Machinery Art

Rebecca Skinner’s “Spool #2” is a black and white photo taken at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 12 x 18 inch photo wi...

Corvette part of the Heritage Museum collection, Sandwich, MA :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

This painting was painted on location (plein air) at Travel Town in Griffith Park,Los Angeles, California. :: Painting :: Impressionist :: This piece com...

This charming watercolour shows a vintage Coates tractor protected from the elements in a farmer's shed. The artist has initialed and inscribed to the lower right, and the painting h...

Digital C-print (Edition of 10) Signed, dated, and numbered, verso 30 x 35.5 inches, sheet 22 x 27 inches, image This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Joshua Lutz is an American artist working with large-format photography and video. Lutz began photographing the Meadowlands ten years ago as a a documentary study of the 32-square-miles of marshy wilderness that sits between New Jersey and New York (while ostensibly searching for the remains of Jimmy Hoffa...

Oil on linen Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced b...

2-layer serigraph, edition of 100. From the KINETIC PORTFOLIO. top layer is a clear polymer with black printing, bottom layer is red and black dots on a gold paper.

"Popular Problems" is a painting by Maestro Vlado Vesselinov. About the painting: Style and Technic: POP ART, Contemporary, Acrylic paint, oil on can...

15" x 21.5" Unframed Limited Edition Lithograph of 590 Hand Signed by Alan Kingsland 1993

In expressing his narrative of “The Western Abandon” Cody concentrates his focus on abandoned farms, crumbling homes, neglected churches, aging cemeteries, forgotten cars and other o...

The painting "To work" from the "Harvest" series by Oleksandr Khrapachov is a powerful reflection of rural life, full of challenges and victories. The artist skillfully combines clas...

Edition of 25 Signature and date written in black ink on print verso. Published: West of Last Chance (2008) Paper size: 20 x 24 in., Image size: 16 x 20 in. *Images and video show p...

This painting on Masonite measures 17.5 x 25.5 and was painted in 2011. Mr Ford was so impressed by The High Line in New York City that in 2011 he created a series of realistic pai...

Untitled gelatin silver print from the artist's early street photography. Signed and numbered (2 from an edition of 6) verso.

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a caboose from the Union Pacific railroad, taken in Great Salt Lake, UT- the dust and dirt from use ...

Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...

Photographer Jerry Siegel was born and raised in Selma, Alabama and graduated from the Art Institute of Atlanta. His first monograph, “Facing South: Portraits of Southern Artists,” w...

Colour lithograph on heavy wove paper Edited in 1998 Limited edition of 100 copies
 Signed in pencil by artist in lower right corner and numbered 54/100 in lower left corner 
Paper s...

Micah Evans Singer, 2014 Borosilicate glass 20.50h x 11.25w x 16.25d in

"Train Engine" is an oil painting created in 2020 by Dianne L. Massey Dunbar depicting a lego train. About the artist: When Dianne Massey Dunbar was ver...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series 'Hanabi', 2001 C–type print Sheet 101.6 × 101.6 cm (40 × 40 in.) Edition of 6 Signed by the artist Kawauchi burst on the inte...

This painting depicts a scene from the 1930's of a car pulling off the highway to fill up with gasoline at a filling station and maybe have a beer with lunch. The price of 5cents per...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

C-Print Photograph, signed on reverse by the artist, Stephen Mallon. 20"x30" This photograph captures an unbelievable sight as a New York Subway Train car is being dropped in the Oc...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...

Black and White, Urban, City, China, Cityscape, mongolia, china, smoke, landscape, still life, black & white, b&w, high contrast, vignette, noir, urban photography, asia Listing is ...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...

Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization. These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant. Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response. Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.” Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a yellow locomotive from the Union Pacific railroad, taken in Wendover, UT You can see the This is...

This is a unique photographic print taken by Andy Warhol in 1982 in the airline/Port Authority terminal while shooting U.S. Airways commercial. Andy notes in his diary on April 12, 1...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary realist painting, dreams, symbolic composition, dream, men , portrait, earth tones, tonalist, grey, monochrome, nostalgic, vintage, early century, illustration, brown, car, automobile, tractor, old car wreck...

JOHN Yuyi (*1991, Taiwan) A Daily Life in Tokyo 6, 2019 Archival Pigment Print Sheet 90 x 60 cm (36 x 24 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 John Yuyi (*1991, Taiwan) is known...

24"x30" edition of 5 photograph available unframed Phillip Buehler has been photographing abandoned places around the world since he rowed to the (then abandoned) Ellis Island in 1974. Many, like Greystone Park Hospital, have since been demolished; some, like Ellis Island and the High Line, have been restored, and some, like the S.S. United States and the New York State Pavilion, are now in jeopardy. Photographs from the (now demolished) Greystone Park Hospital are featured in this exhibition and in the book “Wardy Forty” which he wrote in 2013 about the last days of Woody Guthrie...

The work is inspired by long and full of essence, reflection, and spirit journeys. Stop for the night at a roadside motel and then again ... The songs are always an integral part of ...

ACRYLIC ON PAPER 60X85cm :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Sig...

40"40" photograph, edition of 5, signed and editioned on reverse framed in natural wood shadowbox frame This photograph is from a series entitled, “(UN)THINKABLE,” the culmination of 25 years of Phillip Buehler’s work photographing remnants of the Cold War throughout the United States and Europe. Buehler has visited NATO airbases, Cape Canaveral, the Airplane Graveyard, missile bunkers and silos (even within New York City’s borders) among many other sites that are historic, and yet hidden, forbidden, and forgotten. Photographs from this series will be featured in a solo exhibition this September at the Front Room Gallery. For anyone growing up during the Cold War the sense of dread of the world’s annihilation was all to concrete. It was evidenced in films like “Dr. Strangelove” and “The Day After.” Everyone knew the U.S. had enough nuclear weapons to destroy the world 5 times over, and assumed something similar about the Russians. For those not old enough to remember this built in fear, don’t worry (worry) it is reawakening. We don’t need another Cuban Missile Crisis to push us to the brink, the renewed tension with the Russians, and now North Korea’s recent entry in the nuclear weapons club is more than enough to unnerve anyone who is watching these conflicts unfold. Phillip Buehler is watching closely. Through this comprehensive series Buehler’s photos show many aspects of this non-war war. In Buehler’s aerial photographs from a military airplane storage yard in Arizona the repetition of the same model of bomber aircraft are so abstractly pattern-based that the overall effect beginnings to feel like a Middle Eastern tapestry...

original oil on panel painting in contemporary impressionism style :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist ...

This restaurant has been a fixture in Ybor City which is in Tampa Fl. for decades. Cephas, the owner, is Jamaican, and he cooks Jamaican food for the locals. He’s decorated the bui...

Contemporary Color Photograph signed and editioned on reverse by Stephen Mallon 20"x60" edition of 10. This photograph is featured in a new series by the artist, entitled, "Passing ...

I am continuing my Tour de Force of Europe with this series. Here we has the icon image of the Netherlands, a windmill. I chose a rear view of the mill to include the ship waiting to...

20 x 25 inch archival pigment print, edition 15. Signed, titled, dated and editioned on frame label provided. Larger sizes available as part of this edition - please inquire. All prints MADE TO ORDER - allow additional time. Luca Campigotto uses big equipment to capture big subjects, from the absolute vibrant density of 5POINTZ...

To The Point, 2002-2005 Archival pigment print on heavy rag paper 28.5 x 60 inches Edition of 7+2AP A study of forms. Forms that are mechanical: cold engine...

Battage à la Taillerie by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by a certifi...

This painting, created in all professional grade acrylics on un-stretched canvas portrays a young man looking yearningly at the chrome encrusted Duesenberg automobile as it passes by...

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

Traveling to the past... :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signatur...

A beautiful little park in the heart of Salt Lake City. Developed to honor the 150th anniversary of the pioneer's arrival in the Salt Lake Valley. :: Painting :: Realism :: This pie...

Landscape with a windmill, plain air painting. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed ...

An image I captured on a summer day in New York. Are you a bike fan who loves bicycles? These make perfect gift ideas for friends and family who can’t get enough bicycle art and m...

This is a nostalgia piece featuring a 1949 Buick getting serviced at the service station. Back in those days the station attendants really did service ...

The Well Oiled Machine is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 88/275 (there were also 100 Roman and 2...

Oil on linen - tryptich Helen Uter is an established Franco-American painter born in 1955 who lives and works in Donnery, near Orléans, France. Heavily influenced by Edward Hopper...

Pencil on handmade paper

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...

Corvette at Gas Station at Night -- A circa 1960s Corvette was photographed for an advertising campaign. THE 24” x 36” SIZE OF THIS IMAGE IS ONLY OFFERED IN AN EDITION OF 15. Image s...