Tree Prints and Multiples

Paper Size: 24 x 24 inches ( 60.96 x 60.96 cm ) Image Size: 23 x 23 inches ( 58.42 x 58.42 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

"Big Tree, Birmingham, UK #2/20" (2011) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally ...

Paper Size: 26.75 x 28.25 inches ( 67.945 x 71.755 cm ) Image Size: 22.5 x 26.75 inches ( 57.15 x 67.945 cm ) Framed: No Condition: A: Mint Additional Details: This reproduction of ...

These iconic Monterey pines can be found all up and down the coast of northern California from San Francisco to Carmel and beyond. These are the woods in the hills of Oakland, across...

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Signed with initials in the plate lower right. Ref. F.H. Bool, J.R. Kist, J.L. Locher and F. Wierda...

Robert Kipniss, painter and printmaker, was born in New York City in 1931. Born to two artists, Kipniss quickly fostered his love for art. His formal artistic education began at New ...

Noel Daggett, American (1925 - 2005) - High Country Chill, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, S...

Noel Daggett, American (1925 - 2005) - Prize Rack, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 23 inches, Size: ...

This abstract landscape limited edition print by Ken Elliott features deep violet hillside complemented by warm yellow trees and yellow and mint-green grass in the foreground. "Golde...

Medium: Lithograph on vélin de Lana paper Year: 1950 Paper Size: 9.75 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, Signac Dessins, 1950. Publi...

This artwork titled " Flowering Red Maple" c.1980 is an original color lithograph with embossing on wove paper by noted British artist Tessa Beaver, 1932-201...

Abe Gerlsma

MARTA GARBACZEWSKA (born 1987) - Graduate of the Academy of Fine Arts in Gdańsk. Diploma in 2012 in the studio of prof. Maria Targońska, annex by prof. Czesław Tumielewicz. PROVENAN...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

Noel Daggett, American (1925 - 2005) - A Long Rifle Awaits, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17 x 26 inches, ...

Original poster by Hervé Baille 🇫🇷 (1896-1974) a French draftsman and engraver. During his career he was a member of the drawing committee of the Salon des Humoristes, and illustra...

Unframed. New from 2023. This is an original, hand-printed original cyanotype photograph on heavy cotton watercolor paper. Just one of 10 prints were made. Four have sold. Only six...

In 1972, Swissair, the national airline of Switzerland, released an evocative travel poster designed to promote Brazil as a captivating destination. The poster, a collaborative creation by designers Emil Schulthess and Hans Frei, with photography by Georg Gerster...

Lithograph and stencil on grand Velin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Édouard Pignon, Arbres et Voi...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Limited Edition photography by Tom Blachford. Mid Century Modern Architectural Design. What began for Tom Blachford as a fateful discovery one night has developed into an ongoing s...

Artist: John Beerman, American (1958 - ) Title: Cedar Tree, Israel Year: 2008 Medium: Lithograph, signed and numbered in pencil Edition: AP 15 Image Size: 1...

2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...

Unframed. 2022. Signed on the back. This photograph was taken just weeks after the artist's husband died, thus the title, "The Journey's End." Paths that disappear into the mist, p...

This colorful abstract landscape piece is a Limited-Edition giclee print by Ken Elliott with an edition of 195. Printed on canvas, this giclee ships framed in a gold floater frame wi...

Harold Altman was born in New York City in 1924. He attended the Art Students League, the Black Mountain College, the Academie de la Grande Chaumiere in Paris, and was a graduate of ...

Tree is a woodcut realized by an unknown artist in the early 20th Century. Very Good conditions. the artwork is depicted through confident strokes.

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Study For Nature By Caroline Walker Caroline Walker is a British artist renowned for her detailed and evocative figurative paintings that explore the...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

This captivating original vintage poster invites viewers to the serene beauty of Carry-le-Rouet, a beloved seaside destination along the Mediterranean coast in the Bouches-du-Rhône r...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

This rare exhibition poster featuring Henri Matisse's Le Goûter (The Snack) is part of the prestigious "Collection of European Masters" series, published by Achenbach Editions for th...

Ass Hole is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LV/C (there were also 275 Arabic and 20 AP), framed in a contemp...

Signed, titled and numbered aquatint print. This Monterey Cypress lined trail wends its way along the bluff above the rocky Pacific shore in San Simeon. I printed it using three ble...

Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 8.5 x 12.5 inches ( 21.59 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

"Overlooking Amalfi" is a lithograph on paper signed by the artist Howard Behrens. It is a limited edition and numbered 20/25. There is some evidence of wear, but only on the borde...

Mid Century Modern Palm Springs Architecture. Steve McQueen. Classic Vintage 356 Porsche, Midnight Modern Series Architecture Palm Springs. Archival Inkjet Print on Cotton Paper. Mi...

Signed, titled artist proof. Edition of 135. Like much of his work, Royal Palm has atmosphere of the Mediterranean, but all of the elements are rooted in the artist's neighborhood. ...

Landscape is an original etching artwork realized in the 1904 ca. by Italian artist Francesco Vitalini. Hand-signed on the lower right in pencil. The State of preservation is very ...

UNTITLED (INV# NP2230) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

Dive into the fascinating world of art with this exceptional screen print by Engeln. In her artistic work, Engeln explores multifaceted themes inspired by travel observations that sh...

This contemporary abstract landscape limited edition print by Ken Elliott features multi-colored tree trunks and foliage extend from the bottom of the canvas up to the top, with a ra...

Urban Landscape is a mixed-colored offset by the Sicilian artist Franco Fontana. Sheet dimension: 80 x 60 cm. Good conditions.

This tenderly illustrated print depicts a black dog sitting comfortably on the lawn. A low fence and a bench can be seen in the background. Plants grow along the sides of the lawn, b...

The Turkish Grasslands (2005). Offset print by Aya Takano Offset print, numbered and signed by the artist 23 ¹/₃₂ x 19 ¹³/₃₂ in 58.5 x 49.3 cm Edition 81/300

In The Forest is an original modern artwork realized by the painter Rolandi, in the 1980s. Mixed colored screen print. Hand signed on the lower right margin. Artist's proof (as re...

Rencontres, or chance encounter, is a seemingly random assemblage of seashells, pine cones, and a children's spinning top. From a signed and numbered edition of 35, some of which wer...

Original Limited Edition Lithograph in Colours on Vélin d'Arches paper. Edition: 350, plus proofs. Signed in the plate by the artist; hand signed in pencil by the printer, Fernand Mo...

CLIFF-HANGER is a hand drawn limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archival Arc...

Meishoe is an artwork realized in the 1865 by Utagawa Sadahide (1807 – c. 1878–1879). Woodcut Print Oban Format. From the series "Suehiro gojusan ts...