Lion Art

South Africa, 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 62 inches 67 x 89 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Black Panther...

Transvaal, South Africa 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 54 x 48 inches 76 x 67 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "How close can a prime lens go to the subject? My limit would normally be working from 3ft with a 35m wide angle. In my experience, a good rule of thumb is that the minimum focal distance in feet should – in 75% of circumstances – be a tenth to a fifteenth of the numerical lens specification and then the maximum should be double that. For instance, I would not normally tend to use a 85m lens at a range of 6ft or less and equally why use a 35m at more than 6ft? So if there is the possibility of exploring focal distance at 1.5ft without a fisheye lens, the 20m lens has a chance and the Nikon 20m F1.4m is an outstanding lens. It gives contextual detail with comfortable “bokey” and it gives portrait detail with eye grabbing clarity. If that is all a bit technical, I apologise but photography is rarely not about maths. Of course it is about emotional employment and personal soul, but Ansel Adams was a mathematician first. Practitioners should understand how light enters the camera and also how lenses work. On social media, “The Hunger Games...

Transvaal, South Africa 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes:...

Maasai, Mara 2017 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 54 ...

Serengeti, Tanzania 2016 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 50 x 48 inches 70 x 67 inch...

Dinokeng, South Africa, 2014 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 51 x 48 inches 71.8 x 67.3 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Remote control positioning requires days of research and monitoring of past behavior and then a strong mathematical head. Once the camera is positioned neither the exposure settings or the focus can be changed. At sunrise and sunset this represents a big dilemma because the light changes by a “stop” every 5 – 10 minutes. Also in fading or rising light...

Dinokeng, South Africa, 2014 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes:...

Signed by the photographer.

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 48 inches 67 x 67 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "This is as good as I can do. The best ideas tend to be simple and the best photographs can often have simplicity at their heart, rather than intimacy or visual overload. The paradox is that this simple portrait was the product of fairly complex working arrangements in the field. Unlike many of my lion shots, this was not taken with remote controls, it was camera in hand. I was in a two-man cage, with my assistant behind me controlling the door with a rope. The minimum distance I could feel safe was about 25 feet and this required the use of a 200 mm lens – long for me, but the outstanding lens in Nikon’s telephoto range. In my view, the best time to photograph lions is about half an hour after sunrise. The light gets stronger by the minute and this allows for a faster shutter speed or more depth of field. The face of the lion could not be sharper – every detail is there and he is looking right into my eyes – as he is transfixed. Three steps forward and the cage door closed and with it the opportunity. The image is timeless and the backlit dust adds to its elemental and rather biblical mood. I thought that we should call it The Old...

Animal Locomotion: Plate 730 (Tiger Walking), 1887 - Eadweard Muybridge Inscribed with Muybridge's letterpress credit, series title, plate number and date, stamped with Museum of Edi...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inche...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 95 inches *Please inqu...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 67 x 81 inches *Please inquire for availability of standard size* All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "He is the king of the food chain, the king of the animal...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Signed by the artist. This piece is available at least four different sizes so contact us as availability is subject to change. ARTIST'S STATEMENT: I use photography to express selec...

Signed, dated and numbered on front of print. Titled on back of print. Edition 4/25. This pieces comes overmatted with archival, white, custom overmatt measuring 39 x 38 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 3/25. This pieces comes overmatted with archival, white, custom overmatt measuring 39 x 38 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 12/50. This pieces comes overmatted with archival, white, custom overmatt measuring 24 x 24 inches.

Signed, dated and numbered on front of print. Titled on back of print. Edition 2/25 in this size. This piece includes the custom, archival overmat measuring 39 x 32 inches.

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 8 x 11 i...

Original archival digital pigment print or platinum print comes in three different sizes and the two mediums. Please contact us for availability. Digital Archival Prints: 8 x 11 i...

Nick's exquisite photographs arouse deep emotions. They inspire a sense of awe at the beauty of creation and the sacredness of life. It's almost impossible to look through his work without sensing the personalities of the beings whom he has photographed. JANE GOODALL...

Signed, dated and numbered on front of print. Titled on back of print. Edition of 50. Also available as an 15 x 15 inch size and now available in a 30 x 30 inch size by special request. Prices and availability subject to change. Please contact us. The African lion in Lion's Stare was a 20 years old male called Subu, and he lived at Colchester Zoo...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

As a conceptual artist, Joe Zammit-Lucia works with a photographic medium to explore issues within the human-animal relationship. He is one of the world’s leading animal portrait art...

There is perhaps something more profoundly iconic, mythological even, about the animals of East Africa, as opposed to say, the Arctic or South America). And there is also something i...

Very few photographers have ever really considered the photography of wildlife, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally...

Hanzlova

hanzlova

Hanzlova

Signed, dated and numbered on front of print. Titled on back of print. Available as 11 x 5.5 inches(Edition of 50); 15 x 7.5 inches(Edition of 50); 30 x 15 inches(Edition of 25).

Signed, dated and numbered on front of print. Titled on back of print. Available as 11 x 11 inches(Edition of 50); 15 x 15 inches(Edition of 50), and 30 x 30 inch (edition of 25).