Machinery Art

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: This image comes from the series "Fast Food Fast Cars: The Pursuit of...

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a yellow locomotive from the Union Pacific railroad, taken in Wendover, UT You can see the This is...

Eve Nethercott, American (1925 - 2015) - Gas Pump, Year: 1958, Medium: Watercolor, Size: 23 in. x 16 in. (58.42 cm x 40.64 cm), Description: Eve Nethercott's light hand and kee...

The Gatling Mitrailleuse is an artwork realized by an artist during the 19th century. Lithograph, printed in 1872 by Milliam Mackenzie, London. Good condition.

Blue Bird by Erik Pawassar 48 x 65 inches (122 x 165cm) edition of 7 signed 30 x 40 inches (76 x 102cm) edition of 25 signed archival fine art pigment print signed & numbered by ...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Utatane' 2001 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6; Ed. no. 4/6 This photograph belongs to the se...

Acrylic on paper contemporary figurative painting by Michal Wojtysiak. Artwork depicts Porsche 911 Targa 4s car in realistic style. The color is vibrant and saturated. Michal Wojtys...

Siebe Johannes Ten Cate (1858-1908) Bruges, windmill canal, 1894, Signed, located and dated 94 lower right Pastel on paper 27 x 41 cm in good condition, very fresh, Framed under g...

Signed lower left, 'K. Loncor' and dated 1999; retains original artist card, verso. A view of a California auto shop with a Jeep International Harvester...

Brad Davis's "Street Sweeper" (2023) is a compelling oil on wood panel painting that measures 8 x 10 inches unframed. This painting depicts a vibrant yellow truck parked behind a fen...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

ABOUT THIS PIECE: 19.6x23.5, edition of 50 — FACEMOUNTED TO PLEXI This piece is available face mounted to plexi glass giving a modern, durable, and sleek finish. Every print is fully authenticated with a signed and numbered Certificate of Authenticity. This image comes from the series "Fast Food Fast Cars: The Pursuit of Happiness" in which Carden phot...

Shan Fannin's (US based) "1930 Indian Scout 101" is an limited edition giclée print that depicts a close view of a red Indian motorcycle gas tank w...

Scott Jacobs signed and numbered giclee. good condition Signed and numbered Framed measures 30x25

Brighton 27 - Platinum palladium on vellum with silver leafs Signed and numbered edition of 8 plus 2 AP with certificate of authenticity, unframed. The rarity of this type of p...

Titled and dated with artists reference number and stamped on the back of the mount and signed by Cole Weston. This piece was loaned to Art in Embassies...

No Edition Signed in ink on print margin by Jesse Alexander Gelatin silver print, 11 x 14 in. Jesse Alexander is considered one of the greatest race car photographers in history. Hi...

Rendering Memories II (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13388. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

from a series of Industrial Style still life photographs captured at a high performance race car performance garage 32 x 40 inches / 81cm x 102cm signed edition of 25 archival qual...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciate the details of this vintage utili...

This is an original giclee print by Scott Jacobs. Signed and numbered In good condition Measures 30x22 Unframed

large scale photograph of iconic classic motorcycle in glossy chrome finish Chopper (2003) 22.5 x 40 inches (57 x 102cm) signed edition of 25 48 x 85 inches (122 x 216cm) signe...

Automobili III by Frank Schott, from a series of environmental still life photographs at a high performance race car body shop 48 x 72inches / 122cm x 183cm signed edition of 7 27 ...

Hard Sun (Bombay Beach, CA) - 2022 20x20cm. Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist Inv. #PL...

Untitled (9/11) - 2001 Edition of 5, 38x37cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 1539. Signature label and certifi...

Desert Center (Stranger than Paradise) - 2000 Edition of 10, 48x46cm. Archival Print, based on a Polaroid. Mounted on dibond with matte UV-Protection. Signature label and Certifi...

Gas station at Night I (Stranger than Paradise) - 2006 Edition 1/5, 48x46 each, 93x91cm installed with gaps. 4 analog C-Prints, hand-printed by the artist, based on the 4 Polaroid...

Automobili I by Frank Schott a series of Industrial Style still life photographs (Ferrari) - details at iconic Italian race car performance garage 48 x 72inches / 122cm x 183cm edi...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreground of the powerful exp...

Jim Jard '32 Roadster, photograph by Richard Heeps from his Bonneville series. Cars at the Bonneville speedway contrast with the unique landscape of the Salt Flats. This artwork is ...

Selfie, Florence Italy. 2022 I love old photo booths. The real photo booths. Photo booths that take real photos that have to ...

Urban Wallpapers 9 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80 cm × ...

#40758, 1 September, Ariel color photograph, limited edition, signed. ATACAMA: Renewable Energy and Mining in the High Desert of Chile CHANGING PERSPECTIVES: Renewable Energy and the Shifting Human Landscape is a long-term aerial and ground-based photography project documenting global renewable energy development. Chile is the world's leading copper exporter and the second-largest lithium producer. We use Chilean copper...

'Homestead I', is the first in a sequence of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dream in...

Chowchilla #131, 2007 [From the series US Road Trip Diary] Edition of 7 - numbers 1/7-3/7, 20x44x0,5cm. Photo compilation based on 2 expired Polaroids, printed on Plexiglass Dias...

Automobili I by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited a...

Overpass by Christian Stoll 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (68 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered by ...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

Turbine by Christian Stoll 48 x 57 inches (122 x 145cm) signed edition of 7 34 x 40 inches (86 x 102cm) signed edition of 25 archival fine art pigment print signed + numbered...

28"x34" (graphite and charcoal on paper) available unframed From the series: "The Hundred Acre Wood" Ragsdale’s process begins with sketches of places and things from his past...

Beach Comber by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 71 inches (122 x 180cm) signed edition of 7 archival fine art pigment print signed & numbered ...

Two Bonnerville Motorcycles, captured in the iconic home of speed, Bonneville Salt Flats. Set against the bold blue sky in Utah. This artwork is a limited edition of 25 gloss photog...

Come Home 2019, 20x24 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL2019 - 70...

Mauretania - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Additional I...

From the series, 'A Different Light' a book commissioned by Thurrock Arts Generate, part of a regional initiative funded by Arts Council England, East Richard Heeps provides an alter...

Title: Rush Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is un...

The muted colours of yesteryear on show at an old forecourt in the South of France – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfort...

Railway crash is a black and white vintage photo, realized in December 19th 1964. The photo depicts the collapse of a bridge near Rome and the railway travelling over the bridge. G...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Automobili III by Frank Schott 27 x 40 inches / 69cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limite...

California Sports Car Club Air Show (1965) - Silver Gelatin Fibre Print (Photo by W.R.C. Shedenhelm/The Enthusiast Network via Getty Images/Getty Images) UN...

Review of the Painting "Meteor" The painting "Meteor" presents a captivating and dynamic depiction of a train rushing forward. The artist skillfully conveys a sense of speed and pow...

Route 66 Root Beer American Gas Station Painting by Leading British Contemporary Artist, Angela Wakefield. A unique original work. Art measures ...

Belly Tank Lakester 'Raspberry Rocket', captured in the iconic home of speed, Bonneville Salt Flats, Richard's bold graphic car contrasts in size against the vast landscape in the ba...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

Bold antique copper engraving of the floor plan of a French cathedral from Recueil d'Architecture, 1780. Original artwork on paper displayed on a whi...

"Mauretania" by Topical Press Agency The Cunard superliner Mauretania being refitted in the dry dock at Southampton. Unframed Paper Size: 60"x 40'' (inches) Printed 2022 Silver Ge...

Jules Perahim (1914-2008) Surrealist Mecanism (Cycle), 1974 Original lithograph Signed in pencil by the artist Numbered / 199 On Arches vellum 56 x 38 cm (c. 22 x 15 inches) INFORM...