Tree Prints and Multiples

Since 1956, Jean Claude Picot has been a full-time professional artist. He has seriously studied the works of the Fauvist masters Vlaminck, Derain and Matisse. Like these great maste...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

Ohtsu Kazuyuki, 'Kyo no Aki - Komyō-ji' (Komyō-ji temple at Autumn in Kyoto), large-scale color woodblock print, ed. 100, 2012. Signed, titled in Japanese, numbered 78/100, and date...

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition 76 of 200 signed and numbered by the artist Billy Childish is a prolific British ar...

This is from the small run of mini 5 x 7" hand-printed editions made expressly for the Postcard Art 2026 Exhibition in the Hague, The Netherlands. I printed a larger version as well ...

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

Artist: Alex Katz (American, b. 1927) Title: Forest Medium: Aquatint in Five Colors Year: 1992 Image Size: 29.25" x 66.25" Frame Size: 35.75" x 72.75" x 1" Edition: 38/40 + 12 AP Pub...

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

The Road Across the Wolds reflects David Hockney’s lifelong love of the Yorkshire countryside, featuring sweeping roads and rolling fields rendered in his bold, expressive style. Inc...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

Hiroshi Yoshida (Japanese, 1876-1950) Signed: Hiroshi Yoshida, (in pencil, lower, right " Bamboo Wood ", 1939 (titled, lower, left) Woodblock print in colors 14 7/8" x 9 3/4" im...

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

Antonio Peticov, Brazilian (1946 - ) - The Garden, Year: 1983, Medium: Screenprint, signed and numbered in pencil, Edition: 250, 35 AP, Image Size: 31 x 21 inches, Size: 36 x 26...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

Mist and Snow, 2025 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition 62 of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musicia...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau Edition EKTAlux - Cloud Forest...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

Textured Print of Couple Walking in Park with Sun Shining through Trees, England, by 20th Century British Artist, Christopher Osborne. Art measure...

HAROLD LUKENS DOOLTTLE (1883 - 1974) WESTERN GRANDEUR c. 1945 Aquatint, signed titled and dedicated. Image 9 ¾ x 13 5/8 inches. Large full sheet with deckle edges 15 ½ x 19 inches...

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

QUIET ZONE is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arche...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

Screen print realized by Franco Fortunato. Hand signed. Artist proof. Very good condition.

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The iconic Monterey cypress trees can be found all up and down the coast ...

Medium:  Screenprint Year: 2025 ImageSize:  6.6 × 11.75 A woodland landscape with filtered light through trees and a quiet reflective atmosphere. Stephen Lawlor (born 1958 in Dubli...

Charles Donker Waning Moon 23,5 x 18 (Framed included in price, 44,5 x 37 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and a...

CASCADE is a rarely seen, hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on arch...

Billy Childish Cypress Swamp, Fall, 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition 88 of 200 signed and numbered by the artist Billy Childish is a prolific British art...

Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...

André DERAIN Fields around The Village, 1962 Stencil-enhanced lithograph (Mourlot) Printed signature in the plate On vellum 50 x 58 cm (c. 19.7 x 22.8 in) Excellent condition

An exceptional original etching with drypoint by renowned American printmaker Gene Kloss, titled Red Mountain Relic (View of Red Mountain, Colorado). This striking black-and-white co...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Signed and numbered. Color etching of hillside covered in blooming spring wildflowers. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweepin...

Wolf Kahn (1927-2020) was a German-born American artist acclaimed for his stylized landscapes, which blend natural realism with the celebration of color in the spirit of Color Field ...

Lithograph on paper realized in 1990s. Hand signed in pencil. Artist proof. Ver good condition.

This exhibition poster was created for a show held at Leo Castelli Gallery from September 19 to October 10, 1981. Designed by Richard Haynes & Co., the poster captures the bold and m...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed usi...

SZL Monograph (lower left) stands for Sidney Z. Lucas, founder of the Paris Etching Society Signed in pencil lower right "Martin"

This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...

Hobby Horse is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 189/275 (there were also 100 Roman and 20 AP). Fram...

Long Way Home is an emotionally led narrative silkscreen in the romantic tradition. As the day draws to a close, a man and his donkey make their way through the woods, heading to the...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

Signed, titled and numbered by the artist. Medium: etching and aquatint Image size: 12 x 9 inches Year: 2019 Fall colors along Ashland Creek in Lithia Park. Born in Berkeley, Ca...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

RUSTICATORS AT THE CLOSE OF DAY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand...

Jon Carsman Faded Glory - 1978 Print - Silkscreen, on Arches archival paper 34¼'' x 24'' inches Edition: signed in pencil and marked 156/100 image size 20" x 30" inches “Jon Cars...

Paper Size: 30 x 22 inches ( 76.2 x 55.88 cm ) Image Size: 11.75 x 18 inches ( 29.845 x 45.72 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The iconic Monterey cypress trees can be found all up and down the coast ...

Christopher Pratt, Canadian, 1935-2022 Above Gander Lake, 1997 Lithograph 16 1/2 x 18 in 41.9 x 45.7 cm Signed, titled, dated and numbered along bottom; Provenance: Paul Kuhn Gallery...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

'Antirrhinum Orontium' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...