Graphics Art

Bright and colorful, this Jeff Koons "Tulips" porcelain plate was produced by Bernadaud and made in Limoges, France. It is a Limited Edition of #181/2500, numbered on the back of the...

Echinacea and clover explodes with a kaleidoscope of colours, capturing the essence of a lush, imaginative garden. Delicate bubbles interspersed throughout bring a sense of whimsy an...

This large original vintage silkscreen poster designed by Alex Katz for the American Dance Festival in 1987 represents a significant collaboration between the renowned artist and the...

Artist: Jack Graves III (American, 1988-) Title: "Mickey Mouse Icon V" Series: Icon *Signed by Graves lower right. It is also signed, titled, and dated on verso Year: 2022 Medium: O...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating ...

These are two separate 40 x 26 inch cyanotypes (unique monotypes) made using the same tree branches flipped over facing the opposite direction, the result being a symmetrical mirror ...

This contemporary botanical drawing is made with silverpoint on light blue prepared 140lb Saunders Waterford cotton paper. The exploration of ephemerality, and the fragility of a wi...

Colourful Wild Flowers by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 18 x 21.5 inches condition: overall very good, minor surfac...

In this painting, I poured my heart into capturing the tender beauty and fleeting essence of blooming peonies. Using thick, textured strokes of oil, I created a vibrant dance of ligh...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom left watercolour on board, unframed painting: 8.75 x 6 inches Delightful early 20th century Fre...

Belgian photographer Isabelle Menin creates portraits of flowers that are not only gorgeous in form and color, but also uniquely expressive. Fresh blossoms and withering blooms melt ...

Original Alcazar de Paris Vintage Poster - A Timeless Piece of Cabaret History. Year: 1977. Large size format 30” x 45” unbacked. Genuine 197...

Cuban-American artist Frankie Alfonso creates interwoven paintings using lively colors and spontaneous, well balanced compositions. His work is best described as a style of automatic writing were he manipulates simple lines to make complex arrangements of balance and harmony. His style is a mix of cubism, cartoon animation, surrealism, graffiti and abstract expressionism. This original very large graffiti inspired artwork is 41 inches tall by 60 inches wide. The sides of the artwork are painted as a continuation of the front and it does not require framing. This painting is signed by the artist on the front. Free local Los Angeles area delivery and free professional installation in the local Los Angeles area is included, including placement and hardware. Affordable Continental U.S. and worldwide shipping is available. A certificate of authenticity issued by the art gallery is included. Alfonso began drawing at an early age. He first found inspiration in comic books and enjoyed drawing his favorite super heroes from an unconventional perspective. As a teenager he started to experiment with oils, acrylics and took his passion for art to the canvas. Even after painting for over 20 years, he still pushes the boundaries while experimenting with mixed medias, including oil, acrylic, gouache, and spray paint. Alfonso attended art school in Tampa, Florida and travelled Europe for several years in search of inspiration and his own unique voice in art. Alfonso used his in depth studies of European Masters and was inspired by Picasso, Braque, Klee, Dali, Basquiat, De Kooning and Matisse. The joyful expressions of his artworks resonate with positive light and inspire creative thinking and innovation. His works are represented by Artspace Warehouse, Los Angeles and have been exhibited in Florida and California. They have been collected throughout the United States and Europe. Exhibitions 2018 Artspace Warehouse, Los Angeles, CA 2016 Artspace Warehouse, Los Angeles, CA 2014 Artspace Warehouse, Los Angeles, CA 2014 Axiom Contemporary...

“Voyage, Voyage” is a luminous abstract sailboat composition , a visual journey across golden waters and boundless horizons. Layers of acrylic and textured sand flow together with ra...

Gladiolus Still Life by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 32 x 25.5 inches condition: overall very good, minor surface ...

Zaida del Rio (Cuba, 1954) 'Untitled 1', 2020 silkscreen on paper Intaglio 300 g. 30 x 30 in. (76 x 76 cm.) Edition of 40 ID: DER-103 Unframed

Medium: pochoir (after the watercolor). This charming pochoir was printed by Daniel Jacomet in a limited edition of 900 and published in Paris in 1959 by Editions XXe Siecle for "Le ...

Roses & Lilies in Vase by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 36 x 29 inches condition: ove...

This vibrant original 1989 exhibition poster was created by the iconic American Pop artist James Rosenquist to promote his show “Paintings” at Richard L. Feigen & Co., London. Held from June 27 to July 28, the exhibition presented a dynamic selection of Rosenquist's large-scale, visually arresting works that bridged the gap between fine art and commercial imagery. True to Rosenquist’s signature style, the poster is a dazzling collage of color, form, and abstraction. A lush explosion of oversized, hyperreal flowers...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Bring energy and beauty to your space with this vibrant floral abstract painting! Created using impasto techniques, this one-of-a-kind artwork features thick, textured brushstrokes f...

Signed lower right. Johann Berthelsen (1883-1972) He was born in Copenhagen in 1883, the 7th of seven sons, to Conrad and Dorothea Karen Berthelsen. The parents moved in artistic a...

Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, originates from the 1955 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1955. This serene and evocative composition reflects Braque’s lifelong fascination with the motif of birds—symbols of freedom, transcendence, and spiritual equilibrium. Oiseaux sur fond bleu captures the artist’s delicate synthesis of abstraction and nature, where the silhouettes of birds emerge in lyrical harmony against a radiant blue field. The image embodies Braque’s mature artistic vision: a perfect balance between movement and stillness, light and shadow, emotion and intellect. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superior craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern artists of the 20th century. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseaux sur fond bleu (Birds on a Blue Background), from Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, 1955 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1955 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published by Editions de la revue Verve, Paris, 1955 Notes: Excerpted from the album (translated from French), The illustrations in this album are printed from the sketch-books—carnets de travail—which Georges Braque has been keeping up for thirty years and more, and which constitute a daily record of fragments of the visible world that have caught his attention and ideas for paintings that have occurred to him. In fact the only difference between these sketch-books and the diaries kept by so many writers is that here the entries are not written but take the form of gouache or watercolor sketches. Hitherto Braque has always refused to make public these albums, which he takes with him wherever he goes and which comprise the bulk of his work as a draftsman. Now at long last he has authorized the printing of a number of pages of these albums, selected by himself with our co-operation. About the Publication: Carnets intimes (Private Sketchbooks), Verve, Vol. VIII, No. 31–32, published in 1955, represents one of the most intimate and revealing projects in Georges Braque’s career and one of the final great achievements of the legendary Verve periodical. Under the direction of Teriade, Verve became a beacon of artistic collaboration, uniting the finest artists and writers of the modern age. This special issue departs from the grand thematic volumes of previous years to offer a rare glimpse into Braque’s personal creative process. The lithographs—printed by Mourlot Freres—faithfully reproduce pages from Braque’s private sketchbooks, which span three decades of his artistic evolution. Each image captures the immediacy of his thought, the fluidity of his brush, and the disciplined spontaneity that defined his practice. The 1955 issue of Carnets intimes stands as both an artistic document and a deeply human record of the artist’s inner vision, exemplifying Verve’s enduring mission to unite art, poetry, and philosophy in perfect harmony. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseaux...

Floral Mickey is a captivating fusion of pop iconography and Halaj’s signature baroque-floral aesthetic. The piece reimagines the silhouette of a familiar cartoon character, transfor...

Jordan Wolfson's (US based) "Still Life with Flowers XXIII" is a striking original still-life oil painting, presenting a bright arrangement of flowers in a translucent vase, resting ...

This framed early 19th century map of North America entitled "Nord-Amerika" is plate No. LIV (No. 46) from Adolph Stieler's Hand-Atlas, published in Gotha, Germany by Justus Perthes ...

Tomasz Bielak born in Lublin in 1967. He graduated of The Academy of Fine Arts, Painting and Graphics Design Department in Gdańsk, in 1994. He realized installation art, graphics ...

David Hockney Flowers, Apple & Pear on a Table, 1986 signed and dated in pencil Home-made print in colours executed on an office copy machine, 1986, on four sheets of Arches pape...

A cluster of red roses unfolds in full bloom — vivid, untamed, and irresistibly alive. Red Roses’ Temptation captures not only the beauty of flowers, but the emotional pull they hold...

Colour screen printing on paper, edited 1914 Posthumous Edition issued by Balla Archive Limited Edition of 150 copies Numbered in pencil on the lower left 40/150 Paper size: 56 x 92 ...

'Fish & Flowers', Chinese Hopei Folk Art, 1956. Paper-cut with watercolor, mounted on cream, wove backing paper, with fresh, vivid colors, in excellent condition. Matted to museum st...

Takashi Murakami

My Sincerity to You, 2023

Offset Lithograph

28 in diameter 71 cm diameter

Edition of 300

A lovely work from the artist, a excellent piece to own from their popular body of work.

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

Serge FENECH (1951-) Riviera : Flower Bouquet and Mediterranean, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 76 ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) Signed bottom right Watercolour on paper, unframed Measures: Painting: 6.25 x 8.75 inches Delightful early 20...

"1969 Chevrolet Camaro SS - Hugger Orange" by Shan Fannin is an original acrylic painting depicting a close up view of a grill and head lamp of a classic orange Camaro. Born 1969 i...

Übersicht By Gerhard Richter 1998 Signed and numbered Offset print on heavy rag paper 82.8 x 68.2 cm Edition of 100

Yellow Rose Bouquet Still Life - Watercolor on Paper Watercolor still life painting depicting a bouquet of yellow roses surrounded by an all green backgroun...

This 1956 original poster for the Foire de Paris (Paris Fair) is a masterful work by renowned French graphic designer Jean Carlu, blending modernist aesthetics with national symbolis...

Artist: Vahram Meliqsetyan Title: Yellow Flowers Medium: Oil on Canvas Year: 2024 Style: Impressionism Dimensions: 22" x 16.5" x 0.8" inch (56 x 42 x 2cm) Presentation: Unframed, Ga...

Additional Details: First edition, Printed by Maeght Editeur. Front and back cover for DLM 156. Fold line down the center as issued. DLM stands for Derriere Le Miroir, literally tran...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolor on paper, unframed Painting: 9.75 x 14 inches Delightful early 20th century Fr...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolor on paper, unframed Painting: 9.25 x 14 inches Delightful early 20th century Fr...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) Set of 2 Watercolour on paper, unframed Measures: Left painting : 5.75 x 5 inches, signed bottom left Right pa...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 5 x 7 inches Delightful early 20th century Fren...

Still I Rise (1)* is an original acrylic painting by Nigerian artist Ifeoluwa Alade, created in 2024 as part of his solo exhibition *The Sprout of Hope* at Abend Gallery. Executed in...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

DONALD SULTAN (B. 1951) Lantern Flowers, Black and Blue, Oct 4, 2017, from Big Lantern Flowers Screenprint in blue and black with flocking, on museum board, 2017, signed, titled and...

Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...

A beautiful early 20th century French post-impressionist oil on panel depicting a bouquet of flowers, by Charles Picart le Doux. The work is signed lower left. Artist: Charles Picar...

Rococo design for a gate, etching, by Joseph Baumann (active 1740-1760), circa 1750. Published by Martin Engelbrecht (1684–1756). Similar works ar...

Agent X Butterfly on White Background (Silhouette, Nature, Flowers, Floral, Vibrant, Baroque) Year: 2025 Archival Pigment Print with Archival Inks on 240 gsm Hahnemuehle Paper Size: ...

Artist: Marisol Escobar, French (1930 - 2016) Title: Lizard Kiss Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 120 Size: 42 in. x 29.5 in. (106.68 cm x 74.93 ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 5.75 x 10.5 inches Delightful early 20th century...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

This is an original lithograph created by Marc Chagall in 1959, printed by Mourlot and published in Chagall Lithographe II (André Sauret, Paris, 1963). The catalog documents Chagall’...