Insect Art

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

"El sacrificio de la gallina predilecta" The Sacrifice Of The Favorite Hen 2024 Oil on canvas artist signed and dated, will be frame before shipping. Isa...

This is one of the illustrations of "Dizionario di scienze naturali" (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundreds ...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawin...

Fetus Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the l...

Mike Ellis is a prize winning, UK based artist who has exhibited across south and central England. He graduated in 2002 with a First Class Honours degree in Illustration, where his l...

This is a botanical watercolour which I painted using sketches and specimens taken from a protected wild flower meadow in Norfolk. The flowers are very complex and tiny so a magnifyi...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ge...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ge...

Animal's Anatomy is an etching realized in 1771 by Claude Jardinier. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Anatomy of Animals is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

Anatomy of Animals is an etching realized in 1771 by René Gaillard. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Ar...

Animal's Anatomy is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...

Animal's Anatomy is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...

Diseases of the Cerebellum is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to th...

Brain Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante g...

Brain Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gen...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Heart Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gen...

Diseases of the Annular Protuberance and Spinal Protuberance is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Rido...

Interior of an Animal is an etching realized in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris: I...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

The Organs is an etching realized by Antoine Defehrt in 1771. It belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Artist's...

Born and raised in London, British photographer Nathalie Gordon shoots with an unusual but fantastic hyper realistic style. Her work is packed with hig...

Seven Black and White Butterflies 40.0 x 30.0 x 1.5, 1.0 lbs Mixed Media Hand signed by artist Artist's Commentary: "Everyone loves seeing Butterflies. They are so colorful and g...

Soldier and Butterflies is a China Ink Drawing realized by Mino Maccari (1924-1989) in 1965. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June ...

Animals' Digestive System is an etching realized in 1771 by M.C. Rousselet. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la ...

"Butterfly 22" Photography (FRAMED) 50" x 50" inch Edition 2/8 by Giuliano Bekor Title: Butterfly B22 Year: 2018 Print size: 50" x 50" Inch trim bleed Framed size: 52" x 52" Inch ...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

"Rainbow", by Christina Haglid, is a meticulously detailed watercolor of a tiny sea shell painted on a blue starry background. The paper had a deckled edge and matted with a heavy w...

This piece is a Maryland Blue Crab that has been cooked and ready to hang on your wall. This piece will make a great addition to your home or business where you gather with friends ...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

Cervus elaphus scoticus (Red Deer), by Joseph Rossano, 2022 Additional information: Medium: Repurposed materials - tar, whitewash, ink, wood Dimensions: 50 × 50 × 2.75 in (127 × 127...

Nine-Spotted Lady Beetle, Acrylic Painting by Kara Maria, 2023 Additional information: Medium: Acrylic on paper Dimensions: 8 × 8 in Kara Maria produces paintings and work on paper...

One Lemon Two Lemons is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in the 1970s. Original black and white etching on paper. Hand Signed on the ...

One Lemon Two Lemons is an artwork realized by the Contemporary Italian artist Leo Guida (1992 - 2017) in the 1970s. Original black and white etching on paper. Hand Signed on the ...

Mixed media sculpture on wood panel framed

Oil Lamp is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Eupholus Shoenherri 2019 Oil and metal leaf. on panel 5" x 7"unframed 8.25" x 8.25" framed Eupholus Shoenherri is a species of beetles from New Guinea. Many of the artist's works a...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...

"One Potato", by Christina Haglid, is a meticulously detailed watercolor of a potato. The paper had a deckled edge and matted with a heavy white mat. The piece is framed in a white wood frame with a heavy white mat measuring 14h x 10.5w inches. Christina Haglid One Potato watercolor and gouache on paper 4.50h x 2.50w in 11.43h x 6.35w cm Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night which will return to its purpose during the day. My intention is to not show the failure because I imagine all these objects make it through to better times. Allegories of survival. Someone comes by and finds the paper crane, the rowboat owners return and see their boat undisturbed, and the slide during the day brings joy. EDUCATION 1993 M.F.A., Cranbrook Academy of Art 1991 B.F.A., Maryland Institute, College of Art 1990 Skowhegan School of Painting and Sculpture EXHIBITIONS 2019 "Tiny Sanctuaries", Gallery Victor Armendariz, Chicago, IL 2015 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2014 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2013 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2012 "Gallery Group" Ann Nathan Gallery, Chicago, IL 2011 “Gallery Group” Ann Nathan Gallery, Chicago, IL "Meticulous Details: Conservators' Paintings" The Architrouve, Chicago, IL 2010 “Art Chicago” Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 “Botanica” Ann Nathan Gallery, Chicago, IL 2006 “Botanicus” Ann Nathan Gallery, Chicago, IL 2006 “Arts Botanica” Loyola University Museum of Art, Chicago, IL 2005 “Blumen: Group Show” Ann Nathan Gallery, Chicago, IL 2004-05 “Think Small” Illinois State Museum, IL [traveled] “Christina Haglid: Microworlds” Greenville County Museum of Art, Greenville, SC [solo exhibition] 2004 “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 “Small to Mighty” Ann Nathan Gallery, Chicago, IL 2002 “Art of the 20th Century” NY Armory, Ann Nathan Gallery, NY, NY “Art Chicago” Navy Pier, Ann Nathan Gallery, Chicago, IL 2001 “Group Fusion” Ann Nathan Gallery, Chicago, IL 2000 "Small & Mighty II" Ann Nathan Gallery, Chicago, IL "Christina Haglid, New Work and Amy Lowry-Poole, Bugs and Buds" Ann Nathan Gallery, Chicago, IL 1999 “Small & Mighty” Ann Nathan Gallery, Chicago, IL “Views II” Ann Nathan Gallery, Chicago, IL 1998 “Maleri” Galleri Carl Michael Bellman, Stockholm, Sweden “1987 – 1997, A Skowhegan Decade, Alumni Exhibition and Benefit Auction” David Beitzel Gallery, NY, NY “On and Off the Wall, Gallery Group” Ann Nathan Gallery, Chicago, IL 1997 “15 x 15” (Alumni Exhibition), Thesis Gallery, Maryland Institute, College of Art, Baltimore, MD 1996 “Small Works” Suburban Fine Arts Center, Highland Park, IL., Special Recognition Award 1994 “Unknown Chicago” Gallery 312, Chicago, IL “15 x 15” (Alumni Exhibition), Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1993 “Graduate Summer Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Graduate Thesis Exhibition” Cranbrook Academy of Art Museum, Bloomfield Hills, MI “Michigan Fine Arts Competition” Birmingham Bloomfield Art Association, Birmingham, MI 1992 “Word of Mouth” Forum Gallery, Cranbrook Academy of Art Museum, Bloomfield Hills, MI 1991 “Drawing: A Covert and Private Affair” West Gallery, Rutgers University, New Brunswick, NJ “Senior Exhibition” Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore, MD 1990 “Fiber Exhibition” Fox Gallery...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...

Nuthatch is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print, hand colored, publis...

Danger is an original acrylic painting realized by the Italian artist Salvatore Petrucino in 2020. Hand-signed on the lower right. Technique, dimensions, and date are written on the...

Ivan Zanoni's expert craftsmanship shows us this composition of 5 handmade and unique sculptures that provide the effect of watching crabs emerge from the sea. The measure written a...

Stephen Frailey Explanation, 1989 Ektacolor print on board 28 1/4 x 28 1/4 x 1 7/8 in. Edition 1/3 Provenance: Lieberman & Saul Stephen studied at the San Francisco Art Institute...

The Remains, A series of 10 works An insect approaches a crumpled paper doily to eat what remains of a party. This series explores the moment when the trimmings become debris and ...