Shoe Art

Photograph of a street sweeper at the beach of Ostend in Belgium. The size of the photograph is incl. a small unsharp border. The image is made as a black and white photograph and t...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...

This was originally painted as a sample equestrian portrait for a solo show in horse country. Being I was already involved in commissioned portraits and ...

These guys really like playing balls. They even invited the photographer so that he captures them in their favorite game. :: Painting :: Photorealism :: This piece comes with an offi...

Oil on canvas. A family enjoying a Vermont Dairy Festival together in the bright fall sunshine. This is a big family event with lots of cows, tractors and 4-H Club kids and their an...

The Pizza Bats music duo was playing iconic standards of the swing era in Union Square Park NYC. :: Painting :: Realism :: This piece comes with an official certificate of authentic...

Adapted from a piece of old advertisement for early computer technology. :: Painting :: Photorealism :: This piece comes with an official certificate...

This version of Lincoln Center in New York City shows a simplified rendering where abstract forms dominate the scene. We see a group of musicians off to the side, and two more peopl...

Wencke Uhl is a contemporary figurative paintress living and working in Germany. She draws inspiration from human beauty and the female form. As a teenage...

Original Oil Painting by Olga Antonova Olga Antonova (b. 1956, Volgograd, Russia) completed her classical art training at the Ilya Repin Institute of Painting in St. Petersburg, Ru...

"D-REX" Sculpture 17" x 8" x 8" inch Edition of 18 by Huang Yulong Aluminum sculpture ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated...

Carole Leprince is a French artist born in 1966 who lives & works in Houilles, France. Over the years, her personal photos have been the inspiration for painting. She paints both tho...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees will be requested for this type of frame + shipping Hugo Pondz...

The "Black Dress" sculptures by Alex Katz are more than figurative sculptures. They are a homage to elegance, fashion and the female body. This cut-out is made from powder-coated alu...

Acrylic on fabric Ma Wei-Hong is a Chinese artist born in 1977 who lives & works in Songzhuang, Beijing, China. She is graduated from Shanxi Yuncheng College of Art. Ma pursued adva...

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes, please enquire for deta...

Mixed media (Vintage Time magazine), aerosol, gesso & acrylic on 36"x36" wood panel with epoxy resin finish. About the Artist: Seek One, a native of Philad...

"Arriving and Departing" is an original oil painting by Gary Ruddell. Gary Ruddell (b. 1951, San Mateo, CA) received his BFA from the California College of Arts and Crafts in 1975 a...

Frank Suplie is a German artist born in 1950 lives and works in Berlin, Germany. He is a member of the Painters Association of the North German Realists since 2006. He paints everyda...

Oil on linen Simple wooden frame Helen Uter is an established Franco-American painter with international exposure. Heavily influenced by Edward Hopper, sh...

Old New York, Brooklyn Heights Promenade, 1972, Bathed in magical golden light. There is a sense of loneliness akin to Edward Hopper paintings where ...

A Drop of Red #2 - Miles Aldridge (Colour Photography) Signed in ink on artist’s label Chromogenic print 15 x 21 inches Edition of 10 + 2 AP Available in the following sizes: 28 3/4...

This is a unique photographic work taken by Andy Warhol while traveling in England. Fred Hughes is the founder of the Andy Warhol Foundation, which he ran until 1990. Hughes was the ...

Medium: Watercolor Painting Signature: Signed Lower Right Cover of The Saturday Evenign Post, May 25th, 1940

C Print on Fujiflex paper. Edition of 6 Tillman’s portrayals of China’s leading contemporary artists examine a unique psychological landscape of the present-day Chinese art world. ...

Signed in ink on recto. Signed, titled and dated in pencil on verso. Gelatin silver print 12 x 16 inches

This is an framed original painting. June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery...

Grossman’s seemingly disparate studies in engineering and art have helped mold his work into a study of reality and imagination. In his "Bookscapes" series he digitally reorganizes p...

Surfer_III, Two Men (2012-2018) 180 x 100 cm - original / single unique print + 1AP Museum-Quality Fine Art Printing Ships in a well protected, solid tube Original Warranty for all ...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Window 24.00" x 22.00" Image of an inspector at a crime scene aboard ship. Saturday Evening Post Illustration. Long affiliated with The Saturday Evening Post (nearly 50 years), he did dozens of covers and much story art, most notably the long-running Tug-Boat Annie and with maritime painting, Fischer was more versatile than depicting the sail and dreadnaughts when given a chance. Still, he's best known for painting the sea, her beauty and her dangers (whether hurricanes or U-Boats). It's no surprise that his oils graced such titles as The Cruise of the Cachalot: Round the World After Sperm Whales, Treasure Island, The Mutineers, 20000 Leagues Under the Sea...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

"Shot" Black & White Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by t...

Jackie Gleason Kicks, 1959 -- Photographed by Mark Shaw for the November 2, 1959 issue of Life. Jackie Gleason was starring as "Uncle Sid" in Eugene O'N...

Photograph with fun narrative - the chauffeur and the lady of the house - classic tale. Face mounted on plexiglass. About the Artist: Greg Lotus...

This painting is about intimacy and belonging. Our clothes are most intimate to us, they touch our skin, define our look, give a statement and maybe tell our story. It took me 6 moth...

Internationally renowned photographer and multidisciplinary artist David Drebin is celebrated for creating spectacular shots of dazzling subjects. Including photographs that tell a t...

Edward S. Curtis Buffalo Dance At Hano 1904 Photogravure Print Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #401, The North ...

"Swimming Suit 3" Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the artist ...

"Shot 2" Black & White Photography 24" x 24" in Edition 1/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by th...

The Eurasian-born Alla was one of Dior's divas. When bathed in attention, she was charismatic and wore her clothes with graceful aplomb. Croque-mitaine model, Autumn-Winter 1953 Haut...

1920's Backdrop Vert Gazon, Gavroche and Flirt by Dior, Spring-Summer 1961 Haute Couture collection, Slim Look line. Photographed for LIFE by Mark Shaw in 1961.Backdrop is from "" The Crazy Years,"" a Parisian movie of that ""fun-loving"" time. Image size is 22"" x 32"" (for 24"" x 36"" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion Photography of three models in front of a backdrop of "The Crazy Years." The model on the right is wearing a short green coat and a matching skirt. She also has on a beige sun hat. In the center, the model is wearing a black blouse and a matching skirt with a red blazer. She is also wearing long black gloves and a black hat. The model on the left is wearing a gray blazer...

1920's Backdrop Orange Amere Ensemble, Spring-Summer 1961 Haute Couture collection, Slim Look line.Orange amere ensemble adjusted to Yellow, Spring-Summer 1961. Photographed for LIFE...

Dior, Gamin Tweed, 1961. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model in Gamin Tweed. The model is wearing a gray tweed coat...

Buyer inspects hem of Dior's victorine dress, Autumn-Winter 1953 Haute Couture collection, Vivante line. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are ...

1920's Backdrop Vert Gazon, Gavroche and Flirt by Dior, Spring-Summer 1961 Haute Couture collection, Slim Look line. Photographed for LIFE by Mark Shaw in 1961.Backdrop is from "" Th...

1920's Backdrop Orange Amere Ensemble, Spring-Summer 1961 Haute Couture collection, Slim Look line.Orange amere ensemble adjusted to Yellow, Spring-Summer 1961. Photographed for LIFE...

Buyer inspects hem of Dior's victorine dress, Autumn-Winter 1953 Haute Couture collection, Vivante line. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints a...

Dior, Gamin Tweed, 1961. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. Fashion photography of a model in Gamin Tweed. The model is wearing a gray tweed coat...

The Eurasian-born Alla was one of Dior's divas. When bathed in attention, she was charismatic and wore her clothes with graceful aplomb. Croque-mitaine model, Autumn-Winter 1953 Haut...

Tiger Morse in Zebra Jacket, Feather Headdress 01, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in lim...

Tiger Morse in Bluegreen, Bobbins, 1962 -- This image has been cropped. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are mad...

Tiger Morse in Zebra Jacket, Feather Headdress 01, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in lim...

Audrey Hepburn viewing the soundstage of the set for Paramount's Sabrina Fair -- This image is an out take from the photo shoot for the December 7, 1953 issue of Life. Image size is ...

Tiger Morse Black Leotard e4, 1961. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Audrey on Bicycle, 1953 -- Photographed for the December 1953 issue of LIFE. Audrey Hepburn rides a bike from the makeup department to the set where filming began at 9 o'clock. Image...

Tiger Morse Black Leotard h6, 1961. Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Tiger Morse Black Leotard e4, 1961. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Tiger Morse Black Leotard h6, 1961. Image size is 40" x 40" (for 44" x 44" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Tiger Morse Black Leotard e4, 1961. Image size is 32" X 32" (for 36" X 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...

Tiger Morse Black Leotard e4, 1961. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each...