Stephen Lawlor Art

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...

Hand signed numbered by the artist in pencil. Artwork size: 24.25 x 30 in. Frame size: approx. 37 x 43 in. Artwork appears to be in excellent condition. Artwork has not been examine...

Theodore Roussel (1847-1926), The Gate, Chelsea; etching and drypoint, 1889-1890, signed on the tab and inscribed imp [also signed in the plate lowere right]. Reference: Hausberg 33, fourth state (of 4), from the total printing of about 43 impressions. In excellent condition, trimmed by the artist all around on the plate mark except for the tab, 8 1/8 x 6 1/2 inches. A fine impression, printed on a light cream wove paper with plate tone (wiped to brighten the gate and doorway area) and substantial burr in the drypoint work. According to Hausberg, “The gate and house behind it still stand today at No. 4 Cheyne Walk...

Giclee on canvas. Hand signed and numbered on front by the artist. Canvas image size 40 x 30 in. Artwork is in excellent condition. Certificate of authenticity included. Edition of ...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

James Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...

James Whistler (1834-1903), J.H. Woods’ Fruit Shop, Chelsea, etching and drypoint, 1887-88. Signed with the butterfly on the tab and annotated “imp,” also signed with the butterfly in pencil verso and numbered “1”. References: Kennedy 265 second state (of 2), Glasgow 327 second state (of 4). Trimmed by the artist around the plate mark except for the tab, in excellent condition. Printed in black ink on ivory laid paper, 3 3/4 x 5 1/8 inches. A fine impression of this great rarity; the print was never published. Glasgow accounts for four impressions. watermark: partial arms of Amsterdam(cf. Spink/Stratis/Tedeschi, watermark nos. 12ff.) This is before the third state in which heavy shading was added around the woman at the center, and the heads of figures at right and left of the figure are defined. In Glasgow’s fourth state the shading and the figure were removed; no impression is known of this state, but the state is inferred from the cancelled plate. According to Glasgow “Joseph Henry Wood had a greengrocer’s shop at 1 Park Walk...

Original off set lithograph (poster) in colors on paper. Image size approx 19 x 25 inches. Sheet size 24 x 30 inches. Artist signature printed in the plate. Not hand signed. Printe...

Gerald Brockhurst (1890-1978) Pencil Signed Etching "Fabian" c.1921 Fine etching by noted artist Gerald Brockhurst. Titled "Fabian" from an edition of 76. This etching is in excel...

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

CAMILLE PISSARRO (French 1830-1903) VACHERE au BORD de l’EAU 1890 (Delteil 93 viii/viii) Etching, unsigned as published in “Gazette des Beaux Arts”, Paris, 1890. On laid paper Very...