Machinery Art

"Popular Problems" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on can...

Possibly "Boy's Life" cover

The Standard Bear is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 108/275 (there were also 100 Roman and 20 AP)...

An image I captured on a summer day in New York. Are you a bike fan who loves bicycles? These make perfect gift ideas for friends and family who can’t get enough bicycle art and m...

Rebecca Skinner’s “Unaccompanied” was photographed in an abandoned train repair yard. A rusty hose reel leaves a black shadow along the graffiti filled wall ...

Artificial aging technique, oil & tempera on canvas Motion 16 is referred to second FIA Formula 1 World Championship for Drivers. The race was held at Spa-Francorchamps in Belgium i...

Rebecca Skinner’s “Wheels” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch black and white close-up o...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...

This charming watercolour shows a vintage Coates tractor protected from the elements in a farmer's shed. The artist has initialed and inscribed to the lower right, and the painting h...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

20 x 25 inch archival pigment print, edition 15. Signed, titled, dated and editioned on frame label provided. Larger sizes available as part of this edition - please inquire. All prints MADE TO ORDER - allow additional time. Luca Campigotto uses big equipment to capture big subjects, from the absolute vibrant density of 5POINTZ...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Brighton 27 - Platinum palladium on vellum with silver leafs Signed and numbered edition of 8 plus 2 AP with certificate of authenticity, unframed. The rarity of this type of p...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi', 2001 C–type print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst on the inte...

Richard Kagan, born in Philadelphia, followed a circuitous path to become a photographer. Beginning with street photography using a meterless Asahi Pentax as a student at Temple Univ...

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

'Giants of the Hills' is a black and white landscape photograph rolling hills and wind turbines. This print is edition 1 of 20. This listing is for an unframed print - a framed print is also available. Chris Little is inspired by the work of Ernest Hass, Jay Maisel...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photographers in history. Hi...

Obey Windmill, 18 inches by 24 inches screen print. Signed by Shepard Fairey. Limited numbered edition of 450 prints. 360/450 Shepard created this image with the hope that it will...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Colour lithograph on heavy wove paper, edited in 1998 Limited edition of 100 copies
 Signed in pencil by artist in lower right corner and numbered 54/100 in lower left corner 
Paper ...

Untitled gelatin silver print from the artist's early street photography. Signed and numbered (2 from an edition of 6) verso.

Debabrata Basu - Sewing Machine - 26 x 20 inches (unframed size) Watercolor on Paper. Inclusive of shipment in ready to hang form. Style : Debabrata derives his style and theme by i...

Acrylic & mixed media on canvas Goga Gomareli is a multidisciplinary Georgian artist born in 1983 who lives and works in Tbilisi, Georgia. He is also a musician and a professional i...

C-Print Photograph, signed on reverse by the artist, Stephen Mallon. 20"x30" This photograph captures an unbelievable sight as a New York Subway Train car is being dropped in the Oc...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 6, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

This is a photograph of a Swiss made Pilatus PC-12 airplane. There are other images in this series as well. A self-taught photographer, Phelps has won numerous awards for his photog...

22"x36" edition of 7, this photograph by New York photographer Ashok Sinha, captures the unusual architecture and landscape of Los Angeles, California in the late 1950's. This stunning photograph of the iconic McDonald's in Downey, Los Angeles is composed against a cobalt blue sky, which compliments the architectural feature of the famous original 'golden arches' bright yellow and magnificent sweeping elevation. Built in 1953 by Architect: Stanley Clark...

Price includes framing. Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

My painting of a US-spec 1967 Jaguar E Type (XKE) S1 convertible (dhc), painted using acrylic paint onto stretched canvas measuring approx 26" x 22". :: Paint...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

Black and White, Urban, City, China, Cityscape, mongolia, china, smoke, landscape, still life, black & white, b&w, high contrast, vignette, noir, urban photography, asia Listing is ...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

From a series of Black and White Silver Gelatin photographs of Lancaster Bombers dating from the 1940s we have listed, to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." "Keeping it Clean" A Thunderbird Squadron Lancaster of RCAF Bomber Group Overseas gets its innards free from dust after its return from an operational flight. Silver Gelatin Photograph 12x10cm Stamped to reverse No Air Ministry Objection 28 March 1944 Subject to Censorship RCAF 426 "Thunderbird" Squadron currently operates as a training establishment. It was formed at Dishforth, Yorkshire, England in October 1942 being declared operational in January 1943, flying Vickers Wellingtons. The squadron converted to Avro Lancaster...

Micah Evans Singer, 2014 Borosilicate glass 20.50h x 11.25w x 16.25d in

In the visual madness of Times Square, a beacon of futuristic design and color in the form of a hot pink Corvette stops before a light. The uncanny ima...

original oil on panel painting in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist ...

To The Point, 2002-2005 Archival pigment print on heavy rag paper 28.5 x 60 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engine...

I am continuing my Tour de Force of Europe with this series. Here we has the icon image of the Netherlands, a windmill. I chose a rear view of the mill to include the ship waiting to...

Winter Holland landscape with a small windmill at the iced channel. Alla prima painting with small changes when dry. :: Painting :: Impressionist :: This ...

This painting, created in all professional grade acrylics on un-stretched canvas portrays a young man looking yearningly at the chrome encrusted Duesenberg automobile as it passes by...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane' 2001 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6 This photograph belongs to the series 'Utatane...

"Harley" is an original watercolor painting by Bruce McCombs. The artist signed the piece lower left. It features the wheel and bottom part of a Harley Davidson motorcycle. The artis...

A beautiful little park in the heart of Salt Lake City. Developed to honor the 150th anniversary of the pioneer's arrival in the Salt Lake Valley. :: Painting :: Realism :: This pie...

Landscape with a windmill, plain air painting. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed ...

This is a nostalgia piece featuring a 1949 Buick getting serviced at the service station. Back in those days the station attendants really did service ...

Corvette part of the Heritage Museum collection, Sandwich, MA :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

This painting was painted on location (plein air) at Travel Town in Griffith Park,Los Angeles, California. :: Painting :: Impressionist :: This piece com...

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

Oil on linen - tryptich Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...