Table Art

Original watercolour signed Thomas (LR) depicting an elaborate chinoiserie-inspired dining room interior Art Sz: 10"H x 14 1/2"W Frame Sz: 15"H x 19 1/2"W w/ gilt bamboo frame

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Arts inventory number written on verso and initialed Tim Hunt (“T.J.H.”). The work comes with either a Certificate of Provenance or Certificate of Authenticity from The Andy Warhol Foundation for the Visual Arts. Provenance: Estate of the Artist to The Andy Warhol Foundation for the Visual Arts to Hedges Projects...

Fred Hughes was Andy Warhol's business manager for more than 25 years. During his time with Warhol, Hughes ran The Factory and was also the publisher of In...

I think of my work as being like a visual journal- observations and interpretations of people, places and things I experience day to day. Translating that experience into two dimensi...

This is a unique work. Image dimensions: 8 x 10 in. Framed dimensions: 16.5 x 18 in. Work comes with a Certificate of Authenticity from The Andy Warhol Foundation for the Visual ...

Palazzo Tursi, Genova 2004 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. Mounted and framed The photographer is based in Florence, and is fasci...

Medium: Watercolor on Canvas Signature: Signed Lower Left Sight Size 11.75" x 14.00," Framed 25.50" x 27.00" Framed under glass.

This work is unique. Work comes with a Certificate of Provenance. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation numb...

This painting was selected to be part of "2019 People's Gallery" at Austin City Hall! About this painting: I am fascinated by nature. I believe that we are all connected with nat...

Original Modernist Painting / 3 Dimensional Collage / Construction SERIES: "Dimensional Abstracts" ( 3 DIMENSIONAL DOUBLE PANEL ARTWORK ) MATERIALS: Gesso / Acrylic Paint / Basswoo...

From the artist collection, her favorite art critic. The original hangs in her studio and all of her art work must meet his approval before leaving the studio. Brushstrokes and loose...

Adapted from a piece of old advertisement for early computer technology. :: Painting :: Photorealism :: This piece comes with an official certificate...

I was born in Martínez, in the province of Buenos Aires, Argentina, on March 16, 1971. I am the Sun in Pisces, the Moon in Scorpio and ascendant in Cancer. Younger daughter. Lover of...

Author Truman Capote (1924 - 1984) relaxes with a book and a cigarette in his cluttered apartment, Brooklyn Heights, New York. Estate stamped and hand numbered edition of 150 with c...

Embellished giclee on canvas. Hand signed and numbered on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 305. Stretched. A...

Palm Beach Party, 1964 Chromogenic Lambda Print Estate edition of 150 A pool party in Palm Beach, Florida, USA, 1964. Estate stamped and hand numbered edition of 150 with certifica...

24 x 19.25 inch digital chromogenic print Edition 15 + 3 AP Signed, titled, dated and editioned on frame label provided Neal Slavin, a native New Yorker, began photographing gro...

Kampos Project #3 (Two wWomen at the Table), 2016 Archival pigment print on Hahne Muehle 200 gm Edition of 7 20 x 35 cm - $1200 40 x 60 cm - $1900 70 x 90 cm - $2900 Stratis Vogiat...

Story illustration for “The Kenworthy Case” by Rex Beach, published in Cosmopolitan, May 1936, pages 48-49. The full caption reads: "While Rosa and Doctor Lutyens quarreled violentl...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

This beautiful water color painting is done on a recycled book canvass. It’s color palette is like that of a garden filled with succulent plants. The mixture of blues, greens and pur...

This image of empty broken chairs in a deserted alley is reminiscent of the work of Eugene Atget, who was capturing the streets of Paris over a 30 year pe...

the quest, 2014 Graphite on paper 15.75 x 20.1 inches / 40 x 51 cm (framed) Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and wo...

Dinner for two look out at the Empire State Building, NYC

A family sitting around a dinner table. Ladies Home Journal interior illustration Signed lower right. Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur Spear...

Medium: Oil on Canvas Signature: Signed Lower Left An oil on canvas en grisaille genre interior scene depicting a woman reading a letter with child and gentleman looking on.

"Anastyloza" Photography 24" x 24" inch Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. A...

Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). “Artistic creation is a force which should preferably be directed towards the exploration of space, of the universe, of the infinite realities which surround us, but of which we are hardly conscious,” Soto once mused. Born on June 5, 1923 in Cuidad Bolívar, Venezuela, he studied at the Escuela des artes plásticas in Caracas from 1942–1947 and later served as the director of the Escuela de bellas artes in Maracaibo, Venezuela until his move to Europe in 1950. Settling in Paris, he associated with the Op Art artists Victor Vasarely and Yaacov Agam, as well as members of the ZERO group such as Otto Piene, Jean Tinguely, and Heinz Mack. In 1973, the Museo de arte modern Jesús...

Audrey Hepburn Consults with Costumer, c26_8 -- Audrey Hepburn enjoyed designing clothes as a hobby. She worked with Designer Edith Head on the costumes for the film Sabrina. Image s...

Audrey Hepburn Consults with Costumer, c26_8 -- Audrey Hepburn enjoyed designing clothes as a hobby. She worked with Designer Edith Head on the costumes for the film Sabrina. Image s...

Audrey Hepburn Consults with Costumer, c26_8 -- Audrey Hepburn enjoyed designing clothes as a hobby. She worked with Designer Edith Head on the costumes for the film Sabrina. Image s...

Audrey Hepburn Consults with Costumer, c26_26 -- Audrey Hepburn reviews sketches with Costumer Edith Head in her dressing room. Image size is 10" x 15" (for 11" x 17" paper size). Al...

Audrey Hepburn Consults with Costumer, c26_26 -- Audrey Hepburn reviews sketches with Costumer Edith Head in her dressing room. Image size is 22" x 32" (for 24" x 36" paper size). Al...

Audrey Hepburn Consults with Costumer, c26_26 -- Audrey Hepburn reviews sketches with Costumer Edith Head in her dressing room. Image size is 13.75" x 20" (for 17" x 22" paper size)....

Pierre Jaggi was born in Geneva on February 25, 1957, where he spent his childhood and completed his secondary studies. At 18 he decided to travel the wide world. He left for Asia, for a 9-month journey that took him to India and Nepal after crossing part of Afghanistan on horseback. He takes a keen interest in indigenous ways of life and various local crafts. Subsequently, he crossed the Sahara, which he will cross again on various occasions. Driven by a thirst for adventure, he embarks on a pirogue and descends the Niger River with other companions. This experience on the borders of our civilizations will earn him the knowledge of the essential and the relative. At the age of 20 he worked on a cargo ship bound for Togo and continued his journey through West Africa. After a short stay in Switzerland, he returned to Africa for two years during which he learned to shape the earth and produced various murals. Then it is the meeting with South America, the Andean populations and their pre-Columbian history, the crossing of the Amazon on the Amazon river. This is the period of his first travel photos. In Brazil, he manufactures sets and jewelry, and embarks from Rio as a crew member on a sailboat to cross the Atlantic. This 45-day crossing to Cape Town will remain a milestone in its existence. Back in Geneva in 1982 he met the one who would become his companion. With her, he will navigate in the movement of the School of Fine Arts, after returning to Africa to learn about traditional techniques of lost wax casting. In Bobo-Dioulasso he meets the master founder who will pass on his knowledge to him. With friends, he built earthen huts in a bush village, and it was there that they held bronze workshops in 1984 and 1985 for students from the Geneva School of Fine Arts. He will return each winter to this African village to deepen his knowledge of bronze casting and continue his plastic research. He also photographs the natives during customary festivals. At the same time, he presents his first sculptures in a gallery in Geneva. In 1988, he went to Uruguay for a year with his partner Arlette, it was there that their daughter Alizée was born. He set up a foundry workshop and made several sculptures which he exhibited in Buenos-Aires, Montevideo, and Punta del Este. He fell in love with the old cars that crisscrossed the roads of Uruguay and bought a Ford A 1929 pickup truck, in which he would later carry out a photographic report. Back in Europe, he settled in France with his family, restored an old farmhouse, set up a workshop and executed the sculpture “Corps et Graphie” inaugurated in Geneva in May 1991. He exhibited in various galleries in Switzerland and France. His son Valentin was born in 1994. In 1996 he returned to Uruguay to make a report on “cachilas” (popular name given to old cars in Uruguay). That same year, he led a bronze internship during the Borne ceramic meetings. He incorporates other materials in his sculptures, such as wood, iron and stone, and works the earth again. His works, anthropomorphic in character, tend to purify lines and volumes and orient themselves towards stylized figuration and abstraction. In 1998 he won the “Year 2000” competition organized by the municipality of Gd-Saconnex in Geneva, and exhibited at the Shakan gallery in Lausanne. Inspired by nature, he presented his first outdoor installations during the Open Doors Workshops in the Cher in 1999, and became a member of the Center Céramique de la Borne. In 2000, he participated in the first Contemporary Art Fair in Bourges and exhibited at the Voutat gallery in Geneva. At the beginning of 2001, he returned to Uruguay in order to prepare the publication of a photo book for the “Ides et Calendes” editions, which would be released in September of that same year under the name “Cachilas, a story of jacks in Uruguay. In 2002, he exhibited at the Diorama gallery in Geneva, at the Shakan gallery in Lausanne, at the Contemporary Art Fair in Bourges, and created the North / South installation on the Esplanade Montbenon in Lausanne. At the same time, he took over the presidency of the Artipousse association which runs plastic arts workshops in rural areas in the Cher department. In 2003, he became a member of the Association of Sculptors of Geneva, he won the competition for the review Accrochage, and exhibited at the Beaujon space in Paris, invited by the City Hall of the 8th Arrondissement. In 2004, he exhibited as a guest artist at the Center de Création Céramique de La Borne on the theme of the pebble, and presented at the third Contemporary Art Fair the work "Triptych" which will be acquired by the city of Bourges. In 2005, commissioned by the city of Onex, he produced “Rencontre”, an artistic intervention on a sequoia in Brot Park in Geneva, a sculpture from which a tray will be extracted which will become a palaver table for the inhabitants of the district, place du 150ème. . In 2006, he mounted a solo exhibition at the Ferme de la Chapelle gallery in Geneva, then inaugurated the work Triptyque at the 3rd Biennale of Contemporary Art in Bourges. He then participated in the Lancy Quadrennial in Geneva, as well as the 8th edition of Quid Novi? in Gaillard. He also presents his work at the Simple gallery in Gstaad. In 2007, he was one of the winners of the 1% Artistic Competition at the Collège d'Isneauville in Rouen and presented the “Growing Up” project there. Then, he exhibited at the Galerie du Théâtre Mac-Nab in Vierzon where the city acquired the sculpture “Colossus”. Then he took part in the “Art in all its States” event in Limay where he carried out an in situ intervention on chestnut trees. He also exhibits at the United Nations Palace in Geneva. As part of a call for tenders, he inaugurates a Wall Signage Sculpture that he produced for the Sports Complex of Belleville-sur-Loire. In 2008, he participated in the Rencontres des Arts in Mers-sur-Indre, as well as in the 17th International Ice Sculpture Competition in Valloire. In 2009, he was invited to the workshop of the International Snow and Ice Sculptures in Hovden, Norway. He took part in the “Featherweight” exhibition at the Ferme de la Chapelle gallery in Geneva, then produced a fish for the “O'Fish Parade” event which took place as part of the Loire Festival in Orléans, and presented one of his new sculptures for the 11th edition of Quid Novi? In Gaillard. In 2010, he won the 19th International Ice Sculpture Competition in Valloire, and exhibits its terracotta pebbles during the “Territories in Movement” of Contemporary Ceramics Japan / France in Paris. In 2011, he won the 20th International Ice Sculpture Competition in Valloire, and exhibited his sculptures during the “A painter & a ceramicist” Opus I meetings, at the Center Céramique Contemporaine La Borne. In 2012, he exhibited new pieces for Opus II of the CCCLB. It presents wood and pebble sculptures...

Dior, Alla in Croque-mitaine Hands to Hip, 1953. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Originally designed as a white dress, this photograph was adjusted to show the Goma dress in pink. Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry...

Originally designed as a white dress, this photograph was adjusted to show the Goma dress in pink. Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry...

Dior, Alla in Croque-mitaine Holds Hat, 1953. Image size is 22" x 22" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag p...

Dior, Alla in Croque-mitaine Holds Hat, 1953. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag p...

Jackie Plays Records with Caroline in Hyannis Port (1964 Book p.87) -- The Kennedys' Hyannis Home as photographed by Mark Shaw. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Jackie Kennedy playing records with Caroline. Jackie is wearing a ribbed sweater and pants. She bends down to change vinyl discs...

Dior, Alla in Croque-mitaine Hands to Hip, 1953. Image size is 16" x 16" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Originally designed as a white dress, this photograph was adjusted to show the Goma dress in pink. Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry...

Tiger Morse in Yellow Suit Watches Sewing, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Tiger Morse in Yellow, Tea with Jim Thompson 01, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A photograph in color of Tiger Morse having tea with Jim Thompson and two other people. Tiger Morse is wearing a yellow dress with red jewelry...

A model wearing Dior photographed by Mark Shaw in the mid 1950s. Recently published in the book Dior, Glamour, Mark Shaw. Rizzoli, 2013. Image size is 22" x 32" (for 24" x 36" pap...

Tiger Morse in Yellow Suit Watches Sewing, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Originally designed as a white dress, this photograph was adjusted to show the Goma dress in pink. Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry...

Jackie shopping in Georgetown. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each p...

Tiger Morse in Yellow, Tea with Jim Thompson 01, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle...

Jackie Plays Records with Caroline in Hyannis Port (1964 Book p.87) -- The Kennedys' Hyannis Home as photographed by Mark Shaw. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Jackie Kennedy playing records with Caroline. Jackie is wearing a ribbed sweater and pants. She bends down to change vinyl discs...

Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XV...

Tiger Morse in Yellow Suit Watches Sewing, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo ra...

Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XV...

Tiger Morse in Yellow Suit Watches Sewing, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo...

Originally designed as a white dress, this photograph was adjusted to show the Goma dress in pink. Photographed by Mark Shaw in 1960, this image is an out take of the version published in LIFE. The model in a princess-line, silk faille evening coat was photographed in the Louis XVI dining room or decorator Henry...

Jackie Plays Records with Caroline in Hyannis Port (1964 Book p.87) -- The Kennedys' Hyannis Home as photographed by Mark Shaw. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. Each print is Estate stamped on the back and signed and numbered by David Shaw, and accompanied by a letter of authenticity. Lead time is four to six weeks, but we often receive them sooner. *Please note this image is available in several sizes. Prices increase as editions sell out. A black and white photograph of Jackie Kennedy playing records with Caroline. Jackie is wearing a ribbed sweater and pants. She bends down to change vinyl discs...

Dior, Alla in Croque-mitaine Holds Hat, 1953. Image size is 10" x 10" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag p...