Andrzej Borowski Art

Painting of New York City Fire Department in New York City by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 41 x 29 inches Angela Wake...

Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paints the waves of the wild sea, the shapes and textures that are generated in i...

A Colorful, Modern Maine Coastal Scene Painting, "White Boat in Harbor" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit autumn landscape painting most likely painted near the quiet rural harbor town of Penobscot, Maine. The painting is acrylic on canvas, dates from the 1950s and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 20 x 36 inches, accompanied with the artist's original, hand-painted frame (Framed size: 21 3/4 x 36 1/2 inches). Signed "Turzak", lower left; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements, contrasts of verticals and levels. I juxtapose the smooth surfac...

This abstract landscape painting by Danish artist Steffen Bue immerses the viewer into a new interpretation of color, form, and movement. With a zoomed-out perspective, Bue crafts a ...

Joost Verhagen North Sea Serenity I 100 x 140 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crate, f...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Joost Verhagen Serenity 100 x 140 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. We also ship worldwide in a wooden crate, framed as see...

Joost Verhagen Memory of Nuenen 80 x 100 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. If you decide to purchase the painting framed an...

Joost Verhagen Oostdijk Silence 1 100 x 140 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. Because of the constantly changing prices we ...

Black & White Painting of Victoria Embankment London - a unique original from leading British Cityscape Artist, Angela Wakefield. Art measures 24 x 24 inches Frame measures 29 ...

Adventure Ahead, a captivating abstract contemporary landscape by Danish artist Steffen Bue. This impressive 100 x 140 cm (39.37 x 55.12 in) acrylic painting draws viewers into a thr...

Couple à Aegina (A Couple in Aegina) Acrylic on Canvas 61 x 50 cm Couple à Aegina presents two intertwined figures assembled within a structured architectural setting inspired by the Greek island of Aegina. Rather than depicting a fixed scene, the composition builds from fragments — bodies, objects, spatial planes — held together through vertical alignment and interlocking geometry, so that figure and environment become genuinely inseparable. A central elongated form anchors the work, while surrounding elements — suggestive of musical instruments, interior structures, and architectural detail — intersect and layer. The figures remain partially legible, continuously shifting between presence and abstraction as they absorb and release the forms around them. The palette is restrained and deliberate: deep blacks and muted blues form the dominant ground, punctuated by sage greens and lighter neutral passages. Small circular accents and linear elements move across the surface, creating an internal rhythm that draws the eye without dictating a fixed entry point. This is not a scene captured at a single moment. Working through what he calls a "reverse jigsaw logic" — beginning with a figurative view of reality, then fragmenting and recomposing it — Mathias brings multiple perceptions into one field: variations in viewpoint, shifts in spatial relation, different moments of observation layered together. Like his figurative works more broadly, the human presence here is never isolated; it is always integrated with place, absorbed into the architecture and light of Aegina itself. Living with the Work: Before acquiring this piece, consider: at 61 x 50 cm, this is an intimate format — best suited to a space where you will naturally spend time close to it, rather than a large wall viewed from across a room. Does the space you have in mind allow for that? Does your interior already carry deep blacks, blues or greens, or would this palette introduce a contrast you'd find interesting to live with? Are you drawn to the human figure as a subject, or does the way the figures here dissolve into their architectural surroundings — becoming part of the place rather than standing apart from it — feel like the more compelling idea? Collector's Insight Rooted in the direct lineage of Jean Metzinger — whose disciple Claude Augereau was Mathias's professor at the École Nationale Supérieure des Beaux-Arts in Paris — this work extends the structural logic of European Cubism into a genuinely original proposition. Where Cubism fragmented space, Diachronic Cubism fragments time itself, embedding successive moments of perception within a single composition. The result sits comfortably within the tradition of Gris and Gromaire while belonging to no one but Mathias. About the Artist Grégoire Mathias, graduate of the École Nationale Supérieure des Beaux-Arts de Paris, is the pioneer of Diachronic Cubism — an evolution of the cubist tradition that captures not only multiple points in space but multiple moments in time within a single work. His paintings have been exhibited in Paris, New York, Los Angeles, Bordeaux, and Dublin. Since 2020, he has been the official artist of the WFUNA (World Federation of United Nations Associations), designing posters for United Nations Day in Geneva — the first French artist commissioned to do so since Picasso, Chagall, and Miró. Keywords Diachronic cubism, Greek island painting...

Joost Verhagen Autumn Northsea 1 45 x 55 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing...

Joost Verhagen Autumn Northsea 3 45 x 55 cm Acrylic paint on canvas We ship worldwide for free in a wooden crate, framed as seen on the pictures. Because of the constantly changing...