Road Art

The factories of Art Chartow's "Double Overtime Shift" represent strength, industrial might, and the ability to vanquish nature. This place is strange, sinister and forbidding yet at the same time beautiful and fragile. The artist's uses paint to express the power of light at this particular time of day. The winter sun has cast it's light onto the cold metal silos to bring some hope of warmth - as seen on the melting snow covered road. This contemporary realist painting is framed in a simple black wooden frame measuring 23.25h x 45.25w inches. Arthur Chartow Double Overtime Shift oil on canvas 22h x 44w in 55.88h x 111.76w cm ACH014 Arthur Chartow b. 1951, New York, NY Education 1972-74 M.F.A, Cranbrook Academy of Art, Bloomfield Hills, MI 1968-72 B.F.A, Carnegie – Mellon University, Pittsburgh, PA. Selected Exhibitions 2019 Earth Wind Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Place: Select Works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL 2017 Scene Change, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2016 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 80th Annual Midyear Show, Butler Institute of American Art, Youngstown, OH 2015 Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2012 City Streets II, George Billis Gallery, New York, NY 2010 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2009 Selections, Ann Nathan Gallery, Chicago, IL 2006 Ann Nathan Gallery, Chicago, IL The Four Seasons, Sherry French Gallery, New York, NY Gallery and Invited Artists, Sherry French Gallery, New York, NY Michigan Fine Arts Competition, Birmingham Bloomfield Art Center, Birmingham, MI 2005 Mainely Maine, Sherry French Gallery, New York, NY 45th Annual Greater Michigan Art Exhibition, Dow Museum of Science and Art, Midland, MI 2004 Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Arthur Chartow: Quiet Places, Sherry French Gallery, New York, NY 2003 Mainely Maine, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Flowers in February, Sherry French Gallery, New York, NY 2002 Art of Collecting, Flint Institute of Art, Flint, MI Arthur Chartow: At Water’s Edge, Sherry French Gallery, New York, NY The Four Seasons, Sherry French Gallery, New York, NY Poetry = Painting: ut picture poesis, Sherry French Gallery, New York, NY Land and Water, Art Placement...

Unframed 12 x 9 Allison’s softly rendered and beautifully painted landscapes and waterscapes capture light, depth and the constantly shifting movement of water, flora and fauna. He...

“Studio Canal” by Catherine Picard-Gibbs is a textural urban scene depicting strong sunlight illuminating a factory studio building at dusk. This effect ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Ancient Views of Yokohama is an original vintage albumen print on single cardboard: 34 x 26 cm. It was realized in the 1890s. Good conditions except for being aged. Caption in Ita...

"Back Alley Nocturne" (2008) By Susie Hyer is an original handmade oil painting on stretched linen that depicts the front of an apartment building, with the porch light shining brigh...

Ruslan Perekucha was born in 1967. Since childhood, he was interested in the history of art, and he loved modernism most of all. This prompted him to collect antiques and art in the ...

Charming oil painting of corner of Santa Cruz Ave and W. Main Street in downtown Los Gatos, California by Eugene Atcheson (American, b. 1955), circa 1980. Si...

Palazzo Pontificio sul Quirinale is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged margi...

Night driving road landscape scene by Edie Nadelhaft Oil on canvas, 12 x 12 inches. Edie Nadelhaft's paintings focus on the visual nuances and psychol...

Nice poster from 1970 by Jean Widmer entitled Jouer aux halles. Jean Widmer, born March 31, 1929 in Frauenfeld, Switzerland, is a Swiss graphic designer. He is the designer of many ...

Daud Akhriev's (EUR and US based) "Evening Light, Florence" is an original, handmade oil painting that depicts a street within the terracotta lined walls of an Italian city. Artist Biography: The Soviet educational system singled out 8-year-old Daud Akhriev for special arts training. He painted and drew under the best painters and instructors for the next fourteen years. This culminated in a master’s degree from the Russian Academy in Leningrad (sic), after an obligatory two years in the Russian army. Though representational in orientation, Russian Academic philosophy encourages sampling, experimenting, and referencing styles and techniques from all of art history. The Russian academic training at its best imparts an artist a wide array of abilities honed to such that technical struggle is greatly reduced, leaving more time for experimentation and creativity. Akhriev, who enthusiastically cultivated all skills and styles while at the Academy, is an artist with public works in mosaic, oil on linen, water media, cast bronze monumental sculpture and ceramics. He is comfortable working in decorative styles, designing fabrics and patterns, and is equally at ease switching into Old Master oil painting. He admires Rembrandt and Schiele, Moser and Mailloll, Velasquez, Sargent and Sorolla. Akhriev is a Master Signature member of Oil Painters of America, the Artists Union of Russia, as well as the Association of Pastel Painters of Spain, the British Association of Modern Mosaicists, and the Society of American Mosaic Artists. He has won numerous prizes from the Salon International and International Masters Exhibitions in Texas, and at OPA regional and national exhibitions. He won Grand Prize from Pastel Magazine’s international 100 competition in 2015 and was twice honored again in 2017. Erlanger Hospital awarded Akhriev and team the creation of their non-denominational chapel which won “Ten Best Mosaic in Situ” in 2016 from the Society of American Mosaic Artists. He is an internationally renowned instructor of figurative and landscape painting and drawing. His work is published in several art books in Russian, Chinese and English. Magazines such as Fine Art Connoisseur, Pastel Journal and Artists Magazine have large features on his work. Currently his pastel paintings are at the Ming Gallery of Pastel Painting in Suzhou, China, by invitation, and are going to be in the inaugural exhibition of the new Chinese museum pastel painting throughout history through the present day. He has served as a juror for Oil Painters of America, and he frequently teaches masterclasses in Italy. The artist is a huge sports fan and loves film and travel. He speaks Russian, Ingush, English, basic Spanish, and can communicate using hand gestures in any other language. His extracurricular passion is teaching young artists. He resides in Tennessee and Andalusia, Spain with his artist wife, Melissa Hefferlin.

This artwork "Street in Oxford" 1972 is a watercolor by noted architectural British artist, Ken Messer 1931-2017. It is signed and dated at the lower left corner by the artist. The artwork size is 14,60 x 10.15 inches, framed size is 21.65 x 15.65 inches. It is custom framed in his original wooden gold and green frame. Artwork and frame are in very good condition. About the artist. After attending City of Oxford High School for Boys, where he excelled at rugby and cricket, he started work as an accountant in the city. He then moved on to become a steward for the British Overseas Airways Corporation (BOAC). In the 1960’s Mr Messer was involved in a car accident which would end his sporting career and change his working life. When he left his job with BOAC he became a graphic designer at Pergamon Press, owned by Robert Maxwell, which allowed him time to pursue his real passion which was painting watercolours. He rose through the ranks at Pergamon to become studio manager and when he could progress no further he decided to become a full time artist, a role from which he never retired. He quickly became well-known for his paintings of Oxford...

A charming oil study depicting a thatched cottage on the riverside before a stone bridge. Unsigned. On canvas.

Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of Paris, France on a sunny spring day with trams travelling along the boulevards. Signature: Signed lower right Dimensions: Framed: 33"x39" Unframed: 26"x32" Provenance: Galerie Vildrac - Paris (labels verso) Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure and landmark paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of eighteen, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Doge's Palace in Venice is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A bea...

Print Published By Shorewood Press Inc. Printed In USA. Measures 19 x 25 in. Print In Fair Condition, Yellowing Along Top And Small Tears On Edge. Image Is In Good Condition.

An oil painting of an Italian street scene by renowned american plein air painter, MArc Dalessio. Painted en plein air in Varese, Italy, an alleyway between buildings. A pink buildin...

Maerten Van Der Loo (1880-1920) Belgian, oil on canvas. View of an Old Bridge in Bruges. Signed to the lower right. Signed and inscribed verso.

Gordon House 1932-2004 Blue/Red Ornament Frieze II, 1976-1977 with Artist's label attached to the stretcher bar acrylic on canvas 91 x 91 cm 35 7/8 x 35 7/8 in Gordon House was born in 1932 in Pontardawe, South Wales. Early exposure to art on trips to the Glynn Vivian Art Gallery as a young boy inspired House towards creative endeavors and at the age of fourteen he was awarded a grant to enter art school which he accepted. From 1947 to 1950 he studied at Luton School of Art, Bedfordshire, and St. Albans School of Art, Hertfordshire. House's contemporaries included Richard Smith and John Plumb with whom he remained close. During the early fifties, after finishing art school, House began work as assistant to the ecclesiastical sculptor Theodore Kern. He also spent time at an advertising studio where he honed his burgeoning skills in typography and graphic design. In 1952 House was offered the position of designer for Imperial Chemical Industries Plastics Division where he stayed until 1959. This was followed by two years spent as graphic designer for the Kynoch Press in London. In 1961 House set out on his own as a self-employed designer and typographer. Initially this was supplemented by part-time teaching at art schools in and around London but by 1964 House was able to devote himself entirely to his design work which freed up valuable time to concentrate on his own artistic output in the studio. In the late fifties, informed by the new art emerging from America and that of his contemporaries in England, House began to create large-scale abstract works which he was invited to show in 1959 at Dennis Bowen's legendary New Vision Centre in Marble Arch. House was an active participant in the vibrant London art scene of the sixties, regularly attending lectures, exhibitions and discussions. In 1960 he exhibited in 'Situation' the key abstract exhibition of the decade held at the RBA Galleries. Other participating artists included Robyn Denny, Bernard and Harold Cohen, Gillian Ayres, John Hoyland, Richard Smith and William Turnbull among others. These artists, united by a common admiration for American Abstract Expressionism, were frustrated by the lack of exposure given to large-scale abstract works in commercial galleries so they organised their own exhibition. The name was derived from the participants' idea that an abstract painting that occupied the whole field of vision would involve the spectator in an 'event' or 'situation'. This exhibition was followed by 'New London Situation' in 1961 and a nationwide touring Arts Council presentation in recognition of the significance of the two earlier shows. In 1961 House began producing his first prints at the Kelpra Studio, run by Chris and Rose Prater, where he made the earliest fine art screenprint ever to be produced in Britain. Artists such as Paolozzi and Hamilton followed in his footsteps and together they started a printmaking revolution in Britain. They cemented the medium of the screenprint in the world of fine art as opposed to the commercial sphere and secured the reputation of Kelpra in the process. Later, together with Cliff White, House set up the White Ink (Ltd.) print studio in London, where he produced etchings and wood engravings on a series of magnificent antique printing...

Plant Shadows Mijas is an Original Painting by Eleanor Woolley. This painting was sketched in Mijas and finished in the Studio in Gloucestershire. Walking back down from the Monaster...

French Landscape signed by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 20 x 17 inches condition: very good and ready to be enjoyed provenance: th...

Need For Speed 1954 Oversize silver gelatin print Limited edition to 300 only Archive stamped and numbered. Certification of authenticity provided printed later 2020 Argentini...

Paris, Elysées - Signed limited edition archival pigment print, 1998 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was...

Rebecca Skinner’s “Lunds Valley” is a 12 x 18 inch color photograph of grain elevators in North Dakota. The rustic structures rest in the beautiful landscape with colors of blue, red...

Original Oil painting by Ukrainian artist Evgeny Chernyakovsky "Bush of Flowers" 90.0 X 80.0 CM / 35.4 X 31.5IN HIGH QUALITY oil on canvas Signed on the front and back Dated 2...

Gabriel Paris The Moulin de la Galette in Montmartre, 1959 Original gouache painting Handsigned and dated On Arches vellum 64 x 50 cm (c. 25.1 x 19.6 inch) Very good condition, wit...

Hand signed and numbered lower right. Edition of 100 pieces numbered and hand signed. Very good conditions.

Daud Akhriev's (EUR and US based) "Oltrarno" is an original, handmade oil painting that depicts a European city street lined with old brick and stone buildings. Artist Biography: T...

Large scale photograph of PRADA MARFA, a permanently installed pop architectural land art project sculpture by artists Elmgreen and Dragset, inaug...

Jarvis Cocker 1996 Jarvis Cocker, Pulp photographed by Kevin Westenberg for NME Magazine in Paris in July 1996. by Kevin Westenberg Signed Limited Edition Kevin Westenberg is fa...

Pierre ALLARD Peindre comme un âne et descendre au Lapin Agile, 2016 Oil on canvas Size: 73 x 92 cm Signed lower left Painting in perfect condition. Frameless. Sold with invoice ...

"Crosswalk at Ocean" is an sun drenched oil painted on location in Laguna Beach by noted California artist Jacobus Baas. This plein air painting exhibits the subtle touch and beautif...

Ancient View of Pont Rouge in Saint Petersburg is an original modern artwork realized in France in the first half of the 19th Century. Original B/W Lithograph on Ivory Paper. Insc...

Signed Lower Right Wall Street in 1985.

An original large painting of London. It was painted in multiple layers with palette knife and brushes. The artwork is signed on the front and includes a Certificate of Authenticit...

Piero Sansalvadore (1892-1955) Queens’ College Cambridge Signed Sansalvadore. Titled to verso. Oil on wood panel 21.5 x 28cm (8.5 x 11 in) Provenance: Stacy-Marks Gallery, Eastbourn...

Where Stella Lives 2007 Signed, titled, numbered, and dated, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $1,400.00 17 x 11 inches, sheet (Edition of 15) $9...

Claude Tabet, French (1924 - 1979) - Du Descendant les Marches. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 3...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

a Piece of Markthalle (Pieces of Berlin), 2019, 1/10, Lambda C-Print, 30x30cm, unmounted signed Certificate Florian Reischauer's project 'Pieces of Berlin' Berlin – for most younge...

Framed 19.38 x 16.50 in 8.88 x 12 inches (sheet), 8.88 x 11.88 inches (block) linoleum block print on green laid paper signed in plate

This splendid lithograph De Rue de l'Hotel De Ville is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The s...

Signed lower left, 'Hans Blum' (German, 1858-1942) and painted circa 1911. Provenance: Exhibited, 'Jubiläums- Ausstellung der Münchener Künstler-Genossenschaft', München 1911 ('Anniversary Exhibition of the Munich Artists' Cooperative'). Label verso. Hans Blum studied at the Munich Academy of Fine Arts with Ludwig von Löfftz and Ludwig Lindenschmit the Younger. He first worked as a portraitist in Nuremberg but later turned to genre painting, which he often carried out in the style of plein-air painting. Blum exhibited his Italian alpine...

Michel Gassies (1925 - 2013) French School signed oil on canvas, framed framed: 19 x 22 inches canvas: 18 x 21 inches Inscribed verso Provenance: private collection, France Conditio...

Ernest Voegeli is an artist who has found his path through a combination of solid technique and a clear, insightful approach to color, form, and composition. While his work is primar...

Limited edition archival print on (image size 24x18") 28.5x22" paper. Represented by George Billis Gallery, NYC & LA -- Focusing on this duality of the old and the new, my work captures a changing New York – the old neon signage of the neighborhood pharmacy, as well as the sleek interiors of Mies van der Rohe’s groundbreaking Seagram Building. You’ll find classic storefront windows displaying 1950’s fashion, juxtaposed with office windows of a Madison Ave skyscraper. Viewed as a whole, my series aims to take viewers to this transformative period of time – and might even remind them that many of these scenes can still be found in Manhattan today." Colors: Light Blue, Light Grey, car, vintage automobile, automobile art...

This work is offered by CLAMP in New York City.

a Piece of Glory I (Pieces of Berlin), 2009, 20/50, Lambda C-Print, 30x30cm signed Certificate, mounted on Aluminium Florian Reischauer's project 'Pieces of Berlin' Berlin – for mo...

"Contra Luz" - Jardines Generalife, Granada Artist: Borja Fernandez Medium: Oil on Canvas Size: 63.75" x 45"

Landscape painting, evening road scene titled "May 27 (8.59pm)" by Edie Nadelhaft - oil on canvas, 36 x 48 inches Edie Nadelhaft's paintings focus on the visual nuances and psychological ambiguity of twilight. No people are pictured, but each composition preserves some residue of the human presence, depicting desolate stretches of rural highway, some capped by an apocalyptic canopy of clouds. Rendered in a manner best described as Perceptual Realism, Nadelhaft draws the viewer into the scene, showing just as much - or as little - sharp detail as a human eye can process in person. The point of view and style of painting takes into account the fleeting nature of impressions, especially those formed while driving in low light on unfamiliar roads. In some scenes, light is greatly diminished, but it is not quite dark enough to reap the full benefit of headlights. Buildings, trees and power lines appear and disappear in a murky, shimmering haze; nighttime is fluid, rife with intrigue and for some, even dread. But the dark can also provide a portal to the imagination, opening up new possibilities and potential. And for the artist, it brings an overwhelming sense of wonder and relief. The night - especially traveling at night - offers protection, a respite, like a spell that conjures a brief suspension of responsibility and time as one hurtles through space fully enveloped in the totality of that experience. Realism, landscape painting, landscape, night scape...

36 x 50 cm, 14.2 x 19.7 in. (unframed) Inkjet Print on Hahnemühle Photo Rag Paper Edition of 15 The photographer Matthew Billings is a Berlin-based photographer and video artist who...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

'Checkered Flag' The checkered flag signals the end of the race during the 1963 Nassau Speed Week. 40 x 60" inches / 101 x 152 cm paper size Esta...

Roman Columns is a lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century later watercolored, and representing the beautiful historiated columns wi...

Cityscape The new bridge. Oil on canvas, 60,5x70,5 cm Artwork was exhibited: Exposition d'Art Moderne-Belge Barcelone Mai 'a Novembre 1929

Oil painting of a neighborhood in the winter. A quiet, tree-lined street is sprinkled with snow. A yellow sky blends into blue and above. Frame dimensions: 32 x 44 inches Artist ...

Based in Kent, UK, Adam De Ville says - I am a self taught painter of landscapes, cityscapes, still life, abstract and portraits. Painting is about storytelling, feeling, character...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "L...