Tree Art

Urban Landscape V – Migratory Birds is a unique painting by contemporary artist Lumi Mizutani. The painting is made with Japanese pigments and gold leaves on Japanese paper mounted o...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Beautiful black and white landscape photograph titled "Yosemite," by Jeff Nixon (American, 20th Century). A mountain range stands high against a cloudless sky and above a forest reflected in a pond below. Signed "Jeff Nixon AP, Yosemite '87," on verso. Presented in a new white mat, 16"H x 20"W. Jeff Nixon began photographing in the late 1960's, and by the end of the millennium had acquired an impressive list of credentials; many years as a year round resident of Yosemite Valley, noted instructor in the techniques of black and white photography which he gleaned from his years of working with Ansel Adams, and learning the Zone System from the master himself. Jeff has been an instructor for two California Junior Colleges, Modesto and Columbia, has led extension courses for UC Santa Cruz and UC Berkeley, and taught and lectured in numerous seminars and classes. He has taught workshops and has had many showings nationwide, working with Morley Baer, Chris Rainier, Rod Dresser, and John Sexton as either field or darkroom assistant. He was also the production and research assistant for the Ansel Adams Publishing Rights Trust, Carmel Highlands...

Screen print on paper. Hand signed, dated and numbered in pencil. Edition of 150. Excellent condition.

The night sky over the densely treed forest of Hennen's Wyatt Mountain, Virginia home is the subject of this rich, highly detailed contemporary landscape painting in oil on panel set...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Dimensions: Height: 39.38 in (100 cm) Width: 31.5 in (80 cm) Depth: 1.19 in (3 cm) Medium: Acrylic,Oil Style: Abstract Expressionist This large green abstract painting on natural he...

Etching on paper. hand signed and numbered. Edition of 99. Very good condition.

Wilhelm Feldmann (1859 Lüneburg - 1932 Lübeck), Impressionist autumn landscape with lake, around 1905. Pastel on cardboard, 46 cm x 31 cm (inside dimension), 52 cm x 37 cm (frame), s...

"In the Woods" Figure with his Dog, Collecting Sticks in Autumn Woodland Riverbank Landscape Oil Painting by George Henry Downing (British, 1878–1940) signed oil on canvas, framed Fr...

Autumn Landscape Simone Forge 1930's French Impressionist oil on board unframed board: 9.5 x 7.5 inches Provenance: private collection Condition: great condition For more any more...

Title: Provence Village with Tree Watercolor French Modern Landscape Pierre Neveu Artist: Pierre Neveu (French b.1929) Medium: Watercolour on paper, unframed Signed lower left. Inscr...

Title: "Mid Century French Original Pastel Painting of a Vibrant Hillside Cityscape" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 25(height) x...

Mt. Lassen Lake - Plein Aire Landscape in Acrylic on Canvas Vibrant mountain landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer stands at the edg...

Screen print on paper. Hand signed and numbered in pencil. Edition of 150. Excellent condition.

David Mead (British 1906-1986) 'An Extensive River View' oil on canvas framed: 28 x 40 inches canvas: 24 x 36 inches private collection, England gallery label verso the painting is in overall very good and sound condition David Mead (1906 - 1986) David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

Title: Green Medium: Oil on canvas Size: 21 x 29.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

Harald Grote. Afternoon at Fairmount Park Oil on masonite, panel, 12 x 16 inches. Signed and dated lower right.

This captivating landscape painting immerses the viewer in a serene natural setting, capturing the essence of a quiet forest bathed in the gentle light of late afternoon. The artwork...

"Early Winter Snow" is a beautiful original acrylic painting on panel, the composition of which centers around a willow tree near a lake, with dense forest sprawling across the hill ...

Artist Comments
Nestled amidst the vibrant foliage, Jackson Creek emerges as the centerpiece of artist Kent Sullivan's realistic piece. The flowing water possesses an idyllic allure amidst the lush landscape, reflecting the verdant bounty that thrives along its banks. The meeting of land and water echoes the harmonious balance co-existing within this ecologically diverse region. The work serves as a poetic reminder of the profound beauty lying within reach and demanding our respect. With every delicate brushstroke, Kent invites us to reflect on the value of nature's magnificence and our shared responsibility to protect and cherish these invaluable treasures.

About the Artist
There are more places Kent Sullivan would like to paint than he ever will be able. Employing many of the Hudson River School methods in his landscapes, Kent captures the ephemeral interactions of clouds, sun and earth with his delicate use of color and gesture. His work is published in two prominent books: "Art of the National Parks" and "Picturing Florida." He has lectured at museums and been sought after by many large corporations. “Several years ago I had the incredible fortune of being part of the NASA art program. Five paintings are now part of the Smithsonian Collection. At one gathering at the Kennedy Space Center...

Rinko KAWAUCHI (*1972, Japan) Untitled, from the series ‚Semear‘, 2010 C-print Medium 25.4 × 30.48 cm (10 x 12 in.) Large 101.6 × 101.6 cm (40 x 40 in.) Edition of 3 Print only, Sign...

Naturalistic coastal dock landscape depicting Arnold's Wharf in Massachusetts by New England native artist John Nesta. Signed in the front lower left corner. Currently hung in a wood...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

August Frederick Biehle (1885-1979) Farm Landscape, Zoar, c. 1923 Gouache, litho crayon and graphite on paper Signed lower right 14 x 19 inches 17 x 23 inches, framed A versatile pa...

Windy French Path signed by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the a...

Modern Luminist, Hudson River School landscape painting on canvas of the expansive view over the Hudson River as observed at the top of Olana, the historic home of Frederic Church "In the Afterglow" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 48 x 60 x 1 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left Acclaimed artist of the Hudson Valley, Jane Bloodgood, takes her painting to a new level with a new work entitled "In the Afterglow". Her interpretation of this very iconic view (observed from the top of Olana, the historic home of Frederic Church located near Hudson, NY) is set during the very quiet moments of a summer's evening when the sun has dipped beyond the mountains. The crystal blue sky illuminates with the sun's setting rays; a golden band of yellow haze otherwise known as "The Venus Belt" is an atmospheric phenomenon only visible shortly before sunrise or right before sunset. The water reflects the pink and purple glow that forms near the horizon; the dusty shadows of trees tower over the water's edge. We marvel at how simply Jane captures a complex phenomenon, evidence of her unparalleled ability to paint light and endow her work with luminosity. Yet this painting succeeds not only in its representation of the actual landscape and the awe produced by the experience, but also in its contemporary abstraction of atomsphere. The big, open blue sky is stacked with the colors of the sunset against the horizon, calling to mind a Rothko or the other great color field painters who achieve mood and depth from singular color. About the work: Painter Jane Bloodgood-Abrams has become one of the area’s most celebrated artists, gracing viewers with her compositions of sky, river, and earth. Being less concerned with documenting specific scenes, Bloodgood-Abrams is focused on capturing nature’s essence, “the deeply profound moments, where there is a connection to a vital energy.” Her process begins with being in nature, where she allows the emotional energy of the landscape to filter through her psyche. The memory is then translated onto canvas after being worked over a period of time with layers of paint that is applied, wiped away, and reworked. The result is a radiantly dramatic remembrance of Bloodgood-Abram’s encounter with “something beyond everyday life”. The artist’s final hope is for these images to evoke remembrances within the viewer's own personal relationship with nature. Artist Biography: Jane Bloodgood Abrams was born in Queens, New York. She received her Bachelor’s of Fine Arts from the College of Saint Rose in Albany, in 1985. Three years later, she earned a Master’s of Fine Arts at the State University of New York in New Paltz. Now she paints in the Hudson River Valley and the Berkshires. EDUCATION Master of Fine Arts Painting - (cum laude) State University of New York at New Paltz 1988 Bachelor of Studio Arts - (cum laude) College of Saint Rose, Albany 1985 SELECTED SOLO EXHIBITIONS: 2015 Carrie Haddad Gallery, Hudson, NY 2014 Mark Gruber Gallery, New Paltz, NY Carrie Haddad Gallery, Hudson, NY 2013 Christopher Clark Fine Art, San Francisco, CA The Harrison Gallery, Williamstown, MA 2012 Carrie Haddad Gallery, Hudson NY River Gallery, Chattanooga, TN The Storefront Gallery, Kingston, NY "Beyond the Real" 2011 The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY Locust Grove State Historical Site, Poughkeepsie, NY 2010 Carrie Haddad Gallery, Hudson, NY 2009 Carrie Haddad Gallery, Hudson, NY 2008 DFN Gallery, New York, NY 2007 Meyer East Gallery, Santa Fe, NM The Harrison Gallery, Williamstown, MA Carrie Haddad Gallery, Hudson, NY 2006 Mendenhall-Sobieski Gallery, Los Angeles, CA DFN Gallery, New York, NY Carrie Haddad Gallery, Hudson, NY 2005 Carrie Haddad Gallery, Hudson, NY River Gallery, Chattanooga, TN 2004 Albert Shahinian Galleries, Poughkeepsie, NY Carrie Haddad Gallery, Hudson, NY 2003 Carrie Haddad Gallery, Hudson, NY Living Room Gallery, Kingston, NY River Gallery, Chattanooga, TN 2002 Carrie Haddad Gallery, Hudson, NY 2001 Carrie Haddad Gallery, Hudson, NY Artforms Gallery, Albany, NY 2000 Carrie Haddad Gallery, Hudson, NY Mark Gruber Gallery, "Romancing the Landscape" New Paltz, NY 1999 River Gallery, Chattanooga, TN 1998 Alan Sheppard Gallery, Piermont, NY "New Traditions" 1997 Coffey Gallery, Kingston, NY SELECTED JURIED AND INVITATIONAL MULTI-ARTIST EXHIBITIONS: 2016 Byrdcliffe’s Legacy: An ode to Nature and Place, Kleinert Art Center, Woodstock, NY Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY ARTBAR Gallery, Kingston, NY 2015 The Laffer Gallery, Schuylerville, NY Jessica Hagen Fine Art, Newport, RI 2014 Jessica Hagen Fine Art, Newport, RI “Riverscapes,” The Harrison Gallery, Williamstown, MA "Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2013 Artists of the Mohawk-Hudson Region, Hyde Collection Museum, Glens Falls, NY Far and Wide" Regional Juried Exhibition, Woodstock Art Association and Museum, Woodstock, NY 2012 "Riverscapes," The Harrison Gallery, Williamstown, MA “The Great Hudson River Exhibition,” Mill Street...

Le Chene des Roches (Oak tree growing among Rocks) Etching, 1861 Signed in the plate lower right (see photo) Printed by Delatre, Paris, on chine applique Final state iii/III, as pub...

"Spring Finally" by Stephen Day is an original oil painting depicting evergreen and aspen trees on a spring morning. Stephen Day has roots that run deep in the West. He was born in Sheridan, Wyoming, and lived in Santa Fe, NM; Lovell, WY; Aspen, CO; and graduated from High School in Durango...

Pointillist oil on canvas landscape circa 1906 by French Nabis painter Georges Lacombe. This beautiful piece depicts a forest with tree trunks covered in thick green moss and orange ...

Henry Mosler Woman Resting Beneath a Tree, circa 1900 Signed upper right: Henry Mosler Oil on canvas 12 1/2 x 10 inches Mosler was born in Tropplowitz, Silesia, Prussia (present-da...

One of the old oak trees growing in Kolomenskoye Park with a picturesque spreading crown and metal patches on a thick trunk looks most vibrant in March in the sunlight. The thawed pa...

This is an exclusive handprinted limited edition cyanotype. This cyanotype shows a desert palm tree located in the majestic mediterranean city of Cairo, Egypt. Details: + Title: C...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

Gorgeous work of art by René Genis, a French painter known for his serene and poetic style, depicts a sown field from an unusual perspective, cut by a foreground of cypress trees. Th...

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Primo Tempo 7 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A Baroque style landscape appears between a break in the canop...

David Grossman's (US based) "Autumn Orange Leaves" is an oil on linen panel created in 2024 depicting an abstracted birch forest in autumn. About the artist: David Grossmann’s evoc...

Judd Mercer's (US based) "Sky Castle," is an original, handmade oil painting that depicts a green grassy hill sloping upwards to meet lush canopies of tree...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

Anna Klumpke A Path Through the Woods, circa 1890 Signed lower right Oil on canvas 36 1/4 x 24 1/2 inches Anna Klumpke was born in San Francisco but travelled to Europe in 1865 for...

FREE SHIPPING Meting the Shade is done in pastel by Garrett Middaugh who lives in San Antonio, Texas. Meeting the Shade is 18 x 24 without the frame....

All I have ever seen of this Amite, Louisiana painter’s depictions of Louisiana swamplands is in the form of prints and reproductions. So I actually had to call him to learn how to p...

Beautiful landscape of cows grazing in green pastures surrounded by tall evergreens and a stream, by Monterey area painter Jack Lynn (American, 20th century). Signed "Jack Lynn" lowe...

Gaston Rebry, Canadian, 1933-2007 Oil on canvas 12 x 16 in (image) Signed on the lower left: G. Rebry Signed, dated and titled on the reverse: 1982 framed For our US customers: 1) T...

Painting "AUTUMN", artist Oleksandr Khrapachov. is the embodiment of the charm of an autumn morning, when nature takes the breath away with its changeability and beauty. The fog that...

The exploration of the concept of play as an artistic impulse presents playful, almost "baroque-written"photographs that are the result of a repeated (recycled) notion of play. Start...

A beautiful and huge mid 20th century French oil on canvas depicting a country landscape, by Maurice Loirand. Striking and excellent quality work from the 1960's on exhibition scale ...

Title: British Watercolor of Serene Landscape with Reflection and Boat By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11.25 x 15 inch...

Artist/ School: Suzanne Crochet (French c. 1930), female French Impressionist artist Title: The old Provencal village lane, with red roofs and pale gr...

John F. Carlson Forest Landscape, circa 1925 Signed lower right Watercolor on paper Sight 21 x 24 1/2 inches The native Swede John Fabian Carlson became a household name in New Yor...

Hobby Horse is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 189/275 (there were also 100 Roman and 20 AP). Fram...

An original late 19th-century watercolor by celebrated Colorado landscape artist Charles Partridge Adams (1858–1942), renowned for his masterful depictions of the American West and R...

Title: Early Spring Medium: Oil on canvas Size: 11.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

One day, my friend Sasha Lanin, who is a motorcycle racer, offered to teach me how to ride his IZH Planeta Sport motorcycle. We headed out of town, with me sitting at the wheel and h...

Antique American impressionist oil painting of a fall landscape. Oil on canvas, circa 1900. Apparently unsigned. Displayed in a period giltwood frame. Image size, 50"L x 30"H, ov...

The Old Tree by Regine David (female French artist, 1910-2018) oil painting on board, unframed measures: 18 x 12 inches condition: the painting is in very sound and presentable condi...

Church with Two Palm Trees - Brazilian Scene Original Gouache Painting Beautiful gouache landscape painting by Reynaldo Manzke (Brazilian b. 1906 d. 1980.) Two palm trees lean towards each other in the center of the composition, their fronds overlapping at the top. In between the is a large wooden cross...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories. Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...