Shoe Art

Pattie Boyd wearing broderie anglaise playsuits from Fenwick with hair by Martin at Leonard. British Vogue, August 1967 Pattie Boyd for British Vogue, August 1967 Silver gelatin pri...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Diane Arbus, Electa Editrice Portfolios, 1979. Published by Unite...

Miles Aldridge Untitled (after Cattelan) #3, 2016 Chromogenic Print Image 77.6 x 112.3 cm (30 1/2 x 44 1/4 in.) Sheet 87.5 x 122.5 cm (34 1/2 x 48 1/4 in.) Edition of 10, plus 2 AP; ...

"Untitled 1" (En Rouge) Photography Edition 3/7 32" x 24" in by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited Ed...

Artist: Mel Ramos (American, b. 1935) Title: Tootsie Roll Year: 2007 Medium: Lithograph, signed and numbered in pencil Edition: 199 Size: 30 in. x 45...

Other Possible Forests unfolds a horizon of vital potentialities, where listening serves as a conduit for exploring the natural world, immersing us in its molecular memory and transp...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 62A. The Weston Gallery is locat...

Colorful abstract modern pastel drawing of a cowboy by Texas artist Robert Sandman. The work features a man dressed in vibrant clothes holding a cowboy ...

Pierre Eugene LaCoste (1818-1908) Opera Costume Watercolor C.1875 A beautifully detailed watercolor illustration of a 19th century opera costume by list...

Unconscious Female Force 1999 Born in 1950 Vina Del Mar Chile. Already when a child his drawings and paintings were noticed by the public. From 1966 to 1969 he attended the Academy of Fine Arts in Valparaiso where he received awards every year. Very soon he exhibited his works that document his specific interest in the portrayal of man in Chile. In the age of 24 he went abroad having exhibition in several Latin American countries. In 1983 he joined the League Art Student of New York. Duran developed his style which distinguishes him from present day currents. His work was exhibited in Europe, South America and USA recently his work was exhibited in Chile. Ivan Duran Garlick...

The woman sits as if she’s just signed a decree to cancel all problems. Her sunglasses have slid down her nose, revealing a gaze that radiates calm while subtly asking, "What now?" T...

BACHMANN Alfred Félix August (1863-1956) Lively view of Venice Oil on wood panel signed low left Old frame regilded with gold leaves Dim wood : 24 X 34 cm Dim frame : 38 X 48 cm BA...

Jean Pierre Haag French, (1842-1921) The Students’ Recital Oil on canvas, signed & dated 1891 Image size: 26.75 inches x 38.75 inches Size including frame: 34.75 inches x 46.75 inch...

Artist: Harry McCormick, American (1942 - ) Title: Man on a Park Bench Year: circa 1985 Medium: Oil on Canvas, signed l.r. Size: 58 x 72 in. (147.32 ...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

An elephant named Mae West accepts an apple from a passing tram driver while taking her morning exercise along Gray's Inn Road, London, 16th December 1936. Mae is helping to publicis...

A man stops to watch a young woman tie her sandals on the pavement in Portofino marina, August 1977. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and s...

Orientalist watercolor of a guard standing watch. He stands at the ready, attentively listening while resting his hand on his sash which holds a sheathe...

From a Portfolio printed by Mother Jones. Authorized copy. Stunning reproduction. Limited Edition. Certification of Authenticity.

Jean Richard Goubie French, 1842-1899 A Travers Bois Oil on canvas 25 ½ by 39 ¾ in. W/frame 30 ½ by 45 in. Circa 1892 Jean Richard Goubie was bo...

"Women" Black & White Photography 27.5" x 20" in Edition 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube...

A generation refers to all the people born and living at about the same time, regarded collectively. The sculpture is connected with systemic constellations, a method of addressing i...

This item is in excellent condition, only shown in a gallery. Griselda Ferrandez was born in the city of Barcelona, a cosmopolitan and open city. From her balcony she could contempla...

Verbier Skiers, Switzerland, Estate Edition, Winter Portrait Photograph This mid-1960s portrait photograph, captured by society photographer Slim Aarons, features skiers at Verbier....

Sunset Port Landscape, circa 1690 after Claude LORRAIN (1600-1682) Huge 17th/18th Century classical harbour landscape with figures and moored ships at sunset, oil on canvas. Huge and magnificent landscape of an extensive view of the harbour and ancient architecture. Typical of the works of Claude Lorrain. Framed in a 17th Century gilt frame...

Ali Invents the Double-Clutch Shuffle, LIFE magazine studio, December 1966: Muhammad Ali, poised for battle on the eve of his title defense against Ernie Terrell, demonstrates the do...

I did a Kickstarter project where I painted 100 cat portraits. The end result was to paint three large paintings where I would paint only orange cats on one of them and on the other two paintings, only black cats and cow cats...

Oil on canvas Elene Melikidze is a Georgian artist born in 1999 who lives & works in Tbilisi, Georgia. She started painting since childhood in various media. Her other profession is...

Skiing Holiday, Gstaad, Switzerland, Estate Edition. Winter Portrait Photograph This late 1970s winter landscape photograph, captured by society photographer Slim Aarons, features A...

Cybill Shepherd was born in Memphis, Tennessee, and after winning a beauty pageant, became an enormously successful model. Shepherd had an All-America...

Painted with gilt wood frame, 58 x 75 cm. is the work of the painter couple Viviano Codazzi (Valsassina 1603-Rome 1670), who specialized as a quadraturist and landscape painter, and...

David Bowie with Mick Ronson and the Spiders during the filming Jean Genie. 1972 Signed by the late Mick Rock Edition #14/50

King Solomon Worshipping The Idols, 17th Century FRANS FRANCKEN II (1581-1642) - signed sales to $6,000,000 Large 17th Century biblical account of King Solomon worshipping the Idols, oil on panel Frans Francken. Excellent quality and condition Old Testament biblical scene on a cradled panel depicting the Idolatry of Solomon, son and successor of King David. Exceptional detail and would be enhanced with a light clean. Presented in an antique period frame. Signed. Measurements: 47" x 34" framed approx Artist Biography Frans Francken II or the Younger is the third in order of descent in the Francken family tree. Born in 1581, the son of Frans Francken I or the Elder, he was the brother of Thomas, born in 1574, of Hieronymous II, born in 1578 and died in 1623, and of Ambrosius II, the last in line, who died in 1632. Hieronymous II, who died at the age of 56, is only known for his painting Horatius Cocles at Sublicius Bridge. Frans the Younger was initially a pupil of his father, who was then at the height of his career. In his father's studio he imbibed all the teaching of the tradition of Frans Floris. He also spent long periods in Italy, where he familiarised himself in particular with the masters of the Venetian school. Such study in situ enabled him to break away from the well-worn methods of Flemish Italianism, as practised by his father and uncles. It is conceivable that the young artist met Rubens, who was in Italy at the time. In 1605, at the age of 24, on his return to Antwerp, Frans the Younger became a master in the Antwerp Guild of St Luke. In 1607 he married Elisabeth Placquet in Antwerp. Three sons and eight daughters resulted from this marriage. His children made up the fourth generation in the dynasty. Better known are Frans III (1607-1667) and Hieronymus, born in 1611. The latter had a son, Constantinus (1661-1717), who marks the end of the line. The family of Francken painters runs from 1520 to 1717. As one of the most active masters in Antwerp, Frans II was appointed dean of the guild in 1614. He was also a member of the Violette, a major literary association, for which he painted an award-winning symbolic coat of arms. He was intimate with the most celebrated artists, in particular van Dyck, who executed a very fine portrait of him, judging by the engraving by Willem Hondius and Pieter de Jode. It is also likely that he was on familiar terms with Rubens who was his near contemporary. He died in Antwerp on 6 May 1642 at the age of 61, outlived by both Rubens and van Dyck. The first securely dated work of Frans the Younger is Christ on the Cross from the gallery in Vienna, painted in 1606. Witches' Sabbath (Vienna) and The Works of Mercy (Antwerp) are dated 1607 and 1608 respectively. In these two latter works the painter proves himself adept at painting figures and allegorical scenes. The Works of Mercy represents various groups of figures, symbolising the different activities inspired by Christian charity. Paupers and beggars occupy the foreground, the ensemble being dominated by the figure of the glorious Christ. While Frans the Younger cannot be compared with the masters of this great first generation of Antwerp, which was illuminated and steered by the genius of Rubens, he does nevertheless merit attention. He succeeded in developing and bringing into fashion an anecdotal genre on a more modest scale, elements of which were to inform the last representatives of the Francken family for over a century. Frans the Younger was undoubtedly the most talented draughtsman in the family. While his art may be criticised for its lack of grandeur and solemnity, the execution shows great talent. His brush stroke was vigorous and his imagination, albeit restrained, was brilliant. His interest in tonal values was highlighted by his study and appreciation of his remarkable contemporaries. This enabled him to carry out landscapes and also fleshy figures, which made him altogether worthy of the brilliant period to which he belonged. While detail certainly preoccupied him, he treated it with intelligence and even esprit, as witnessed in The Parable of the Prodigal Son and A Prince's Visit to the Treasury of a Church(both in the Louvre). The scenes painted in grisaille, which surround the principal motif of the Prodigal Son, are characteristic of his style. He excelled in painting jewellery, ornaments, and textiles with shot silk effects. A large number of his figures inhabit the neutral backgrounds of the interiors of apartments and galleries. He carried out such work not only under his own auspices, but also for other artists, such as Peeter Neeffs, van Bassen, Josse de Momper...

Skiing Waters Slim Aarons Estate Edition 40 x 40 inches Three skiing waiters on a ski slope, with the man in the foreground carrying a bird on a tray, the second man carrying a wine...

Edward L. Rubin is an award-winning fine art photographer, film and television production designer, and painter based in Los Angeles. He studied architecture at UC Berkeley and holds...

The work of Santiago Garcia explores the wondrous, colorful and always intriguing world between figuration and abstraction. Through contextualization of reality, the Uruguayan artist...

Dimitris Kritsas, a fashionable young couturier, poses among the gleaming white Doric columns of the temple to Poseidon at Sounion, Greece, 1967. Posing with him, four models show off colorful dresses of red, salmon, turquoise, and pastel yellow. This iconic photo depicts a scene of vintage glamour set against a classic Greek blue sky. Slim Aarons Dmitris Kritsas at the Temple to Poseidon, Sounion, Greece Estate Edition of 150 1967, Printed Later 48 x 48 inches $4500 40 x 40 inches $3950 30 x 30 inches $3350 20 x 20 inches $2500 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Site Details: The Temple of Poseidon is an ancient Greek temple on Cape Sounion, Greece, dedicated to the god Poseidon. There is evidence of the establishment of sanctuaries on the cape from as early as the 11th century B.C. Sounion’s most prominent temples, the Temple of Athena and the Temple of Poseidon, are however not believed to have been built until about 700 B.C., and their kouroi (freestanding Greek statues of young men) date from about one hundred years later. The material and size of the offerings at the Temple of Poseidon indicate that it was likely frequented by members of the elite and the aristocratic class Approximately 13 kilometers south of Thorikos in the southern most region of Attica, the deme of Sounion is most well known for its sanctuaries of Poseidon and Athena. Its placement at the foot of Attica allowed it to function as a border deme as it could easily been seen by ships nearing Attica. The temple of Poseidon at Sounion was constructed from 444 to 440 BC. This was during the ascendancy of the Athenian statesman Pericles, who also rebuilt the Parthenon in Athens. The temple of Poseidon was built on the ruins of a temple dating from the Archaic period, about which the Greek geographer Strabo noted: "Geraistos [in Euboia] . . . is conveniently situated for those who are sailing across from Asia to Attica since it is near Sounion. It has a sanctuary (hieron) of Poseidon, the most notable of those in that part of the world, and also a noteworthy settlement. The main temple we see today is mainly made out of marble with an intricate taenia (the fancy borders on the ceiling). The marble is an Agrileza marble. The marble used on the Temple of Poseidon at Sounion came from the marble quarries, a place where marble is removed from the earth, in the Agrileza mines. This type of marble was 'coarsed grained' meaning that it had a rougher texture than smooth, shiny marble. As indicated by literary and archaeological evidence, the "leveled summit" on the coast of Cape Sounion was likely a cult site from as early as the end of the eighth century BC. Two cult centers dedicated to Athena and Poseidon respectively are believed to have been established by 700 BC. Subject: The name of Greek fashion designer...

Print Sz: 9"H x 15"W Frame Sz: 14 1/8"H x 20 1/8"W Vignette depicting various sporting pursuits: Golfing/ Tennis/ Sailing/ Fishing & Hunting

One of the photographers at Mauritius Publishing based in Berlin was Karl Heinrich Lämmel. Born on 30 July 1910 in Riesa, Saxony, he has been missing since April 1945. In the thirtie...

This late 1960s portrait photograph, captured by society photographer Slim Aarons, features Ski 'bum' Alice Clement, a waitress and dishwasher at Stowe, Vermont when not on the slope...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

Customers at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Slim Aarons Estate Edition, Certificate of Authenticity included Numbered and stamped by the Slim Aarons Estate C...

Acrylic and silkscreen ink on paper 101.5 by 151.5 cm. 40 by 59⅝ in. framed: 112 by 161.6 cm. 44⅛ by 63⅝ in. Executed in 1980. Stamped by The Estate of Andy Warhol and The Andy Warh...

Dick Beer (b. London 1893 - d. Stockholm 1938) Folkliv på Korsika, I (Popular Dance at Corsica, I) oil on canvas signed Dick Beer c. 1924 canvas dimensions 88 x 100 cm Exhibited: The Royal Academy Stockholm 1973; Millesgården – Dick Beer – Impressionist & Kubist, 2012 Dick Beer was born in 1893 in London as Richard Beer, the youngest of five brothers. His father, John Beer (1853-1906), was a watercolourist who was born in Stockholm and left Sweden at the age of 17. John Beer instructed his sons in drawing and painting, among other things. A number of sketchbooks bear testimony to the boys’ talent. Dick Beer’s parents died in 1906 and 1907. Barely 15 years old, Beer arrived in Sweden as an orphan. First he lived with relatives and finally he ended up at Reverend Laurell in Västergötland. Dick Beer began his artistic studies at the Althin School of Painting in Stockholm in 1908 and continued at the Royal Academy of Arts in the autumn of 1910, but in September 1912 he broke off his studies and travelled to Paris. He rented a studio and enrolled at the Colarossi and Grande Chaumière academies. In the summer of 1913, Dick Beer travelled to Pont-Aven in Bretagne in order to paint. In September the same year, he held his first solo exhibition in Stockholm which he gave the French title Exposition des tableaux de Bretagne et autour de Paris. The exhibition proved a success. Many of the paintings were executed in a light palette in a style inspired by the impressionists. In 1914, Dick Beer undertook an extensive study trip to Italy, Tunis, Morocco and Spain, which resulted in canvases overflowing with colours and light. When the French army mobilised, he volunteered and was enlisted in the French Foreign Legion. In 1915 Dick Beer sustained severe head injuries in a grenade attack, which resulted in deafness and a nervous condition that would plague him for the rest of his life. Two of his brothers died the following year, fighting for the English army. Dick Beer was hospitalised and convalesced at Château de Rochefort. Here he started painting again, in an impressionist style, a painting dominated by blue and green hues. In 1918, Dick Beer married Ruth Öhrling, a dentist, and their son John was born later in the year. During this time, Beer began experimenting with cubist painting and created several large compositions, including the painting “The Arab Café”. In the years that followed, Dick Beer was based in Paris, where he often moved house. He was instructed by André Lhote, who encouraged his students to work freely in the studio and provided them with individual critique. Beer often travelled to Bretagne or Provence. His artist friends came from all over Europe and included Amedeo Modigliani. Dick Beer exhibited fairly regularly in Paris between 1919 and 1934 and made a name for himself in French artist circles. In the summers, Ruth regularly rented a house in the countryside, often at Lake Mälaren. She kept a large house with many models and friends and there was a lot of painting and discussions. In 1933, the couple divorced but Ruth still loved Dick...

From Larry Fink's series focusing on boxing and boxers at Champs Gym in Philadelphia. This photograph is true to Fink's style with a hard flash in the midst...

This is an original work by world famous artist Hunt Slonem.

Acrylic on canvas Maya Abashidze is Georgian artist born in 1984 who lives and works in Tbilisi, Georgia. She was graduated from the Tbilisi State Art Academy in 2010. From May-Jun...

A charming and colorful oil on board painting by acclaimed Mexican American folk artist Martin Saldaña (1874–1965), titled “Farm and Figures.” This unique 20th-century outsider artwo...

Lithograph on BFK Rives papers Edition 12 of 50 Signed and numbered in pencil and with artist's fingerprint

Ed. of 10, includes textured wood frame with white mat. Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence ...

Open Car Door on Eldridge Street, 1987 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs Pr...

"Revolutions" is a dynamic and unique ink and pastel drawing on paper by Patsy McArthur showing a fashionable female figure dancing. The energy and movement makes it fun and whimsica...

Print Sz: 14 1/2"H x 9 1/2"W Frame Sz: 22 1/8"H x 17"W Neil Wolseley Haig (1868-1926), Polo player and soldier ('Men of the Day. No. 720.') by George Algernon Fothergill chromoli...

Original work - big painting in contemporary pop art style from hungarian artist Janos Kujbus. Story about painting: "There are many ways to gain a woman and probably even more ways to lose her. Sometimes it's a gradual process, other times it all happens all of a sudden. Especially the loss ... Like when, in the wild, nothing threatening gray clouds suddenly cover the azure sky and a storm starts to rise above our heads. We can't prevent a storm, but we can prevent losses ... Let's not let our happiness be stolen!" Despite the fact that Janos Kujbus belongs to the younger generation of Hungarian fine artists, we can rightly place his work among the top works of contemporary European art. His figurative paintings in the style of modern pop art amaze not only their size (often exceeding two meters), but also the peculiarities of their form and content. On the big canvases...

Archival Pigment Print COA Hand Signed by Michael Grecco

A woman walking up the dusty road carrying two baskets. Celebrated as a “painter of light”, Joseph Raymond Wintz (1884-1956) enjoyed a reputation as ...

Hockney, David. YVES MARIE. S.A.C. 159. Lithograph, 1974. Edition of 75, plus 24 proofs. Printed in New York by William Law, on Rives BFK paper and published by Petersburg Press. 30 ...

Painting oil on canvas measuring 70 x 90 cm without frame and 82 x 102 cm with frame depicting View of the Grand Canal with the Rialto Bridge. The work under examination depicting a...