Plant Art

Judd Mercer's (US based) "In the Canyon" is an gouache painting that depicts a grouping of pine trees nestled at the base of a large green mountain with large fluffy clouds overhead ...

There is a place on the Peloponnese Peninsula called Niforeika. It is a village and community in the Western Achaia municipality in northwestern Achaia Greece. The place is quite pic...

Judd Mercer's (US based) "Grass Underfoot" is an gouache painting that depicts the tall green grass of a clearing obscured partially by the tree trunks of towering mature trees Bio/...

A delightful early 20th century still life by the artist Max Albrecht depicting crimson poppies spilling out of a fashionable art deco vase. Signed and dated to the lower right, alon...

Framed Size - 84 x 84 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, ac...

"STARBURST" A large acrylic abstract measuring 80"x 60" is being completed in the studio. Layers of vibrant orange, red and yellow have been added to intensify the bold, intens...

Paper Size: 24 x 30.75 inches ( 60.96 x 78.105 cm ) Image Size: 22 x 29.75 inches ( 55.88 x 75.565 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...

Dimensions with frame: 47 x 33,5 x 5,5 cm. Signed "Armand Leleux" in the lower right corner. A refined floral still life featuring vivid red gladiolus blossoms and delicate white flowers arranged in an elegant blue-and-white faience vase. Painted with subtle tonal harmonies and fluid brushwork, the composition embodies the quiet sophistication associated with late Impressionist and early modern European still life painting. The artist balances vibrant floral accents against a muted neutral background, allowing the bouquet’s organic forms and rich chromatic contrasts to emerge with remarkable freshness and delicacy. The decorative ceramic vase introduces an additional layer of visual refinement, evoking traditional French and Dutch still life aesthetics. Loose painterly handling, atmospheric softness, and naturalistic observation lend the work an intimate and timeless presence. The composition recalls the sensibility of Édouard Vuillard, Henri Fantin-Latour, and post-impressionist floral studies while maintaining a decorative elegance suited to both classic and contemporary interiors. An evocative and highly decorative floral composition ideal for collectors of Impressionist still lifes, botanical paintings, and refined European interior art. floral still life painting, impressionist flower painting, gladiolus artwork, blue and white vase painting...

Hand printed by artist. Edition 9/40 Printed 2007 Excellent condition

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Chris Forrest, American (1946 - ) - Wood Duck, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP 40, Size: 29 in....

Walasse Ting masterfully recreates a peacock in full display, using an electrifying palette of bright blues and greens, with touches of yellow illuminating the background. The peacoc...

Painting - flowers in a vase for the interior of the living room, bedroom - watercolor work depicting a beautiful geranium. Contrasting, bright, multifaceted! A bright bouquet of sca...

Jung LEE (*1972, South Korea) Hold Me Tight, 2014 C-Type Print 170 x 136 cm (66 7/8 x 53 1/2 in.) Edition of 5, plus 2 AP Signed – Biography Jung Lee is a Korean artist born in 19...

Roland DUBUC Auvers sur Oise : Van Gogh Square Oil on Canvas Signed bottom left Size 25P that is 60 x 81 cm (c. 24 x 32 in) Excellent condition

Anne Sargent Walker’s "Two Very Tall Pines" is a 40 x 30 x 1.5 inch oil painting done in softs blue greens, gold and pink. Two very tall pine trees stand next to one another almost i...

This contemporary still life painting presents a richly detailed woodland tableau, combining natural history precision with a quietly surreal sensibility. Set against a dense forest ...

Pocket Autumn Leaf 5c is an original oil painting by Dani Humberstone as part of her small scale realistic oil paintings, with a nod to baroque still life painting. The paintings are...

Acrylic on paper with frame Minako Asakura is a Japanese artist born in 1973 who lives & works in Tokyo, Japan. As graphic designer & art director, she was involved for more than ...

River Walk by Rob Barnes [2021] limited_edition Linocut Edition number 50 Image size: H:33 cm x W:44 cm Complete Size of Unframed Work: H:49 cm x W:61 cm x D:0.2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look About half a mile from where I live is a river walk, punctuated by a windmill used...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multicolor Iris Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 200 Size: 36 x 25 in. (91.44 x 63.5...

La obra va firmada por el artista en la parte inferior En la parte trasera, va nuevamente firmado, fechado del año 2002 y titulado "Nueva York" Se presenta tal cual sin enmarcar la...

An original oil landscape inspired by the peaceful surroundings of Wildsee lake. The painting shows a quiet lake surrounded by soft green fields, trees, and distant woodland. The com...

Artist: Slonem, Hunt Title: Daisy Chain Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Edit...

"The Sun" is a lively composition with a Surrealist twist. A framed floral still life floats in a luminous sky at sunset. Sloan's magnificent ...

Page size: 17.5 x 17 in. Vintage Frame with gold leaf finish size: 24 x 26 in. This intricately detailed lithograph depicts an vibrant floral scene against a warm, earthy backgroun...

artwork dimensions (unframed): 15h x 20w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive scientific eight volume set w...

Exquisite, modulated, and sensitive, Mathieu Weemaels' painted world centers around his home and studio, where his subjects comprise the subtle shifts of light and color reflected on...

Oil painting is not just a sunset, field and meadow flowers, an artist conveyed his warmest feelings for nature, beautiful purple flowers of fireweed harmoniously complement the summer warm sunset. The artist is always admired by mornings and evenings. Nikolay used a unique way to create the effect of the evening sunlight in their sunny paintings. Nikolay was looking for the ways to capture the evening glow on the canvas many years. Original oil painting by Nikolay Dmitriev...

May Hill [May 2021] Original Landscape Oil Painting on Gesso Board Complete Size of Unframed Work: H:15.2 cm x W:15.2 cm x D:2cm Sold Unframed Please note that insitu images are pure...

Poster-Century City, Los Angeles. Nov. 6, 1981 through Nov. 27, 1981. Publishing Information: Southern California Graphics, Culver City. Copyright 1981 Da...

Artist Comments
Part of artist Suren Nersisyan's Palm Tree series. He says he is drawn to their elegant shape and fresh tropical vibe. In this painting, Suren paid special attention to the bright sunlight radiating across the fronds, giving the study great depth and dimension.

About the Artist
Suren is an impressionist painter eloquently capturing nature, landscapes, and cityscapes in paint. His body of work reflects several different stylistic approaches. Suren’s scenes in oil are inspired by Impressionist masters Monet and Van Gogh, while his watercolor series of flowers and birds are influenced by Eastern styles of painting and the colors of the Middle Eastern environment. Suren believes his role as an artist is to remind viewers that we all are part of the same natural universe.

Words that describe this painting: tropical, island, foliage, palm trees, coconut palm...

Glorious electric green Land's end watercolor from William Stanisich, whose provocative Land’s End series was painted over a 40-year span with a force and directness that reflects the artist’s search for the essence of light through the medium of watercolor and oil. In this watercolor that was recently framed for a retrospective exhibition where it is being shown for hte first time, there is green and yellow and blue. Stunning, fresh and unique nature scene. Perfect on its own or paited with another watercolor from the series. The watercolor is 28 x 20 inches. Professionally framed in a museum quality ebonized black walnut...

In winter, the enchantress wrapped trees in the Kolomensky garden with her duvet. Many branches of trees broke due to the large amount of snow, and the...

Summer Garden X [2022] original Oil on Linen Board Image size: H:24 cm x W:30 cm Complete Size of Unframed Work: H:24 cm x W:30 cm x D:0.5cm Frame Size: H:40.5 cm x W:35 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Summer Garden X is an original macro style realist painting by artist Dylan Lloyd. Featuring a snippet of a wild garden with pink blue and white flowers dotted...

Autumn landscape. Oil on cardboard, 39x50 cm is a landscape painter and a student of Vilhelms Purvitis. Vilhelms Purvitis one of the founders of the Latvian National School of Paint...

Floral Still Life (44) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, not signed Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

Jeffrey Vaughn, showing at George Billis Gallery is from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his M...

This beautiful landscape painting by Olga is part of her recent body of works. Olga is mostly engaged in painting and illustration. She likes breaking the rules of proper reflecting of nature with the use of unexpected elements from another universe. Her works are minimalistic in the form, simply elegant and gracefully colorful. Olga Szczechowska...

Radiant Poppy Meadow This captivating original painting bursts with the vibrant hues and lively movement of a vibrant meadow in bloom. Bold, expressive brushstrokes bring to life ...

Poppy Starwars Structural analysis: _ Feeling of the wind in the flowers_ Abstract drippings bring movement to the still life painting. There are 2 systems of contrasts. First one...

Jean La Forgue (French 1901-1975) signed gouache on paper, unframed dated 1953 painting: 21 x 15 inches provenance: the artists estate, France condition: very good and sound conditi...

Autumn days already in the first days of October maples are covered with red and gold shades. Foliage with its own color nuances and a wide range of color palettes characteristic of ...

Sketches for condition are always written quickly, since color and light change very quickly. The sky and its clouds change in shape and ornamentation in a few minutes. For an artist...

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower right Description The painting depicts elements taken from the artist’s studio and personal l...

Multi-part composition of red peonies , 2023 year :: Painting :: Photorealism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang:...

Konstantin Savchenko Living the Life I, 2019 Medium: Oil on Canvas Artwork Size: 36 x 12 in

This early-1970s photograph, captured by society photographer Slim Aarons, features Swiss bandleader and restaurateur Teddy Stauffer (1909 - 1991) in the swimming pool of Warren Avis...

A watercolor painting with golden foil in the interior. A watercolor painting for the interior with bright tropical flowers of Eritrea, decorated with golden foil. Saturated, contras...

Eleanor Woolley Views from Rollright Original Painting Oil Paint on Canvas Canvas Size: H 50cm x W 50cm x D 2cm Signed Sold Unframed Ready to Hang (Please note that in situ images a...

This large, colorful still life painting by Paul Longenecker (1920-2008) depicts a varied assortment of flowers in an urn. There is a bird’s net to the lower right of the urn as well...

Tree and House is a precious pencil study realized by the French painter Emile-Louis Minet. The state of preservation is excellent. The piece of paper comes from a sketchbook, and it...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. Belgian photog...

A huge painting that would create an impressive focal point within a large room, flowers upon flowers upon flowers. Textured, tactile and inviting this artwork is packed with energy,...

House in the Forest, Mid-Century German Landscape with Trees, 1937 Verdant mid-century landscape of a small mountain house nestled in thickly wood...

Artist: Alex Katz Title: Petunia Medium: Lithograph on Arches Paper Sheet size: 30" x 22.25" Edition: 12/40, Printed by Mourlot Graphics, Ltd., New York. Published by Brooke Alexande...

The painting "Peonies and Lace" is a 24x30 oil painting on canvas by the Russian artist Alexander Pede. Depicted is a peaceful soft floral bouquet in white. The fresh blooms spring o...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Chromogenic Print – Unframed Free Shipping – Ask us for custom framing options. 40 x 48 inches - edition of 5 48 x 60 inches - edition of 5 71 x 88.5 inches - edition of 5 "My ph...