Tree Art

Beautiful black and white landscape photograph titled "Yosemite," by Jeff Nixon (American, 20th Century). A mountain range stands high against a cloudless sky and above a forest reflected in a pond below. Signed "Jeff Nixon AP, Yosemite '87," on verso. Presented in a new white mat, 16"H x 20"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton as either field or darkroom assistant. He was also the production and research assistant for the Ansel Adams Publishing Rights Trust, Carmel Highlands...

Manyara Lake No.4 is a unique painting by Spanish contemporary artist Calo Carratalá, it is made with acrylic on printed vinyl canvas mounted on wood frame, dimensions are 200 × 317 ...

Wooden boat building in a village on the Mosquito Coast, Honduras, Central America 1980s. (photograph Alain Le Garsmeur) A gorgeously evocative s...

A charming scene depicting a forest clearing in a mountain landscape, captured in loose, expressive brushwork and a tonal palette. Signed to the lower right. On canvas.

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 8.5 x 12.5 inches ( 21.59 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Highway, California, 2016 by Jo Crowther is a 16" x 20" Archival Inkjet Print from a Limited Edition of 12 in this size. A view of the Californian desert sunset is viewed through th...

Artist: Vahe Yeremyan Title: Birches in Cobalt Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 17" x 23.5" x 0.8" inch (43 x 60 x 2cm) Presentation: Framed 21''x27'...

Harald Grote. Afternoon at Fairmount Park Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.

Title: Spring Stream Medium: Oil on canvas Size: 16 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

A Fabulous 1960s Mid-Century Modern Painting of an Embracing Couple, Lovers, by noted Chicago Artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive, abstract...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

Late 19th Century French Barbizon School oil on wood panel of poplar trees in a landscape by Richard. The painting is signed bottom left. The painting is on a quality chamfered panel. A very charming, almost impressionist, rendition of a line of iconic French trees in a landscape. Before them an earth drive has been ploughed up by the wheels of passing carts and horses. Richard has created a wonderful perspective that draws us in to the painting and he has created a contrast between the strong greens of the trees and fields against the whites and blues of the sky. The painting is reminiscent of the works of Monet from the 1890s. to whom the poplar trees were a continuing inspiration. The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke. In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters. Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work. In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny. During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios. The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden. The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...

'Tyrolian winter morning' 2024 A photograph captured with a Polaroid camera. Printed on the finest archival paper, these limited edition photographs are designed to withstand the te...

Carmen Almon grew up in Barcelona and Washington DC and resides in San Miguel de Allende, Mexico. She uses copper sheeting, brass tubing, steel wire and enamel paint to create botani...

Original Oil on Canvas, Signed by the Artist. The piece measures 43 x 37 inches with frame. The image is in Good/Fair Condition-there are signs of wear due to age and handling (i.e. ...

Judd Mercer's (US based) "Sentinel" (2022) is an original handmade oil painting depicting a large lone tree on a mountainside. Artist bio/statement Judd Mercer is a contemporary la...

Artist/ School: Guy Benard (French b.1928) signed lower corner. Painter from Rouen, Normandy, exhibited throughout France. Title: 'Mediterranee' Medium: ...

René Charles Edmond His (1877-1960) Lanscape by the Pond Oil on canvas signed low left Old frame gilded with leaves Size canvas : 51 X 65 cm Size frame : 67 X 81 cm René Charles ...

Mid Century Carmel Cypress Plein Air Landscape in Oil Pastel by Genevieve Rogers Two wind-sculpted Monterey cypress trees cling to rugged coastal bluff...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

"Architecture of Winter" A surreal, black and white array of trees in an otherworldly winter landscape Surreal image of an unending, beautiful array of trees in winter Yellowstone ...

Giacomo Montegazza, 1983 - Italian Lakes Photograph Italian Garden Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "G...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

Gerald Berghammer - Color minimalist photography. A solitary tree with snow-covered branches on a small patch of land in a foggy winter landscape. Archival pigment ink print as part ...

Marbella House Party 1967 by Slim Aarons Slim Aarons Limited Estate Edition Guests at a party at the home of Sebastiano Bergese in Marbella, Spain, 1967. unframed c type print pr...

Madrugada - 2022 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2039. Not ...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

"Booth Lake Trail-Vail Colorado" by Sharon Pomales Tousey is an original, handmade soft pastel painting on wood panel that measures 44 x 48 inches framed and is ready to hang.

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

New York: 1947. Etching on white wove paper, 7 x 5 inches (752 x125 mm), full margins. Signed and titled in pencil, lower margin. In very good condition with some minor spots of ligh...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

The painting reveals sunny Dubrovnik, an ancient city on the shores of the azure Adriatic Sea. Slender palm trees line the promenade, their long fronds gently swaying in the gentle s...

"McCullough Gulch" is a beautiful original realist Rocky Mountain landscape oil painting, of the view from McCullough Gulch Trailhead in Summit, Colorado. As a native to the easter...

Title: Impressionist Forest River Scene with Path and Boats in Soft Summer Light by Fanch Lel Size: 9 inches (height) x 11.5 inches (width) Medium: Oil on board, unframed Condition: ...

A large, dynamic Mid-Century summer landscape painting with female bathers by noted Chicago artist, Rudolph Pen. A wonderful example of the artist's uniquely expressive figurative w...

OTTO PIPPEL, Painting, Oil on canvas, Winter Morning in the Wetterstein Mountains, Zugspitze (Alps) Beautiful, large painting by the internationally known artist Otto Pippel. Snow...

An oil on panel view of a Christmas tree in a landscape heavy with snow by Boggio. The painting is signed bottom left. A charming view of a snow scene, a Christmas tree its branches...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Title: Tree Medium: Oil on canvas Size: 23 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is ...

Jim Beckner's (US based) "Roadway II" is an original, handmade oil painting on canvas that depicts a steep deep green Irish hillside, adorned with stone on the outskirts of Galway, I...

This contemporary outdoor figurative sculpture is of three metal maple leaves. This iconic image of a maple leaf, a national symbol, was ...

Archival pigment ink print, produced in a limited edition of 7 // Gallery ID: 21347 Fine art prints are produced to order on Hahnemühle Photo Rag Baryta. Each print is stamped on the...

Olin Travis (1888-1975) Dallas, Tx. Image Size: 7.5 x 11.5 Frame Size: 15.5 x 19.5 Medium: Oil on Board "To a Good Friend A small token of appreciation" Biography Olin Travis (1888-1975) Travis, Olin Herman. 1888-1975. Dallas. Landscape, portrait, and Figure painter, graphic artist, muralist, teacher, writer.     Born and reared in Dallas, Travis attended public schools there.  in his youth he received instruction from R. Jerome Hill...

"""Through the Pines"" A perfect arrangement of pine trees in a snow-covered Yellowstone National Park A composition of pine trees along the road in Yellowstone National Park in a ...

Title: Champs de Grasse Provence Landscape French Post Impressionist Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 8.5 ...

Firmado por el artista en la parte inferior Estado de conservación bueno La obra se presenta sin enmarcar Medidas obra: 81 cm altura x 100 cm ancho. :::::::::::::::::::::::::::::...

In this soft pastel work "Mountain Valley" the artist explores the lush, layered topography of a high-altitude landscape. The composition is defined by a series of receding ridge lin...

Artist/ School: American School, signed lower corner. Title: Leading them Home. Medium: oil painting on canvas, framed Size: painting: 25.5 x 37.5 inches, frame: 28.5 x 40.5 inch...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State Academy of Arts and Indus...

Original oil painting on board by artist Bill Inman. Framed.

This vintage silver gelatin print is signed and dated in pencil on the front of the mount, and again on the back of the mount. Printed in 1961 for inclusion in "Fifteen Photographs" ...

Title: Rustrel Village Street with Stone Steps and Colourful Houses French Watercolour Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artists paper, unframed Size (H x W...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

Heather Hollis Devils Tower National Park Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2019 Size: 12 x 8.7 inches (30.48 x 22.09 cm) Edition: 15 Signed on label (to be a...

Surrounded by artistic inspiration from a very early age, Kate Salenfriend learned most of her technical skills from her great-grandfather, Stewart Robertson, the registered Californ...

In this piece, I poured my love for nature and history into every brushstroke. Through the rich oil textures, I aimed to capture the enchanting mix of fading light and the quiet dign...

Bench Overlooking the Azure Mediterranean Tony Minartz (French, 1873 - 1994) watercolour on artist paper painting : 17 x 13 inches Provenance: private collection in the South of F...

Judd Mercer's (US based) "071 - Plein Air-Englewood, CO" is a gouache painting depicting a landscape. Artist bio/statement Judd Mercer is a contemporary landscape painter and Color...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...