Urban Art

circa 1960: Sunday brunch at Brennan's restaurant, New Orleans. A Wonderful Time - Slim Aarons Estate stamped and hand numbered edition of 150 with certificate of authenticity from...

Andy Warhol by Fernando Natalici, New York 1978: This rare Andy Warhol portrait was shot at the Halston Spring Fashion Show, in New York City, 1978 by heralded downtown art scene pho...

Archival pigment print Signed and numbered, verso 24 x 40 inches 30 x 50 inches 40 x 69 inches 48 x 80 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. With the series, "Lost" (2003-2004), Nix and Gerber continue their investigation of the constructed landscape, this time examining feelings of isolation and loneliness. Like much of their previous work, this group of photographs...

Title: French Impressionist Watercolor of a European Street Scene with Gothic Church By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5.5 x 7.5 inch...

Archival pigment print Signed and numbered on label, verso 17 x 22 inches, sheet (Edition of 15) 27 x 38 inches, sheet (Edition of 9) 40 x 57 inches, sheet (Edition of 3) From th...

Valerio D'Ospina's "Estate Europa" a beautiful abstracted European cityscape painting, done in a realistic style. This piece is unframed yet ready to hang. Valerio D’Ospina was born...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and...

Title: Mid Century French Original Pastel Drawing of Mountain View Overlooking Village Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 24.75 (hei...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

JOHN TAYLOR ARMS (1887 – 1953) LIGHT AND SHADE TAXCO, 1946 (F. 394: (#2 from the Mexican series.) Etching and aquatint signed and dated in pencil. Image 10 ½ x 13 5/8, sheet 14 1/...

Archival pigment print Signed and numbered on label, verso 22 x 17 inches, sheet size (Edition of 15) 38 x 27 inches, sheet size (Edition of 9) 57 x 40 inches, sheet size (Edition of 3) From the series, "New York Unseen" This artwork is offered by ClampArt, located in New York City. Marc Yankus’ fine art and publishing experience span a period of more than thirty years. His work has been included in exhibitions at The Brooklyn Museum, Brooklyn, New York; Exit Art, New York City; The Library of Congress, Washington, DC; and ClampArt, New York City. Yankus’ artwork has graced the covers of books by Salman Rushdie, Philip Roth...

This early-1970s photograph, taken by society photographer Slim Aarons, features guests around the pool at the Monte Carlo Beach Club, Monaco. This is an estate-stamped and hand-num...

Montisi Alleyway Signed by Minty Ramsey Medium: Watercolor on Paper Size: 15.25 x 11 inches Condition: Excellent, vivid colors, no damage Description: "Montisi Hilltop" is a tranqui...

The Klosters, Switzerland, Estate Edition, Landscape Photograph This early 1960s landscape photograph, captured by society photographer Slim Aarons, features skiers pass by the Hotel Chesa Grischuna...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

This early-1970s photograph, taken by society photographer Slim Aarons, features guests around the pool at the Monte Carlo Beach Club, Monaco. This is an estate-stamped and hand-num...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Original Casino Niederbronn les Bains Vintage Roulette Poster - Classic French Gaming Art. Archival linen-backed in A- condition, ready to frame. Restored fold marks. Excellent...

This painting by Joan Nelson depicts a sepia-toned scene placed behind the walls of a dark brown building. Potentially depicting a rooftop, the nearly black ground is flanked on the left by tall, dark, and uniform buildings. Along the right is a cement wall topped by a chain link fence. The buildings and wall are both stopped in the distance by a dark border wall and above the whole scene is a foggy white sky. Artist: Joan Nelson, American (1958 - ) Title: Roof Top View...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Archival inkjet print mounted on aluminum Signed and numbered, verso 12 x 18 inches (Edition of 10) 20 x 30 inches (Edition of 7) 30 x 35 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Pipo Nguyen-duy writes: “I began living in the United States in 1975 as a Vietnamese refugee. Consequently, cultural identity and cultural authenticity are some of the underlying themes of my visual explorations. Additionally, site-specificity has been an integral part of my studio practice, as I always consider geographical, historical, and cultural significance of the locations in my research. “From 2015 to 2017, I made photographs from my hotel window in Ho Chi Minh City, District 1. The second-floor window offered a commanding view of the alley where it widened before the sharp left turn located under my hotel where it became narrow again. The alley served as a short cut between the congested street where it began and ended at a crowded market. What separated my camera from the alleyway was the large glass window to dampen the noise and the thin white curtain for privacy. I spent close to six months in this sixty-four square-foot hotel room, photographing obsessively from six in the morning until late at night, only taking breaks to eat or to sleep. During my process, I remained as objective as a scientist gathering visual data. The camera tripod allowed me to keep the same perspective of the scenes outside my window throughout the day. “With this work, I aim to document, as if from the perspective of a natural scientist or archeologist. Using the camera to record facts rather than regarding it as a subjective tool, I have become increasingly intrigued with the idea of mapping my ‘own’ culture in hopes of understanding it from an outsider’s point of view using the hotel room as a metaphor for an in-between place. The window curtain was the variable that changed, in addition to the light, which also varied throughout the day. The curtain was a literal veil to the world and the culture outside my window. It serves as a metaphor for the lack of clarity and insight that I may have of my culture. From the alley I am hidden or visible depending on how wide the curtain was kept and the time of the day. The neatly arranged architecture seen from my window illustrated the rich history and the complex transition of the Vietnamese culture from French colonial, to American modernist, to contemporary high-rise. “The project began as a survey to categorize different types of people, record gestures and behavior, map traffic patterns, and capture ‘decisive’ moments of street scenes below. Conceptually, I intended this mapping project only to reveal my difficulties of defining home—however as the project grew, the complexities of the images also have become more layered. The first image of the series revealing a man masturbating at 6:00 a.m. while leaning against his scooter below the hotel window addresses the voyeuristic nature of the project. In one set of pictures...

Konstantin Savchenko Through the Golden Streets, 2025 is an evocative oil on canvas that captures the warmth and timeless charm of an illuminated cityscape. Rich golden hues, express...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

"Happy hours", color photograph by Jean Michel Berts. Jean Michel Berts has been a photographer since the age of 16, and has since gone on to gain i...

Vladimir Ilibayev(1952). Painter Born in Ventspils, Latvia in 1952. Education Studied 2 years in Moscow State University, the Faculty of Philosophy. Graduated from St. Peterburg ...

Deserted Dreams, 2017 - Edition of 7, 2 Artist Proofs Archival Print based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-143. Not mou...

Charles Ford's work is in the permanent collection of the Museum of the City of New York. Another wonderful painting by Charles Ford that shows the great lighting and shadows of New ...

Our gallery has the most extensive art photography of New York City, due to our abiding love for the city. We present the work of different photographers, some of whom are emerging talents who have had their work published in noted magazines in Europe or the USA, others, who are recognized for their work in international photography competitions. ABOUT THIS PIECE: This is drawn from archive of an award winning photographer. The work is a C print -sold print...

Roosevelt Island (Strange Love) - 2003, 85x30cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certifi...

Driving (Strange Love) 2003, 30x96cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30004. Not mount...

New York (Strange Love) 2005, 30x42cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30003. Not moun...

Signed lower right, 'Arno Muller' (German, 1902-1968) and dated 1967; additionally dated lower right, outside of design, and titled, 'Portofino'. Inscribed, verso, 'Ausgestellt 197' ...

Archival pigment print Signed and numbered, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) From the series, "The Space Between" This photograph i...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 44 x 32 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

'Follow The Tracks', 2018, 20 x 40 cm, edition of 10, digital C-Print based on a Polaroid diptych, hand-numbered and signed on the back by artist not mounted “Follow The Tracks” This Polaroid Diptych, shot on expired Impossible film, is part of the “Landmarks Series”, in which Julia thrives to depict the beauty of her home, the Ruhr Area, that is often rather known for its industrial history than its landscape art sculptures.

 Julia’s work is showing and in the permanent collection of the Bombay Beach Biennale. Artist Statement “Since my childhood days I always loved taking photos, but for unknown reasons instant film never really caught my attention. After I saw the works of a friend who happened to be a gifted Polaroid photographer, I was totally mesmerized and the desire to shoot with instant film constantly grew in me. But for as long as I can think music has always been my main preoccupation. I somehow always feel the need to create, but my focus shifted more and more from making music to instant photography and it grew into something much more fulfilling and pure. Sometimes, these two passions even come together when I am able to provide my photos for album artworks – this makes me incredibly happy. As I always have been very introverted and reclusive I often drift off into my own inner world. The dreamlike landscapes and surreal atmospheres in my work are the visualization and the result of these imaginations. Another influence on my photography is my essential need to travel the world. But I am not interested in documenting the places I see like they are but rather love to create otherworldly scenes by adding the dreamlike texture of instant film, serving me as a needful escape from reality.” Artist Biography Julia Beyer is an analogue photographer from Germany. She mainly works with instant film to express her inner visions that often show dreamlike landscapes and surreal atmospheres. After being more known for her musical endeavors as the singer of the dreampop band Chandeen, she began to delve into this photographic art form in 2014 and since then expands her portfolio continuously. Her work has been published in various international print and online publications. Since 2017, she is a member of the renowned "12:12 Project", a worldwide collective of female Polaroid photographers. Selected Press and Publications: Feature in “Photodarium” Calendar 2016, 2017 and 2018 (Germany) Print feature in Monochrome Mag issue four: Instant (Australia) Print feature in Double Exposure Zine, Issue 2 // Vacancy (USA) Shoot Film UK, Issue #001 “Overexposed” (UK) Feature in The Impossible Project Magazine Artwork photography...

Archival pigment print Signed and numbered, verso 17 x 22 inches, sheet (Edition of 15) 27 x 38 inches, sheet (Edition of 9) From the series, "The Secret Lives of Buildings" This ...

Killer Joe Piro 1964 by Slim Aarons Slim Aarons Limited Estate Edition American dance instructor ‘Killer’ Joe Piro (1921 – 1989) dances past the park in New York, July 1964 unfra...

Christmas Traffic 1953 by Slim Aarons Slim Aarons Limited Estate Edition Christmas trees and red and white automobile light trails on Park Avenue, New York, at Christmas time, Dec...

Ice Bar 1979 by Slim Aarons Slim Aarons Limited Estate Edition The Ice Bar at the Hotel Krone in the Austrian ski resort of Lech, February 1979 unframed c type print printed 2023...

Positano Beach 1979 by Slim Aarons Slim Aarons Limited Estate Edition Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, ...

Positano Beach 1979 by Slim Aarons Slim Aarons Limited Estate Edition Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, ...

Bermuda Street Scene 1967 by Slim Aarons Slim Aarons Limited Estate Edition Bicycles, motorcycles, and cars on a street in Bermuda, June 1967. unframed c type print printed 2023 ...

Transport Buffs 1976 by Slim Aarons Slim Aarons Limited Estate Edition A helicopter and two motor boats adorn the deck of a luxury yacht where Roy J Craven and Prince Pouilnac are...

Nicholsons Cafe Nicholson in New York, 1959. 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limited to 150 prints only ...

New York Picnic 1952 by Slim Aarons Slim Aarons Limited Estate Edition A chauffeur unpacks a picnic hamper from a Rolls Royce, against the New York skyline. 1952 unframed c type ...

Caleta Beach 1961 by Slim Aarons Slim Aarons Limited Estate Edition A high angle view of Caleta Beach (aka Morning Beach) in Acapulco, Mexico, January 1961. The Hotel Boca Chica c...

Beverly Hills Hotel 1957 by Slim Aarons Slim Aarons Limited Estate Edition The sign on the side of the Beverly Hills Hotel on Sunset Boulevard in California, 1957 unframed c typ...

Christmas Traffic A fashion show at the Colony Hotel in Palm Beach, Florida, 1961. 20 x 20" - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printe...

Ice Bar The ski resort of Courchevel, in the French Alps, 1979. 20 × 16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in 2025 Limi...

Hotel Sports 1958: Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. 16×20 inches paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pri...

Hotel Olden People carry their skis past the Hotel Olden in Gstaad, 1961. 16×16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Printed in ...

Beverly Hills Hotel 1957 by Slim Aarons Slim Aarons Limited Estate Edition Sunshades and sun loungers by the swimming pool at The Beverly Hills Hotel, Beverly Hills, California, 1...

Monte Carlo Beach Club 1970 by Slim Aarons Slim Aarons Limited Estate Edition Guests around the pool at the Monte Carlo Beach Club, Monaco, August 1970 unframed c type print prin...

Saint-Tropez 1970 by Slim Aarons Slim Aarons Limited Estate Edition Cars and pedestrians on the busy seafront at Saint-Tropez, in southeastern France, September 1970. unframed c ...

Hotel Excelsior 1957 by Slim Aarons Slim Aarons Limited Estate Edition The beach front of the luxurious Excelsior Hotel on the Venice Lido, 1957. unframed c type print printed...

Palm Beach Street 1953 by Slim Aarons Slim Aarons Limited Estate Edition Cars parked on a tree-lined street in Palm Beach, Florida, circa 1953. unframed c type printed 2023 20 x ...

Outdoor Dining Diners at an outdoor restaurant, San Diego, California, October 1956 16×16 inches - paper size Estate Stamped Collection Edition to 150 Photo by Slim Aarons Pr...