Slate Art

I found this rockscape at Les Chutes-de-la-Chaudiere (waterfalls) near Quebec city which drain into the Saint Lawrence River. The landscape was formed around 480 million years ago d...

Amaze XXI Abstract Modern One of a Kind Canvas Painting Whether you love art or just looking to decorate your home, this piece will create a new ambience and impact your daily life. This high-quality 27X27” painting is protected with layers of varnish on canvas. painting is signed dated and stamped on the front. great piece on its own or part of 2 Piece Paintings...

ALBERT WATSON (*1942, Scotland) Gun from the Mirror series, 2020 Archival pigment print from a polaroid positive face mounted to acrylic (Diasec) Sheet 1...

Oil on linen

These stones are located on a road I have traveled for many years. The intersection where they are located has changed drastically over the last forty years. It was an old country cr...

Zhao De-Wei is a Chinese artist born in 1960 who lives & works in Beijing, China. Zhao’s art was initially based on Pollock’s select sprinkling techniques, but he also brings more co...

Yeonsu's art is fundamentally based on Lao zi (老子)’s minimalist idea that the more you empty, the more you can fill it and the expression ’Less is more’ by th...

In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...

Giovanni Costantini (Rome 1872 - 1947), FORGOTTEN Oil painting on canvas 155 x 90 cm, signed lower left, titled on back. In the years between 1915 and 1921 he painted 45 paintings ...

This listing is for an unframed print. Framing options are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker, Ansel Adams and David Hockney. Peter Essick is a photographer, author and drone pilot who specializes in nature and environmental themes. His latest series, "Memorial Drive," documents the thoroughfare that stretches between the Georgia State Capitol and the Confederate monument at Stone Mountain. Originally known as East Fair Street, Memorial Drive was one of the first roads in Atlanta, and connected the downtown commercial districts to the residential neighborhoods of East Lake and Kirkwood. In 1930, it was expanded all the way to Memorial Hall in Stone Mountain Park with the use of convict labor. The now 15-mile-long thoroughfare took on a new symbolic meaning to physically connect the State Capitol with the Confederate monument at Stone Mountain. According to an article in The Atlanta Constitution on February 2, 1930, Memorial Drive was “another step in the effort of Atlanta and Georgia to honor the memory of the heroes of the confederacy.” In the years since, Memorial Drive has acquired even more history. The street passes through communities of a wide diversity of people. These neighborhoods have seen cycles of development, economic decline, redevelopment and in some recent cases complete gentrification. People from all over the world as well as those from just across town have come to live and work on or near Memorial Drive. The street’s story is complex and of interest not only to developers and realtors, but also urban planners, sociologists, community activists, business owners, residents and even artists. Peter used a drone to take many of the photographs in the series, using a survey approach, he hopes to peak a viewers’ interest with the wide array of subjects. Named one of the forty most influential nature photographers in the world by Outdoor Photography...

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best kn...

The early 21st century finds the artist an avid plein air painter, enlarging her small sketches into large landscapes of the western states. Now settled in Santa Fe, NM, with her hus...

A wonderful and delicate portfolio by Christiane Baumgartner, artist from Leipzig/Germany. "Nachtfahrt" (night tour) consists of 9 woodcut prints on Zerkall laid paper. Each work has...

Vicomtesse de Noailles, 1938 - Cecil Beaton (Fashion Portrait Photography) Inscribed 'Vicontesse de Noailles' in unknown hand and stamped with photographer...

Rain Cascades, Mountains, Fjordland, New Zealand - Contemporary Photography From an edition of 7 + 2 APs Jem Southam is one of the most critically respected British landscape phot...

A pastel on paper executed in deep blues, tans and reds by contemporary artist Ricardo Maffei. Signed upper left, "Ricardo Maffei, 1997." Provenance: General Electric Corporate C...

Aftermath is currently on view The Raft as part of a two person show Conversations Imagined. This complex work features many layers of water-based paint, that are carved and scraped...

It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.

20 x 24 inch chromogenic print, from an edition of 25, each accompanied by a signature label with the title, date, edition number, and artist's signature. As one of Japan's most re...

3 sheets of A-4 sized paper. “I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working ...

Robert Banks "Siesta in Ruvo - Apulia" 1969 Italy. Behind glass. Property of Mrs. Pit. Masur. Measurements with Frame.

. Can a street photograph be a grab shot and precisely designed at the same time? Mitchell Funk says yes. He brings finely honed photography skills such as composition, intense ligh...

TECHNICAL INFORMATION John Baldessari Falling Star 1989-1990 Sugar-lift, spit-bite, aquatint in colors and photogravure, on torn Somerset Satin paper w...

Gelatin Silver Print Signed by the photographer on the verso

Oil, xerox transfer, and blue and gold leaf on wood panel Pet portrait, golden retriever, dog painting, miniature oil painting Framing available Certifi...

Ocean City, New Jersey, 1971 Signed, titled, dated, and numbered, recto Gelatin silver print (Edition of 50) 14 x 11 inches, sheet 10 x 10 inches, image Contact gallery for price. Literature: John Minahan, The Dream Collector (Westover Publishing Company: Richmond, Virginia, 1972) Michel Tournier...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profi...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

Signed by the photographer. A portion of the proceeds from the exhibition sales will be donated to the Grand Staircase Escalante Partners, a non-profit 501(c)(3) organization founde...

"Light Decaying" depicts a winding river through a mountainous terrain, not unlike the many vistas and terrains of Carpenter's adventures into nature. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

68 x 54 inch gelatin silver print Edition of 6 Also available as: 40 x 30 inch gelatin silver print Edition of 6

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

THE EVOLUTION OF IVANPAH SOLAR The focus of my work over the past three years has been on the development of large-scale renewable energy in the American West. I began this work i...

Winding Wall, Mont St Michel, France, 2004 - Michael Kenna Signed, dated and numbered on mount Signed, dated, inscribed with title and stamped with phot...

All editions signed by the photographer.