountain sculpture designed by Emma...

The William Turner Gallery is pleased to present ÍSLENSKIR FOSSAR, the fourth solo exhibition of Los Angeles-based, multi-disciplinary artist Jay Mark Johnson. Ten spectacular large-...

Black and white photography of four models jumping and playing in a fountain by the extraordinary Ellen Von Unwerth for her Photo Series The Story of Olga. All prints are limited ed...

Bat in Cave 2014 Signed, titled, and dated in ink, verso Oil on board 8 x 10 inches Contact gallery for price. This work is offered by ClampArt in New York City.

Edition of 15. Signed, dated, and numbered on verso. Universally recognized as one of today's finest image makers, Steve McCurry has won many of photography's top awards. Best known ...

From the artist's latest series, begun in 2018 and ongoing, the "What Once Was" portfolio of images features platinum over pigment prints, hand signed and numbered by artist on re...

Artist : Helen Graham Title : Transformation Materials : Archival Pigment Print Date : 2019 Unframed Photography has always been a way for Helen Graham to express her emotions in a silent way. Through her photos she intends on stirring your imagination and touch your heart. Helen Graham also will show you things that sometimes in our busy world we miss seeing. She intensely focuses on capturing a specific moment while never losing her natural sense for composition. Contemporary Photography, contemporary photographers, still life, still life photography, color photography, cinematography, cinematic, scenic, photography, interior, interior photographs, human from, figurative photography, documentary photography, portrait, hair salon, Cindy Sherman, Hiroshi Sugimoto, Andreas Gursky, Alec Soth, Gregory Crewdson, Rinko Kawauchi, Michael Wolf, Robert Adams, Wolfgang Tillmans, Tina Barney, Richard Mosse, Julie Blackmon, Ren Hang.

Silver Gelatin Print Edition size: 15 Available sizes: 16 x 20 inches 20 x 24 inches 30 x 40 inches 40 x 60 inches Artist Bio: After starting his career at the age of 14 as a cop...

Signed and editioned on front of print. From the "Pentimento" series. Edition of 10. Visit our website to view other works from this series: www.westongallery.com