Railing Art

Photographic Fine Art Paper 325 g, ed. 2/7. Artwork can be shipped in a tube or in a crate if frame is requested Luca Battaglia is an Italian architect and photographer born in 1970...

Old New York, Brooklyn Heights Promenade, 1972, Bathed in magical golden light. There is a sense of loneliness akin to Edward Hopper paintings where ...

Archival Ink Jet Print. Signed Limited Edition #1 of 10. Printed on museum quality paper with torn edges and floated in 24" x 24" off white mat. Paper size is @ 18" x 18". ABOUT MY PRINTS My photographs presented here for Zatista are sold as archival ink jet prints on museum quality paper, the same medium I currently use for all my exhibition work. Prices listed are for matted...

Painting of a popular pub in Stockport, Cheshire, on a warm, summer, starlit evening. At least 6 real ales await the thirsty visitor. :: Painting :: Contemporary :: This piece comes...

black and white toy camera image from the series 'homeland' 10 x 10 image size in edition of 50 (price increases as edition sells). printed on hahnemuhle bamboo sustainable paper a...

Paul Kowalow, Untitled 09, 5-10-15 series, 2010, c-print on supra endura, edition 1 of 5 :: Photograph :: Color :: This piece comes with an official certificate of authenticity signe...

This photograph was taken in Normandy in the summer of 2010. Limited edition, (series of 50), signed and numbered. Printed on archival pigment based inks on acid free archival ?fine...

With a career spanning more than three decades, Robbie Cornelissen has established himself among the leading contemporary draughtsmen in Europe. His vast and irresolute creative univ...

Giclée Fine Art Print image size 16" x 24" actual size 20" x 28" limited edition 3/10 Printed on FOMEI Collection Baryta Mono 290 gsm/ Museum quality fine art paper Each edition is...

Photograph of a street sweeper at the beach of Ostend in Belgium. The size of the photograph is incl. a small unsharp border. The image is made as a black and white photograph and t...

Photograph of a watchtower at the coast of Normandy, France. Edition: 8 plus 2AP's. Photograph has a white border. Printed on Hahnemule bright white paper. This photograph is one of...

Painted this in the studio, based on a photo I took of some Victorians just a block away from Haight Street in San Francisco. This is part of a new series of paintings where I spray ...

750, 2005 Acrylic on canvas 63h x 9.84w in Using photography as the starting point, Viviana Zargón constructs a pictorial universe of industrial imagination. In an exploration of ab...

Digital photography printed on Hahnemuhle paper

Shipped in a tube Digital Photography HP Premium Satin Photo Paper with archival inks Edition 2 of 9 Born in Japan in 1940 and educated at The Art Center College of Design in Cal...

Digital Photograph, ed. 3 of 9 HP Premium Satin Photo Paper with archival inks Born in Japan in 1940 and educated at The Art Center College of Design in California, Michael K. Yamao...

Acrylic on canvas

Acrylic on canvas

Signed on bottom right

Four East Village down-and-out derelicts and apparent friends sit on a step and engage in a lively chat. They are smoking and drinking. Street Photographer Mitchell Funk captures the...

Photographer Greg Lotus' work can be found regularly in the pages of Italian Vogue, Vanity Fair, GQ, L'Uomo Vogue, and W magazine.

Jackie Color with Monument rap_224. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Model with Lincoln Center Architect, 1962 -- Mark Shaw's photograph of a model in a pink suit was taken at Lincoln Center in 1962. While we do not know if th...

Model with Lincoln Center Architect, 1962 -- Mark Shaw's photograph of a model in a pink suit was taken at Lincoln Center in 1962. While we do not know if th...

Model with Lincoln Center Architect, 1962 -- Mark Shaw's photograph of a model in a pink suit was taken at Lincoln Center in 1962. While we do not know if the man holding the plans w...

Model with Lincoln Center Architect, 1962 -- Mark Shaw's photograph of a model in a pink suit was taken at Lincoln Center in 1962. While we do not know if the man holding the plans w...

Model with Lincoln Center Architect, 1962 -- Mark Shaw's photograph of a model in a pink suit was taken at Lincoln Center in 1962. While we do not know if the man holding the plans w...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

Coco Sits on Her Mirrored Stairs, 1957 -- Chanel sits on her famous mirrored stairs observing the crowd below. Mark Shaw's informal, grainy, black and white images of Coco Chanel wer...

Chanel Sits on Stairs with Unidentified Woman, 1957 -- Mark Shaw's informal, grainy, black and white images of Coco Chanel were created using an unobtrusive 35mm camera and film proc...

American, b. 1962 Contemporary artist Lori Zummo paints in a style evocative of the American Barbizon School. She received her BFA from Syrac...

Image Size: 10" x 10" Unframed Limited Edition Archival Fine Art Print of 25 Hand Signed by Ken Enlow

AP2 of 6 Editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

AP2 of 5 editions with 2 AP's. Malou da Cunha Bang (b. 1982) graduated with a BFA in 2014 and a MFA in 2016 from The Royal Institute of Art in Stockholm. She lives and works in Cope...

14" x 18" Unframed Limited Edition Archival Photograph of 15 Hand Signed by Simeon Posen

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

The Music Box Theater, NYC dye sublimated on aluminum Edition of 10 Please inquire for additional sizes

This early work by street photographer Mithcell Funk, shows a lone woman gazing out from the Brooklyn Heights Promenade. The whole image in ...

An abstracted view of the Art Institute of Chicago's Grand Staircase. The lone sculpture fictionally represents an armed officer pointing a gun at an absent figure. [b. 1977 – New York, NY ::: lives & works – New Haven, CT] CHRIS BARNARD received his BA from Yale and his MFA from The University of Southern California (USC) in Los Angeles. Having previously held faculty positions at Denison University, Indiana University, and USC, Barnard is currently associate professor of art at Connecticut College in New London. Barnard’s work has been shown in solo and group exhibitions in Los Angeles, New York, Chicago, and New Haven, among other locations, and can be found in public and private collections nationally and internationally. His work is represented by Fred Giampietro Gallery in New Haven, where he and his partner live. artist statement In my work I focus on white supremacy’s relationship to the privileged spaces of my experiences, such as private art and educational institutions. Amidst widening gaps in wealth and opportunity, discussions about race, power, justice and representation—across visual culture broadly—seem more relevant than ever. In many of my compositions, which reference real sites, I have inserted fictional elements to raise questions about the allegiances and priorities of these institutions, as well as people—including myself—who have benefitted from, or continue to support them. The resulting works are representational, but through gestural passages and color and surface manipulation, I aim to suggest instability, corrosion and decay. In the end, I strive to make engaging paintings that suggest dissonance and ambivalence, that entice and challenge viewers, just as painting them does for me. These paintings are rooted in my contemplating Whiteness and emerge from wrestling with the politics of painting—the connections and gaps between painting and lived experience. They also reflect: a love of paint, the act of painting, and the power of the painted image; a regard for practitioners past and present, as well as those for whom practice has not been possible; and an admission of painting’s complicity with hegemonic power. As always, my process remains driven by questions. In this case, questions like: What role does painting play in the face of concrete social crises? How can my paintings respectfully incorporate¬—rather than exploit—relevant and thought-provoking content and imagery? What does it mean to think about racism, dehumanization, injustice, etc., and then to paint such pictures, and in particular as a straight, White man? These questions and this body of work owe much to the work of others, and most acutely to four scholars’ books in particular: The History of White People, by Nell Irvin Painter; Ebony and Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder; The New Jim Crow: Mass Incarceration in the Age of Colorblindness, by Michelle Alexander; and White Rage, by Carol Anderson...

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed sizes are available. Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed sizes are available. Myrtie Cope is an Atlanta photographer with a focus on architecture and nature. Her ongoing project photographing historic theatres in the Southeast - “Second Act” -was exhibited at the Atlanta Photography...

"Violet (Wall & Door)" features hues of purple and yellow. This is a framed print. Jerry Siegel is inspired by the work of William Christenberry, Sally Mann, Andrew Moore, Walker Ev...

"Lago di Como" Photography Edition 3/5 32" x 24" inch by Lukas Dvorak Pigment print on Epson Fine ART paper 2009 Unframed Ships rolled in a tube ABO...

Bronze sculpture by Jim Rennert Edition of 9

They are three distinctly different people. They are living in their own little personal world but yet share the same space. New Yorkers lost in thought and though apart they descen...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. ...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for a framed photograph. Edition of 5. Additional unframed s...

Myrtie Cope is inspired by the works of Richard Pare, Ezra Stoller, Berenice Abbott and Abelardo Morrell. This listing is for an unframed photograph. Edition of 5. Framing options an...

Black and white original photography by Cyrille Druart. Handsigned and Numbered Edition: I/VIII Dimensions: 80 x 80 cm Cyrille Druart is a Frenc...

​Lawrence McAdams remembers waking up literally and figurative in the fall of 1999, with a clear calling to become an artist. He writes, “The Images in my paintings are usually metap...

Edition of 20 Signed in silver ink and numbered in pencil on print margin.

Born and raised in Atlanta, Kristofer Laméy has brought much to the southeastern art and design table. From debuting his unique design perspective in the 2007 ICFF in New York City and showcasing his Art at Aqua during the 2008 Art Basel in Miami, to his solo Museum of Design Atlanta (MODA) exhibit titled “Serving Form” in 2010, Kristofer is best known for his one-off commissioned sculptural art forms. His work has found a place in homes and collections across the globe. One of his most ambitious design challenges was solving a decades-long problem in the aviation industry: How to more efficiently design and install jet aircraft interiors. This was the birth of AIMS. Kristofer’s work straddles a fine line that resides between art and design. Many, lost within the engineering of his creations, like to push his work out of the category of art and into the realm of design. This line is the fulcrum that leverages his work into a playing field of his own, and he is proud of that. Those looking for solutions in the marketplace that are in need of an outside perspective to differentiate a product benefit from his fresh and creative approach to modern manufacturing. In April 2020 Kristofer moved his family to the North Georgia mountain...

Edition of 20 Signed, dated and artist stamp.