Shoe Art

"Jeune Nuit" Ballet Photography 32" x 32" in Ed. of 25 by Yevgeniy Repiashenko No title (No 14) by Yevgeniy Repiashenko Year photo was taken: 2017 Limited Edition of 25 Picture size: Height: 32" inch Width: 32" inch This photo work is transported in a robust plywood case. This artwork is part of "Spirit" series. The picture shows a frozen movement of professional ballerina. Special glazed black makeup is put on all over the body. This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

Artist: Liana Vassalou, Greek (1948 - ) Title: Absence I Year: 1979 Medium: Oil on Canvas, signed Size: 56 in. x 48 in. (142.24 cm x 121.92 cm) Frame Size: 56.5 x 48.5 inches

Katie Edwards Freedom Limited Edition Silkscreen Print Edition of 50 Size: H 40.5cm x W 30.5cm x D 0.5cm Sold Unframed Please note that in situ images are purely an indication of ho...

Untitled (Nr. 0113) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez...

Represented by George Billis Gallery, NYC & LA -- The idea of meditation and contemplation play a major role in the paintings of artist Craig Carlisle. His paintings articulate indel...

Signed in ink on verso by Chris Verene Titled in ink on print margin C-print, 24 x 20 in.

Edition of 25 Signed, titled, dated, print date, and numbered. Paper size: 20 x 16 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of...

Alexander Archipenko (1887 - 1964)
Les Formes Vivantes
Lithograph on BFK Rives paper
Edited in 1963
Limited edition of 75 copies
Current copy numbered as: Epreuve d'artiste ( artist ...

The Progressive Farmer magazine cover, January 1958 This dynamic scene of a mid-century New Year's Eve party captures the excitement across generations. While adults eagerly anticipate midnight, children watch from the staircase, and an older couple in the background enjoys a quiet moment together at the buffet table. Sarnoff's use of diagonals brings the scene to life, and the inclusion of noisemakers evokes the festive atmosphere. Created as a cover for the January 1958 issue of The Progressive Farmer, this is a prime example of Sarnoff's vibrant style. Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

"DRIP 2" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. Ben Cope is a Georgia native graduating from Columbus State University with...

Soul, Hamburg Archival inkjet print on Hahnemühle fine art matte paper. 16 x 20 inches Edition size: 11 Exact dimensions of paper size may vary. Please inquire for additional siz...

"After work we change clothes, redo our makeup, do some coke and go dancing." Edition of 10 Signed and numbered in black ink on print verso. Bill Owens was born and raised...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

An original painting by American contemporary conceptual painter Bruce Adams from the artist's new Untitled series. The “Untitled,” series draws from a variety of visual and histori...

This piece depicts the Revolutionary hero Haym Salomon. Salomon was born in Poland in 1740 and sailed to New York around 1772, where he soon joined the Sons of Liberty...

Open Edition Signed, titled and dated in black ink on print margin by Jimmy Katz Archival pigment print 22 x 17 in. Series: Jazz Katz: The Sounds of New York Jimmy Katz, born in New...

Ed. 2/5, includes black frame. Alison Jackson is a British artist who explores celebrity culture as created by the media and publicity industries. Jackson makes works about celebrit...

Handball, NYC, 1996 Vintage gelatin silver print Paper size: 11 x 14 in., Image size: 7 3/4 x 11 1/2 in. Signed, titled, dated, print date and numbered by Paul Greenberg AP Paul Gr...

Prado Museum, Madrid, 1995 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gel...

Medium: Gouache on Board Dimensions: 12.00" x 16.00" Signature: Signed Lower Right

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Handy Park on Beale Street in Memphis, TN is named for musician and composer W.C. Handy, the "Father of the Blues." Silver gelatin print on Ilford Galerie Baryta paper Edition of 2...

A pair of paintings, dancing ladies. Around 1900. Oil on wood. Signed. Unknown artist. Good condition. Dimensions Including frame.

The Who, one of the greatest rock bands of all time, began in 1964 and, when photographed on June 5, 1969, had just released their landmark rock opera Tommy. In a “People Are Talking About …” feature of Vogue, Tommy was praised as “celebrating the quiet divinity of explosion”, seriously extending rock’s musical range. The Who were John Entwistle...

An original concrete and found object sculpture by American contemporary artist Jonathan Casey.

Signed and dated lower right: Reginald Marsh – / 1947

Key West Queens depicts drag queens performing , while patrons enjoy the show in an elegant and glamorous nightlife setting. The details of the clothing show a level of pride and car...

Signed, titled and dated.

Signed lower right. Image dimensions: 40cm x 50cm, 15 ¾" x 19 ¾" A beautiful original oil seascape painting by Ronny Moortgat. Ronny Moortgat is one o...

In his current series, “In Your Room”, Alex Blas explores modern day life by examining the private spaces of his friends. In these paintings, Blas carefully considers the shadows, co...

Ormond Gigli Street Scene, Spain (1952) Gelatin Silver Print Printed by the artist 20"x 15 3/4" Unique: $6225 Provenance: Printed by the artist, from the artist's studio Signature: ...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

El beso, San Jose, Costa Rica by Mario Algaze depicts a couple kissing on the street. The man and woman embrace each other tightly, framed by the decorative bricks of the building wall. Gelatin Silver Print Signed, titled and dated by Mario Algaze Paper size: 16 x 20 in., Image size: 8 3/4 x 18 3/4 in. Mario Algaze was a contemporary Cuban-American photographer whose work celebrated the culture of Latin America. In 1960, at the age of thirteen, Algaze was exiled from Cuba with his family. He relocated to America and settled in Miami, Florida. Miami offered a rich cultural mecca that encouraged Algaze to travel throughout Central and South America. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze was the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work was showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and Mario Algaze A Respect for Light: The Latin American...

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes, please enquire for deta...

Edition of 25 Signed and numbered in black ink on print margin by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x ...

This hardy lady stands out in the snow with bare legs. I guess she's enjoying the fresh air. This was done with quality oil paints on stretched linen and is framed an attractive bl...

On a hot sweltering day, a man reigns supreme over his kingdom in the back streets of Ha Noi, Vietnam. The photograph is professionally dry-mounted to archival backing with archival ...

Yummy Dissatisfied Watercolor on Arches paper, 2020 Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right Exhibited: LA Ar...

From the artist statement, "When asked about my work, my mantra used to be, “The subject matter of my work is not as important as how I paint it. Whether it be people, places, or thi...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

In Search of New Beginnings (The Paintings 1) Watercolor on Arches heavyweight paper, 2021 Signed with the artist's initials in the shadows of the books (see photo) Signed, titled an...

Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist. Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system. I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me. I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…) Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin. My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.” 2 / Thierry Delcourt Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity : "Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.” 3 / Hélène Duclos ‘s biography : After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...

A sporting figure in a state of play painted loosely on a Studland warm blue board which has a fine surface with good absorption. The mannered style of this figure with this type of ...

Gouache on card, signed lower right Image size: 16 1/2 x 11 1/2 inches (42 x 29.25 cm) Contemporary style frame Joan Fairfax Whiteside Joan Fairfax Whiteside was a prodigious arti...

Read the Signs #25 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward Series: Read the Signs Depicts Gwen, the artist's sister An early work b...

My model belongs to the young, so-called Generation Z (born 1995-2012), the 1st post-digital generation that grew up with digitization. I have shown her in black and white in an eve...

I loved this scene of people buying an American delicacy- BACON! This food vendor had a very eye catching set up at the Fl. State Fair, Tampa, Fl., 2022. The structure was a work of ...

Medium: Oil on Canvas Signature: Signed Lower Right Frank J. Reilly (1906-1967) was noted as "the number 1 art teacher in America." Reilly is noted for developing a means of organizing the palette. His value studies and chroma organization are still taught as the primary methods of oil paint organization. Reilly studied with Frank DuMond at the Art Students League of New York. He taught at the Grand Central School of Art, The Art Students League of New York and other art schools as well as establishing his own art school. Reilly was the main influence on George Passantino. He is credited with the mosaic mural in The Bronx High School of Science's front lobby. Reilly's influence continues today through the teaching and art of Michael Aviano and Jack Faragasso as well as their students Jon deMartin...

Original oil on canvas on wooden stretchers, signed on the front. Certificate of authenticity included. :: Painting :: Expressionism :: This piece comes with an official certificate ...

Jemma Gowland Fight or Flight, 2023 Porcelain with gold lustre 35 x 24 x 12 cm 13 3/4 x 9 1/2 x 4 3/4 in. ----- Jemma Gowland’s work explores the way that girls are constrained fro...

Little Miss Muffet I, 1989 Paula Rego Etching with aquatint, on wove Signed and numbered from the edition of 50 Printed by Culford Press, London Co-published by the artist and Marlb...

Old New York, Brooklyn Heights Promenade, 1972, Bathed in magical golden light. There is a sense of loneliness akin to Edward Hopper paintings where ...

Signed and numbered Fine art print on Hahnemuhle photo rag paper Tim Bret-Day always felt like the odd one out and connected with the outsiders. Tim's dad was French, chic, and gre...

Purvis Young (1943 - 2010) Drawing from the 1990's #469 ink on paper 10.50 x 8 in

Soho Waiters Race 1955 Silver gelatin fiber print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Caption: Waiters carrying half b...

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

My work is all about sunlight, the play of light on objects, the varying degrees of contrast between light and shadow, and deep, saturated color. Long shadows cast by buildings, win...

Oil on canvas Image size: 25 x 31 inches (62.5 x 79 cm) Hand made contemporary frame This painting depicts the artists fellow conscientious objectors who were all part of the Non Co...

Medium: Gouache on Board Dimensions: 12.50" x 17.00" Signature: Signed Lower Right