Sky Art

The Atlantic Ocean stretching out from Dingle. In Irish folklore Brasil was believed to be a phantom island lost in mists that appeared once every seven years but could never be reac...

As the artist, I'm deeply moved by the interplay of light and shadow, which I've captured using acrylics to render the vibrant yet serene atmosphere of a coastal night. Merging reali...

Sunday’s Bimble by Helen Howells [2022] original and hand signed by the artist Oil on Canvas Image size: H:76 cm x W:102 cm Complete Size of Unframed Work: H:76 cm x W:102 cm x D:3....

"Donetsk Steppe" is one of Helen Mount's breathtaking paintings created after her trip to southern Ukraine in 2021. The painting depicts the vast open spaces of the steppe, where sm...

The midsummer full moon casts its pale light over the skeletal remains of a deceased oak. Twilight's Path ‘Now air is hushed, save where the weak-eyed bat With short shrill shriek flits by on leathern wing, Or where the beetle winds His small but sullen horn As oft he rises 'midst the twilight path Against the pilgrim, borne in heedless hum’ – William Collins (1721–1759), Ode to Evening. "Once in a while (helped by a bit of planning) everything comes together and you take a photograph that feels really satisfying. However much one reads about artists/photographers trying and failing, taking many shots to end up with that one that works, it’s hard to remember. Just keep showing up, keep doing what you do, it won’t always work out, but sometimes things flow and something special can come through." - Jasper Goodall...

The overall dimensions, including the artist-made frame, are 25 x 37 inches.

Picture done during a nostalgic evening. Could be also delivered framed, smaller size as well, price upon request, signed by the author. Limited to 5.

From Debranne Cingari's "Words in the Sky" series, this piece celebrates the playfulness that has long been a signature element of her oeuvre. Cingari combines beautiful landscapes, ...

An oil painting of sun rays peeking through a clouded sky at one of the Great Lakes. 28.8 x 41 inches, framed American realist painter Carl Bretzke is particularly adept at noctur...

Max Epstein, Canadian (1932 - 2002) - Misty, Year: 1977, Medium: Screenprint, signed and numbered in pencil, Edition: 70, Image Size: 17 x 18 inches, Size: 18.5 in. x 19 in. (46...

Cherry Tree Avenue Study 2, Austria - no. 11810 // Pigment ink print, limited edition of 9. Cherry tree avenue at the edge of the field in stormy weather, Weinviertel, Austria. All ...

It changes with the light in the room! In her semi-abstract compositions, reflective metallic backgrounds in silvery pearl, gold, and blue acrylic paint represent sunlight and provid...

A photograph of exquisite composition, Jock Sturges created Maia, Montalivet, France as a gelatin silver print in 1992. The print measures 16 x 20 in. (40.6 x 50.8 cm), unframed, an...

John McNulty, Irish/American (1949 - ) - Horizon II, Year: 1984, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 200, Size: 19 in. x 22 in. (48.26 cm x 55.88...

Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...

Todd Kenyon "East of Amagansett" Oil on Canvas 36 x 36 inches __________________________ JoAnne Artman Gallery is pleased to present Endless Blue, a captivating solo exhibition of c...

Jeremy Prim is a contemporary artist, based in Seattle, Washington. He is known for his evocative abstract seascapes, inspired by the beauty of the ocean and the emotion one feels in...

BARBARA HUBERT (born in 1974) In 1999 she graduated from the Academy of Fine Arts in Cracow. She studied at the atelier of prof. Stanisław Rodziński and prof. Leszek Misiak. As the...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Archival pigment print Signed and numbered, verso 10 x 8 inches, sheet 9 x 6 inches, image This photograph is offered by ClampArt, located in New York City. About the artist: This p...

Cornish Light captures the time of the setting sun at low tide on a favourite part of the Cornish coast. Gold leaf reflecting the natural colours from cloud cover. Layering and textu...

Art and design in varied forms have always been a driving interest in my life. Living in Madison, Connecticut, I began my career as a muralist and trompe l’oeil painter doing signif...

Edition 2/15 Archival pigment print “Water's Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. Having spent much of her l...

Oil on canvas Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees wi...

Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...

Blue ocean. Glare. Summer seascape: blue water, blue ocean, small waves, sun glare on the water, clear skies create an atmosphere of relaxation and romance. The blue and white palett...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflect again at the sublime landscape of the pas...

Oil on canvas Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees wi...

These are two 18 x 24-inch hand-printed photographs of the fog in early morning light in the woods in northern California near San Francisco using the antique cyanotype process. Thei...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the Unite...

Michael Knigin, American (1942 - 2011) - All Nighter, Year: 2004, Medium: Giclee print on paper signed, numbered and dated in pencil, Edition: AP, Image Size: 22 x 17 inches, Siz...

I have a deep affinity for the land, it’s a place for immersion, to experience and be absorbed. My work taps into the emotional gravity of a place, its memory, its pulse, its rawness...

Elevation is a semi-abstract landscape painting by Helen Howells. It was inspired by the hills, valleys and mountains of South Wales, which is my homeland. It is not of any specific ...

Artist: Ian Hornak (1944-2002) Title: Song of Zephyrus, Variation II Year: 1979 Medium: Acrylic on Canvas Size: 71 x 45 inches Inscription: Signed, dated, and titled by the artist. P...

Oil on canvas Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees wi...

Michel Brosseau was born in Nantes and has lived in Bordeaux for many years. Both cities are on the Atlantic coast of France and have rich maritime histories, highlighted by prospero...

RINKO KAWAUCHI (*1972, Japan) Untitled, from the series 'Illuminance' 2011 C–type print Sheet 101,6 x 101,6 cm (40 x 40 in.) Edition of 6; Ed. no. 6/6 print only Reminiscent of Jap...

This medium sized minimalist painting depicts subtle shift of color from gold to cream and then to pale blue and violet in a luscious sky that dominates this painting. The lower half of the painting shows a tree-dotted horizon and a lush, rich green foreground. This art is framed is a dark wood frame. Ahzad Bogosian Out Towards the River oil on panel 35h x 28w in 88.90h x 71.12w cm Ahzad Bogosian SOLO EXHIBITIONS 2017 Grand Opening: Coming Attractions, Gallery Victor Armendariz, Chicago 2007 Landscapes, Ann Nathan Gallery, Chicago, IL 2006 Quiet Light, Ann Nathan Gallery, Chicago,IL 2004 Distant Light, Ann Nathan Gallery, Chicago, IL 2003 Sky, Ann Nathan Gallery, Chicago, IL 2002 Vista, Ann Nathan Gallery, Chicago, IL 1999 Locus Gallery, St. Louis, MO 1998 Vedanta Gallery, Chicago, IL Lisa Kurts Gallery, Memphis, TN 1997 Vedanta Gallery, Chicago, IL Locus Gallery, St. Louis, MO 1996 Margaret Harwell Art Museum, Poplar Bluff, MO Sherry French Gallery, New York, NY GROUP EXHIBITIONS 2012 2012 Alumni Exhibition, Fine Arts Gallery, Fontbonne University, St. Louis, MO 2010 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2009 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Selections, Ann Nathan Gallery, Chicago 2008 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2007 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL Palm Beach 3 Art Fair, West Palm Beach, Fl 2005 SOFA Chicago, Ann Nathan Gallery, Chicago, IL Art Chicago, Butler Field, Ann Nathan Gallery, Chicago, IL 2004 VISION 9, Ann Nathan Gallery, Chicago, IL Art Chicago, Navy Pier, Ann Nathan Gallery, Chicago, IL 2003 Five Views of the Midwest, Margaret Harwell Art Museum, Poplar Bluff, MO (traveling exhibition: Sikeston, MO; Cape Girardeau, MO; Louisiana, MO) 2002 Art of the 20th Century, Ann Nathan Gallery, Park Avenue Armory, New York, NY 2002 Art Chicago, Ann Nathan Gallery, Chicago, IL 2002 The State We're In...Landscapes of the Heartland, Chicago Botanic Garden, Glencoe, IL 2001 Ever Green, Ann Nathan Gallery, Chicago, IL Locus Gallery, St. Louis, MO 2000 Watercolor USA, 2000, Springfield Art Museum, Springfield, MO Old/New, A.D. Brown Building, St. Louis, MO 1999 Locus Gallery, St. Louis, MO Walnut Street Gallery, Springfield, MO First Annual Realism Invitational, Jenkins-Johnson Gallery, San Francisco, CA West Palm Beach Art Expo (Lisa Kurts Gallery), West Palm Beach, FL Power of Water – The Great Lakes Show, traveling exhibition 1998 Jenkins-Johnson Gallery, San Francisco, CA The Four Seasons, Sherry French Gallery, New York, NY In/Form V, St. Louis, MO 1997 Midwestern Landscapes...

The work is based on the artist's observation of changes in nature from the window of a house in Ukraine.

Brooklyn Bridge 09 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1571. Not mounted. St...

Brooklyn Bridge 06 (Stay) - 2006 20x20cm, Edition of 10, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 1568. Not mounted. St...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts a midwestern plain, with a sunset from a passing storm. This piece measures 11 x 15 inches, and 16 x 20 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

Joseph Orr (Japanese, American, b. 1949) River Access Signed Lower Right 30 x 30 inches 39.5 x 39.5 inches with frame BORN in Tokyo, Japan, Oct 31,1949, Joseph lived his first years in an orphanage sponsored by American Armed Forces. He was adopted April,1954 and came to the US at age 5 where he became an American citizen. As the Orr’s traveled for the US military Joseph enjoyed a childhood rich in experiences from Germany and back to California where he attended High School and started College. Following his parents to Missouri In 1971 he took a job with Hallmark Cards as machine operator in the cardboard fold dept. It sparked an interest in art, so after a few months he sought out some of the Hallmark artists at their work for private lessons. He learned basic drawing and watercolor from Anthony Allison and, “Probably before I was ready”, he admits, Joseph was entering local art shows and even winning prizes. At that time Joseph also enrolled for art instruction under John Coleman at Longview Community College. He spent one semester there. By the end of 1972 Joseph had quit his day job to become a full time painter, joining an art show tour group called Word Of Art, which was a new concept: culture meets promotion. Booking weekly art exhibits in the new indoor shopping malls across America, The idea transformed part of the art world by bringing art to the masses. For Joe and many other artists in the early 1970’s, it created the chance to paint full time and sell their work to an otherwise unobtainable audience. During this time of continuous self study and painting Joseph transitioned from watercolor to the newer acrylic painting medium. Believing that acrylic, as a fine art painting medium, can be as viable as oil, Orr has always promoted it as the modern medium that it is. In 1990 Joseph, along with his wife, Rita and two other artists, founded the National Oil & Acrylic Painter’s Society. The Orr’s brainchild, they were aided in founding NOAPS organization by local art patrons, Wm & Martha Mitchell and fellow artists Pete Peterson and Dennis T. Yates. While traveling with the World of Art Tour Joseph had met Rita Mathews, an aspiring artist, in Columbia, MO. They were married in June 1974 and stayed in Missouri, traveling and exhibiting their art together. Orr had a brief encounter with printmaking in 1977. He took private instruction in stone lithography and copper plate etching from Frank Stack, professor of art at the Univ of MO, Columbia, but painting remained his principal devotion. By 1999 Joseph had become proficient enough to have obtained Gallery representation with several Fine Art Galleries across the US. Joseph Orr currently resides in Osage Beach, Missouri, but travels to paint and visit his gallery representatives and Exhibit Openings. PHILOSOPHY: For me the idea is that painting should follow some form of illustration and truth telling. Basically, the premise of my painting philosophy, is to build layers of narrative into my paintings. A place or landscape scene is never defined satisfactorily without it’s relationship to color and composition. It is important to balance fact with imagination. “ART REFLECTS THE SOUL OF SOCIETY. A JUDGMENT CAN BE MADE FOR THE ATTITUDE OR CONDITION OF SOCIETY BY INSPECTING THE POPULAR ‘IDEAS’ OF ART OR, IN SOME INSTANCES, THE LACK OF ART.” (JOSEPH C. ORR) NOTED SOLO EXHIBITS : *BIRGER SANDZEN MEMORIAL, LINDSBORG, KS; *HARWELL ART MUSEUM, POPLAR BLUFF, MO; *ASHBY-HODGE GALLERY OF AMERICAN FINE ART, FAYETTE, MO; *NORFOLK ART CENTER, NORFOLK, NE; *KODNER GALLERIES...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Artist: Roger Mühl Medium: Original Lithograph, signed and numbered, 1986 Dimensions: 12.5 x 16.5 in, 41.9 x 31.8 cm Arches Paper - Perfect Condition A+ ...

Oil on canvas Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additional fees wi...

This painting is part of the "Summits and Starlight series. The "Summits and Starlight" collection of paintings captures the spirit of the aurora borealis shining over mountain peaks...

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

"A horse rears up, silhouetted against the darkening sky and rock formations A horse rears up in the distance between two tall rock formations at dusk and i...

"A horse rears up, silhouetted against the darkening sky and rock formations A horse rears up in the distance between two tall rock formations at dusk and i...

Ernest Albert (1857 - 1946) Maine Coast, Ogunquit, 1937 Oil on canvasboard 18 x 20 inches Signed and dated lower right; titled on a label on the reverse A distinguished theatrical and scenic designer who also became a landscape painter and muralist, Ernest Albert worked in New York, St. Louis, and Chicago. He was born in Brooklyn, New York in 1857, and showing early talent, received the Graham Art...

West Of The Day By Justin Pumfrey Archival pigment print Paper size: 40x30" 101 x 76 cm edition of 10 unframed note other print sizes and framing options are available, please e...

Landscape painting titled "Untitled (Salt Marsh Herring Cove)" by Cobi Moules - Oil on canvas Driven by the desire for adventure and discovery, Cobi Moules embraces the beauty of nature all the while shifting its weight through the exaltation of his own existence within, and as part, of it. This is best exemplified by the way he incorporates multiple self-portraits throughout his compositions. The multiplicity of self takes both precedence over, as well as integration into, the landscape creating a world with a sense of excitement, self-worth and play. The locations of Moules’ compositions are equally important. All of the locations were previously depicted in paintings by the Hudson River School. Through the exploration of the grand American landscape and the reflection on mid-19th century American...

My interest is to convey elements of the classical arcadian landscape paintings of the 17th and 18th century, inviting the viewer to reflec...

Archival pigment print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editi...