Tree Prints and Multiples

Oil on wooden panel realized in the 1970s. Hand signed. Titled and signed on rear. Good condition.

The Road Across the Wolds reflects David Hockney’s lifelong love of the Yorkshire countryside, featuring sweeping roads and rolling fields rendered in his bold, expressive style. Inc...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. Native Bay Laurel trees like the one in the foreground and Coast Live Oak...

Morning light filters silently through dense coastal fog and layers of tree branches. This path through a tangle of redwoods and bay laurel trees is in the woods across the bay from ...

Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism TOPIARY II by Fran...

Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...

Since 1956, Jean Claude Picot has been a full-time professional artist. He has seriously studied the works of the Fauvist masters Vlaminck, Derain and Matisse. Like these great maste...

Summer's Onslaught by Jon Carsman, (1944 - 1987) Date: circa 1979 Medium: Screenprint, signed and numbered in pencil Edition: AP Image Size: 25.5 x 17.5 inches Size: 30 in. x 22 in. ...

This is from the small run of mini 5 x 7" hand-printed editions made expressly for the Postcard Art 2026 Exhibition in the Hague, The Netherlands. I printed a larger version as well ...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Billy Childish Tree, 2022 Archival pigment print on heavyweight acid-free matt stock. Sheet: 38 cm high x 30.5 cm wide. Signed and numbered 98/200, from an edition of 200. Unframed. ...

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition 76 of 200 signed and numbered by the artist Billy Childish is a prolific British ar...

HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

Step into the golden age of Italian tourism with this rare original vintage poster by Attilio Ravaglia, created between 1920–1929. This stunning lithograph captures the architectural...

John Beerman, American (1958 - ) - Sunset, Year: 1994, Medium: Lithograph, signed and numbered in pencil, Edition: CTP #3, Image Size: 18 x 30 inches, Size: 25.5 x 37 in. (64.7...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 100 Image size: 500 x 500 mm Paper size: 670 x 680 mm Image size: Height: 50cm (19.69 in) Width...

"Evergreen", American Realist Lithograph by Chris Forrest 1980 Colorful lithograph of chickadee's perched on branches by American artist Chris Forest (b. 1946.) Three chickadee's re...

Lone Tree Schoodic Point is part of James Groleau’s Salt Granite Spruce series, a body of mezzotints drawn from the rugged coastline and inland waterways of Maine. Through dense blac...

Gustave Dore, After by George C. Finden, French (1832 - 1883) - The Joyous Sprites, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7.25 inches, Size: 16...

Yves GANNE (1931–2019) A Stroll Through the Poppies Original lithograph Signed in pencil Marked EA (Artist’s Proof) On Arches vellum, 76 x 53.5 cm (29.92 x 20.86 in) INFORMATION: Y...

André DERAIN Fields around The Village, 1962 Stencil-enhanced lithograph (Mourlot) Printed signature in the plate On vellum 50 x 58 cm (c. 19.7 x 22.8 in) Excellent condition

Screen print realized by Franco Fortunato. Hand signed. Artist proof. Very good condition.

Hilltopper is an original, hand drawn, limited edition lithograph(not a photo reproductioon or digital print) by Peter Sculthorpe (b.1948 Ontario, Canada) printed using hand lithography techniques on archival Arches paper, 100% acid free. Hilltopper is a finely detailed winter landscape drawing depicting a snow covered hilltop with a lone, English style horseback rider and nature details including dried grasses, branches, and large bare tree firmly anchored to the frozen earth. Print size - 32 x 27 inches, unframed, excellent condition, hand signed in pencil by Peter Sculthorpe, numbered PP (Printers Proof) aside from the edition of 275 Edition size - 275, plus proofs Year published - 1989 Printer - J K Fine Art Editions Co. NY Peter Sculthorpe's paintings are well known for their true to life depictions of rural stone barns, color changing shadowy skies, snow covered landscapes, cows, horses, lone figures that capture the countryside and stone architecture of the Brandywine Valley...

"The Football Statue Through The Trees" - 1921 UC Berkeley Yearbook Lithograph "The Football Statue Through The Trees" 1921 University of California Berkeley Color Lithograph by Ped...

This is an eight colour reduction linocut. Each colour layer is carved and printed from the same piece of lino, working from light to dark. Before printing each new layer, areas of t...

Screenprint on paper Signed and titled in pencil Numbered from the edition of 75 Image size: 505 x 505 mm Paper size: 665 x 685 mm Silkscreen print on Paper Edition of 100 50...

Signed and titled in pencil. Inscribed "192/285." Edition 285.

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

‘Bears in the Woods’ is a playful silkscreen print depicting a number bears going about their business in autumnal woods. This 6 colour silkscreen is printed on Somerset Velvet, a he...

Ohtsu Kazuyuki, 'Kyo no Aki - Komyō-ji' (Komyō-ji temple at Autumn in Kyoto), large-scale color woodblock print, ed. 100, 2012. Signed, titled in Japanese, numbered 78/100, and date...

Serge FENECH (1951-) Provencal landscape, 1982 Original Lithograph Handsigned in pencil Numbered / 290 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x 30 in)...

Charles Donker Forest X 34 x 21 (Framed included in price, 41,5 x 56,5 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and abro...

Mist and Snow, 2025 Archival print on heavy matt stock paper 30.5 x 30.5 cm Edition 62 of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musicia...

large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism Topiary I...

The Village by Georges Lambert, (1919 - 1998) Date: circa 1970 Medium: Lithograph, signed and numbered in pencil Edition: 49/275 Image Size: 14 x 21.5 inches Frame Size: 24 x 30 inches

An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...

Hobby Horse is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 189/275 (there were also 100 Roman and 20 AP). Fram...

Contemplar al Otro en Tarde Rosa by Tomás Sánchez, 2021. A signed, dated and numbered 20-colour screenprint on 400 gsm Somerset Warm White paper, published by Avant Arte in an editio...

A signed, limited edition etching & aquatint by British landscape artist Kathleen Caddick. Numbered 55/250. Presented in a contemporary oak frame. On paper. Image size: 28.5 x 24...

British printmaker and artist Wendy Jean Holt (1948–2025) was known for her distinctive etchings and aquatints, produced primarily during the late 1970s and 1980s. Her work combined ...

Textured Print of Couple Walking in Park with Sun Shining through Trees, England, by 20th Century British Artist, Christopher Osborne. Art measure...

Into the Woods - 21st Century Contemporary Photographic Nature Print - Black & White Polaroid Into the Woods is a beautiful example of Pia Clodi's ability to inject beauty and sent...

Jan Both (active 1636-1652) The Woman on the Hinny (Donkey) Etching on fine laid paper, c. 1644-1652 Signed in the plate upper right The impression shown bears “Both fe.” above “Math...

RUSTICATORS AT THE CLOSE OF DAY is an original hand drawn lithograph(not a photo reproduction or digital print) by the American woman artist Sally Caldwell-Fisher, printed using hand...

This artwork titled "America! America" is a color lithograph after noted American artist James Fetherolf, 1925-1994. It is hand signed at the lower rig...

HAROLD L. DOOLITTLE (1883 – 1974) CALIFORNIA VISTA, 1923 Aquatint signed and titled in pencil. 8 7/8 x 6 7/8 inches. Sheet 11 x 14 inches. Good condi...

These are the foggy woods in the hills of Oakland, across the bay from San Francisco shortly after sunrise. Eucalyptus trees grow ramrod straight side by side, towering overhead. The...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Tropical Palm Branches + Year: 2024 + Edition Size: 20 + Stamped and Certificate of Authenticity provided + Measurements : 70x100 cm (28x 40 in.), a standard frame size + All cyanotype prints are made on high-quality Italian watercolor paper * Frame is for illustrative purposes only. Artwork shipped carefully rolled and packaged in a tube. WHAT IS A CYANOTYPE? The cyanotype (a.k.a. sun-print) process is one of the oldest in the history of photography, dating back to the 1840's. Cyanotypes were then made famous by Anna Atkins, considered the first female photographer. Inspired by nature, we feel the need to look back at a craft that is handmade, analogue, and using an all-natural light source: the sun. Our cyanotypes are made by coating high-quality Italian watercolor paper with a light-sensitive emulsion. We then expose it in direct sunlight for several minutes using a photo negative to get the best image quality. Finally, the print is washed and fixed with water to stop the reaction and prevent fading. What you get is an amazing, royal blue image...

SZL Monograph (lower left) stands for Sidney Z. Lucas, founder of the Paris Etching Society Signed in pencil lower right "Martin"

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The iconic Monterey cypress trees can be found all up and down the coast ...

Wolf Kahn (1927-2020) was a German-born American artist acclaimed for his stylized landscapes, which blend natural realism with the celebration of color in the spirit of Color Field ...

Pablo PICASSO (1881-1973) Diurnes, Midas, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 40 x 30 cm (c. 15.7 x 11.2 in) REFERENCE : ...

The inspiration for this print is to capture the momentary spectacle when shafts of light cast themselves through a densely packed woodland canopy. The print boasts a vibrant array of four stunning colours, featuring an under-layer of metallic Gold ink and finished off with a subtle lush green overprint. Artwork printed...

Original 1964 Los Angeles, California vintage travel poster. Professionally archivally linen-backed in mint condition. This is one of four ...

This exhibition poster was created for a show held at Leo Castelli Gallery from September 19 to October 10, 1981. Designed by Richard Haynes & Co., the poster captures the bold and m...

'Acarna Theophrasti' and 'Acer Campestre minus' Mezzotint printed in colours. Circa 1740. From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...

BACKLAND is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) by the realist painter, Peter Sculthorpe (b.1948 Ontario, Canada) printed usi...