Tree Prints and Multiples

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...

Mark Sabin Man In The Forest - 1980 Print - 26'' x 34'' in Edition: signed in pencil and marked 234/250 Mark Sabin is a fantasy painter, blending elements in a juxtaposition that ...

This exquisite lithograph after Rene Magritte (1898–1967), titled Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte), 1968, originates from the edition published by A.C. Mazo et Cie, Paris, and printed by Mourlot Freres, Paris, on November 20, 1968. The work embodies Magrittes sustained inquiry into semiotics and visual epistemology, translating his characteristic strategies of displacement, symbolic inversion, and conceptual ambiguity into an image that operates as both a poetic metaphor and a philosophical proposition concerning the instability of meaning. Executed as a lithograph on grand velin dArches paper, this work measures 17.5 x 23.5 inches (44.5 x 59.7 cm). Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur. The edition exemplifies the technical mastery of the Mourlot atelier. Artwork Details: Artist: After Rene Magritte (1898–1967) Title: Ma Mere lOye (My Mother Goose), from the folio Les Enfants Trouves de Magritte (The Found Children of Magritte) Medium: Lithograph on grand velin dArches paper Dimensions: 17.5 x 23.5 inches (44.5 x 59.7 cm) Inscription: Signed in the plate by the artist; hand signed by Fernand Mourlot, Editeur Date: 1968 Publisher: A.C. Mazo et Cie, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne: Magritte, Rene, et al. Rene Magritte: Catalogue Raisonne, Vol. 3. Menil Foundation; Philip Wilson Publishers; Distributed in the USA and Canada by Rizzoli International, 1992, nos. 791–792 and 1056; vol. 5, p. 218, Bibliography entry 68.28. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Enfants Trouves de Magritte, 1968 Notes: Excerpted from the folio (translated from French), Finished printing in Paris on November 20, 1968, on the presses of Mourlot, for the lithographs. The unpublished text by Louis Scutenaire was composed in Elzevir Casion corps 28 and printed by Fequet et Baudier, typographers. The unpublished compositions numbered from I to IV were specially made by Rene Magritte for this album. The compositions of the Enchanted Domain, are the renderings of the eight paintings of the mural of the Casino de Knokke. They were printed with the benevolent authorization of Mr. Gustave J. Nellens. Justification of the draw, this album was taken from CCCL examples on grand velin dArches numbered from I to CCCL, plus a few examples for collaborators and assistants. About the Publication: Les Enfants Trouves de Magritte (The Found Children of Magritte), published in 1968 by A.C. Mazo et Cie, Paris, represents one of the most significant late life print projects devoted to Rene Magrittes work. Conceived as both a literary and visual tribute, the folio pairs texts by the Belgian writer Louis Scutenaire, Magrittes close friend and fellow Surrealist, with lithographic interpretations produced at the Mourlot atelier, the premier lithographic workshop of twentieth century France. The album includes compositions by Magritte alongside lithographic renderings of the celebrated Enchanted Domain mural from the Casino de Knokke, printed with the authorization of Gustave J. Nellens, who commissioned the original mural. Issued in a single edition of CCCL examples on grand velin dArches, the folio stands as a testament to the collaboration between artist, writer, publisher, and master printer, and remains one of the most culturally important Surrealist print albums of the post war era. About the Artist: Rene Magritte (1898–1967) was a Belgian Surrealist painter whose visionary, intellectual, and poetic imagery redefined twentieth century art and forever changed how the world perceives reality and illusion. Celebrated for his calm precision and thought provoking juxtapositions of ordinary objects in extraordinary contexts, Magritte used painting as a philosophical tool, transforming the everyday into visual paradoxes that challenged the boundaries between what is seen and what is known. Born in Lessines, Belgium, and trained at the Academie Royale des Beaux Arts in Brussels, he absorbed early influences from Cubism, Futurism, and Symbolism before embracing Surrealism, where he found his true voice. In Paris, he became part of the avant garde circle that included Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—all artists whose radical ideas helped him forge his distinctive synthesis of logic and mystery. Unlike Dalis dream...

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

Hiroshi Yoshida (Japanese, 1876-1950) Signed: Hiroshi Yoshida, (in pencil, lower, right " Bamboo Wood ", 1939 (titled, lower, left) Woodblock print in colors 14 7/8" x 9 3/4" im...

iPad drawing in colours, on wove paper Edition 25 of 25 94.2 x 71.1cm (37.1 x 28 in) Signed, numbered and dated on the front Artwork in excellent condition, with strong colours and c...

Mist and Snow, 2025 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition 62 of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musicia...

Ella Fort The Lonesome Road (La course seule) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size: 7.8 × 11.7 on 11.7 × 15.6 inche...

A single oak tree in a meadow with the grass aglow in early morning. These are the foggy woods in the hills of Oakland, across the bay from San Francisco. This is a photograph printe...

Screen print on paper realized in 1990. Hand signed and numbered in pencil. Edition of 250. Very good condition.

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...

Ohtsu Kazuyuki, 'Kyo no Aki - Komyō-ji' (Komyō-ji temple at Autumn in Kyoto), large-scale color woodblock print, ed. 100, 2012. Signed, titled in Japanese, numbered 78/100, and date...

Tempête à Nice is a photolithograph realized in 1993 after Henri Matisse. Signed on the plate On Milano handmade paper. Very good conditions.

Charles Donker Waning Moon 23,5 x 18 (Framed included in price, 44,5 x 37 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and a...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Tropical Palm Branches + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

RUSTICATORS AT THE CLOSE OF DAY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand...

Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...

Long Way Home is an emotionally led narrative silkscreen in the romantic tradition. As the day draws to a close, a man and his donkey make their way through the woods, heading to the...

Screen print realized by Franco Fortunato. Hand signed. Artist proof. Very good condition.

The artwork will be sent unframed Linocut print „ Morning dawn” 2023 Reduction linocut print technique Limited edition, print unique number 8/8 Paper Fabriano Rosaspina Bianco 220g ...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Extra large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle pai...

Tony Bennett Title: South of France Lithograph Signed and Marked ATL  5/5 ( Printers Proof ) Paper Size: 31" x 24" inches Image Size : 26" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

Along the Canal (Lambertville, NJ) Lithograph, 1949 Signed by the artist in pencil lower right (see photo) Edition: 50 Commissioned by the Society of American Etchers, Gravers, Litho...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

SZL Monograph (lower left) stands for Sidney Z. Lucas, founder of the Paris Etching Society Signed in pencil lower right "Martin"

FRANCES H. GEARHART (1869-1958) (Mt.) SAN JACINTO c. 1926 Color block print. Signed in pencil. Unknown edition but uncommon. Image 6 5/8 x 4 1/8 inches. On Gearhart's typical fibrous japan paper. Sheet 10 ½ x 5 7/8 inches. Generally fresh with her usual pinholes along right margin for printing, slight bit of discoloration in the margins Provenance: Whitmore - Print Corner, Hingham MA. Their Gearhart inventory no. They were Gearhart's principal East coast dealer in the 30's. Obtained from the Whitmore Collection’s grandson in 1995. Old Print Shop...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Evenfall, 2024 Archival Inkjet with Screenprint Overlay on Somerset Enhanced Infinity 330 gsm Paper edition of 99 hand-signed and numbered by the artist Stanley Donwood is a British...

Medium: Aquatint Dimensions: 12 x 9 inches (image) Signature: Signed Date finished: 2018 Edition: of 100 Fall colors on Chuckanut Drive, south of Bellingham, WA Born in Berkeley, ...

An exceptional original etching with drypoint by renowned American printmaker Gene Kloss, titled Red Mountain Relic (View of Red Mountain, Colorado). This striking black-and-white co...

Wolf Kahn (1927-2020) was a German-born American artist acclaimed for his stylized landscapes, which blend natural realism with the celebration of color in the spirit of Color Field ...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

This rare original John James Audubon hand-colored royal octavo lithograph is entitled "The Jaguar", No. 21, Plate CI, 101 from Audubon's "Quadrupeds of North America". It was drawn ...

This exhibition poster was created for a show held at Leo Castelli Gallery from September 19 to October 10, 1981. Designed by Richard Haynes & Co., the poster captures the bold and m...

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

This print of a pine tree uses kitakata chine collé to depict the warmth and colour of early autumnal light. This print of a chestnut tree depicts the harsh light and dark light and...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

WILLIAM SELTZER RICE (1873 - 1963) THE THAW c 1915-20 Color woodcut, signed and titled in pencil. Image 8 7/8 x 12 inches, sheet 10 3/4 x 14 3/8 inches. On textured fibrous paper. V...

from a series of photographic observances capturing the antics of urban gardening and striking art of topiaries' green minimalism Topiary I by Frank Schott 59.5 x 59.5 inches (1...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

Screenprint on Somerset Velvet Antique 280gsm paper Pencil signed and numbered 112/150 Printed at The Print Studio, Cambridge This work has been elegantly framed in a wood frame unde...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man and a woman standing on the road. The road is transformin...

Friends for Life Bruce Weber’s photographs of the dogs always by his side The photographer and filmmaker Bruce Weber is associated with a wide array of imagery: humanist portraits of artists, actors, and athletes; fashion spreads charged with emotion, irreverence, and nostalgia; lyrical tributes to eroticism and an arcadian vision of the American landscape. All these things—and golden retrievers, too. Since the very beginning, Weber has been accompanied on his travels by a pack of these benevolent canines, who have populated his photographs for fashion campaigns, prominent magazines, and the pages of his personal scrapbooks in equal measure. The Golden Retriever...

Medium:  Screenprint Year: 2025 ImageSize:  6.6 × 11.75 A woodland landscape with filtered light through trees and a quiet reflective atmosphere. Stephen Lawlor (born 1958 in Dubli...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Original exhibition poster featuring the work of the acclaimed American realist painter Neil Welliver (1929–2005). Welliver is best known for his monumental landscapes of the Maine w...

Le Chene des Roches (Oak tree growing among Rocks) Etching, 1861 Signed in the plate lower right (see photo) Printed by Delatre, Paris, on chine applique Final state iii/III, as pub...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The iconic Monterey cypress trees can be found all up and down the coast ...

A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...

A mountain cabin obscured by mist on a snowy mountain top surrounded by trees. Based on a view of Heather Meadows, Mt Baker Ski Area, WA. Signed titled and numbered in pencil from th...

Artist: Rene Magritte (1898-1967) (after) Title: Composition, Les Enfants Trouves de Magritte Year: 1968 Medium: Lithograph in colors on wove paper Size: 17.5 x 23.5 inches Edition: ...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

This is an original John James Audubon hand-colored royal octavo lithograph entitled "American Black Bear", No. 29, Plate CXLI from Audubon's "Quadrupeds of North America". It was dr...

Medium: original etching. Printed in 1900 and published in Leipzig, Germany for Zeitschrift für Bildende Kunst. This impression is printed on cream wove paper, and the image size is ...

THE MAIN ATTRACTION is an original hand drawn limited edition lithograph by the British artist, Michael Hasted printed using hand lithography on archival Somerset paper, 100% acid fr...