Road Art

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

Etching by Ziveri. Hand signed. Signed and numbered in the bottom. Editions of 20 pieces (3/20). Passepartout included. Very good conditions.

Black and white fine art cityscape - landscape photography. The towers of san Gimignano, Tuscany, Italy. Archival pigment ink print, edition of 7. Signed, titled, dated and numbered ...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited editions on Ha...

Title: Yellow And Green Medium: Oil on canvas Size: 15.5 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pain...

Artist/ School: Claudine Riboulet (French 1924-2013), signed and dated lower left Title: Uzes (Gard, France), titled verso (I was there about four w...

Revealed Wounds - Black & White Atmospheric Landscape Painting by Contemporary British Artist Mark Thompson. Mark is a seasoned professional painter with international representatio...

Black and white fine art long exposure landscape photography. Johannesberg chapel with the beautiful mountains and the traunsee in stormy weather with gigantic cloud, Traunkirchen, A...

Signed and dated on the plate. Utrillo was an important exponent of the Post-Impressionism. Perfect conditions. Passepartout included : 49 x 34 cm Image Dimensions : 12 x 9 cm This ...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Notre Dame by Michel Pabois (French b.1939) signed, titled verso oil on canvas, unframed canvas: 8.5x 10.75 inches Superb original oil painting by the French artist, Michel Pabois ...

Giant silos seem to twist to the heavens. Salvador Brazil – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with c...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

Kathleen Lanzoni's "Byers Evans House" is an original, handmade oil painting.

Rome in the Early 20th Century is a Historical Photo in black and white. It belongs to historical album including photo of historical events and places, all meticulously captured, an...

Light of Paris, study, 2020

Melina Mercouri 1961 Printed Later. Chromogenic Lambda Print Estate edition of 150 1961: Greek actress Melina Mercouri (1925 - 1994) sitting at a stre...

limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed Please note that ins...

MAURICE de VLAMINCK (1876 - 1958) BOISSY LES-PERCHES, 1951 (W148) Drypoint and etching. Unsigned but initialed in drypoint lower right in image, MV. 10 1/4 x 12 3/8 inches. Full sh...

Oil on cardboard. Very good condition except for some minor losses on edges.

Robert Indiana Marylin, 2008 Screenprint in colors on wove paper 40,0 x 32,5 in (101.6 x 82.6 cm) Edition: AP 3/12 Signed, editioned, and dated in pencil, lower right PROVENANCE: The...

Beverly Hills Hotel Slim Aarons Limited Edition Estate Print Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Paper size 20 x 20 inches / 51 x...

Urban Landscape with Sheeps is an artwork realized by Aldo Riso, 1970s. Color screenprint. 24 x 27 cm, with frame. Includes frame. Edition of 2000. Hand signed lower right. Go...

Mark Bartkiw brilliantly disrupts the landscape by juxtaposing expected elements with dream-like imagery. This C-print is sealed between dibond and plexiglass. This 30 x 30 inch im...

Belgium: Ghent. St Nicholas Church ( Sint Niklaaskerk) by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Image: 9.75 x 13.75 inches, sheet 11 x 15 inches Super bustling painting by Leon. Rowe in the centre of Ghent, depicting a busy square full of people on a bright sunny day. A man pushes a wooden cart, whilst others are strolling around the shop-lined streets in front of St Nicholas Church. A bright striped shop window awning...

Title: Sketch-Small Path Medium: Oil on canvas Size: 30 x 22 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000...

"Tamarisk Invasion" by Lisa Lebofsky (United States) is a handmade landscape dirt and oil on aluminum painting that is unframed, but ready to hang

Le Canal St Martin is a black and white etching realized by Adolphe Martial-Potémont (1827-1883) in 1870s. Titled in the lower. Image size: 30cmx21cm. Very Good condition. Realiz...

Black and white fine art landscape photography. Single tree with small hut at the beautiful vineyard in the Champagne in France. Archival pigment ink print...

The Artist mission: “Depicting the overwhelming nature in paint is a permanent challenge, which keeps me amazed again and again. Esther Schlebos won ...

Blue (Sepia Toned Figurative Oil Painting of Boys on Bikes with Blue Ball) Contemporary figurative painting based on a 1960's photograph, plays deeply on feelings of nostalgia and identity. oil on wood panel 20 x 20 x 2 inches Carl Grauer’s 'Blue' plays with the tension between memories, the “return to home”, and the actual experienced past through the renderings of the family unit. Inspired by images on found slides or old family photos, Grauer provokes mixed responses of delight and sadness, reminding us that unlike space, time cannot be returned. Grauer paints 'Blue' in black and white, sepia tones, and blue oil paint on wood to capture the nostalgia of a vintage 1950's photograph. Two young children ride bicycles in a charming landscape while one child holds a big blue ball. The blue ball beautifully contrasts with the sepia toned landscape. The brushstrokes are smooth, with little texture built upon the surface. About the work: Recollections, a series that plays with the tension between memories, the “return to home”, and the actual experienced past, is an idea that I explore through the renderings of the family unit. Nostalgia comes from the Greek word nostos, meaning “to return to home” and algos, meaning “pain”. Before the rise of pathological anatomy and bacteriology made it less credible, medically; nostalgia was considered a “disorder of the imagination. Through time, nostalgia’s meaning became a more generalized reaction to the sad fact that, unlike space, time cannot be returned. I initially began with source imagery of found slides and photos of people I find at flea markets, second hand stores or from my own family’s collection. I take the source imagery and change elements to signify specific moments that could be seen as memories that are remembered or forgotten. I aim to represent nostalgic scenes that may relay a tension, sorrow or humor that could be constructed memories or actual experienced events. The exact narrative may be forgotten or unknown, but the complex projection of an idealized story that I find intriguing may serve to reflect a feeling or memory for another person. CV 1975 Born in Wilson, Kansas, USA EDUCATION 1998 Bachelor of Arts – University of Kansas 2000 Mastor of Fine Arts – University of Michigan 2015 Portrait and Figure Painting – London Atelier of Representational Art EXHIBITIONS 2016 "Petit: A Group Exhibition of Smaller Sized Art...

Geneve is an original Lithograph, part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is excellent; Image Dimensions: 15.3 x 12 cm The signature is engraved on the plate on the lower left. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Black and white fine art panorama - landscape photography. Beach Huts, Panorama, Pier, Runner, France. Archival pigment ink print, edition of 9. Signed, titled, dated and numbered by...

Algeria- Historical Photo is a black and white vintage photograph realized in the 1960s. It belongs to historical album including photo reportages of historical events and political ...

Reportage from Albania - Tirana  is a vintage photograph realized in the Late 1970s. Good conditions.

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Work on wood Beige wooden frame 78 x 38 x 3 cm

Adrian Daintrey was born in Balham, London on 23 June 1902, the youngest of three children of Ernest Daintrey, a solicitor and his wife Lucy Mary (née Blagdon). He was educated at Ch...

Empty Town with post in Foreground by Michael Ormerod is a 24" x 34" black and white photographic print on Hahnemuhle paper from a limited edition of 10 prints. Featured in the 202...

Title: "Passage II" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on label COA provi...

Seminario di S. Pietro in Vaticano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditi...

Title: Countryside Scenery Medium: Oil on canvas Size: 27.75 x 19.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition...

Cawston’s work has a very painterly feel in both his use of colour and choice of subject matter. He is particularly influenced by Edward Hopper and found this very Hopperesque scen...

Cawston’s work has a very painterly feel in both his use of colour and choice of subject matter. He is particularly influenced by Edward Hopper and found this very Hopperesque scen...

A picture of Emptiness, Babylon… – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Blade Runneresq...

A beautiful 1950's French naif oil on board depicting Place de Metz in Grenoble, South of France. Superb period work depicting the famous square. Presented in a painted frame. Artist: French School...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

This hand-signed offset lithograph by Davis Cone, titled Wink, represents the historic Wink Theater in Dalton, Georgia. The Wink Theater, built by J.C.W. Wink in 1941, stands as one ...

Reportage from Albania - Durrës is a color photograph realized in the Late 1970s. Good conditions. the landscape of Albania through the art of photography is captured aesthetically...

Trees is an original painting in watercolor by an anonymous French Master of the XX century. The state of preservation is good and aged with signs of tim...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Colours once bright now muted… their exuberance dimmed but not lost on the streets of Yangon, Burma – The Spaces in Between series developed out of visits to Naples in Italy and Hav...

A line of fiery orange splits a dark road in two in this dramatic image by Mark Bartkiw. The sun sets on the horizon. This C-print is sealed between dibond and plexiglass. This work...

Picture from Ocean Avenue at South Beach after a big storm. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

'Entrance to the Bridge' created in 2019 by one of the finest American contemporary realist painters, Willard Dixon, who has painted Northern California landscapes...

This painting depicts a serene countryside scene from China. The red Duilian on the door in the foreground catches the viewer's eye and adds a touch of liveliness to the otherwise tr...

Maurice UTRILLO (1883 - 1955) The Little Village, 1925 Lithograph Printed signature in the plate On vellum Arches This edition is autentified by the blind stamp S.P.A.D.E.M 38 cm x ...