Women Art

Markers & acrylic on paper Shipped well protected, unframed

This striking oil landscape is dominated by a vast, cinematic sky, rendered with the rapid, "plein air" brushwork that defined the late 19th-century French school. Rather than a stat...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

Little Darlings (Till Death do us Part) - 2005 38x37cm, Edition of 10, plus 2 artist proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inv...

ARTIST: Ginette Rapp (1928-1998) French TITLE: "Still Life Of Flowers" SIGNED: lower right MEDIUM: oil on canvas SIZE: 35cm x 30cm inclusive of frame CONDITION: very good DET...

In the portraits of The History of Sex, taken in 1996 in the Netherlands, the camera looks directly at the models, who respond in kind. Eyes first seems to be the guiding principle o...

Portrait of a Woman in a Blue Shirt by Georges Eugène Delhomme (French, 1904-1989) signed oil on board, framed in original vintage frame. framed: 30.5 x 26 inches board: 24 x 32 inc...

Executed in Düsseldorf in 1910, this portrait depicts a woman seated in a refined interior, wearing a sumptuous golden-yellow gown that shimmers in the light. A dramatic sidelight il...

The Embarkation of the Queen of Sheeba British School, early 19th century, apparently unsigned though the previous owner insisted it was. after the earlier painting by Claude Lorrai...

shipped in roll Between the trees, life unfolds quietly — people meet, walk, pause, and continue on their paths. The composition weaves together movement and stillness, where windin...

Vintage Swedish landscape painting/figurative oil painting of a woman reading in the garden by Swedish artist Gunnar Wallentin (1905-1997). A very charming, oil on board with an ama...

Eugénie SALANSON Albert (Somme), 1836 – Saint-Pair-sur-Mer, 1912 The Virgin Mary Presenting the World to the Infant Jesus Who Blesses It Oil on canvas 21.5 x 17 cm (34 x 29 cm with f...

Charles Turzak, 'The Workers (No. 2)', woodcut, edition 50, c. 1935. Signed and numbered 2/50 in pencil. A fine, richly-inked impression, on cream wove Japan paper, with full margin...

This impressive large-format poster features Mark Rothko’s evocative painting Untitled (1962), capturing the essence of his signature abstract expressionist style. Published by Unive...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

This intimate monochromatic underwater photograph captures a naked woman in a moment of quiet contemplation, her elegant form rising from the grainy bottom like a slender tongue of f...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Uwe Ommer wanted to try a series that revealed less of the body using different wet veils in bright colors to create this sensual effect.This series of photographs were taken for a E...

This remarkable double-sided devotional painting on copper showcases exceptional craftsmanship and deep spiritual reverence. On the recto, a finely rendered portrait of Saint Bernade...

Title: Provence Hillside with Stone Houses and Lush Trees French Landscape Watercolor Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W):...

American actress Marilyn Monroe relaxes on the sofa of her suite at the Ambassador Hotel in New York whilst reading 'To the Actor: On the Technique of Acting', the classic guide to a...

A sensual naked woman lying on a bar This is an original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) tit...

Screen print realized by Piero Gauli in 1970s. Edition of XX in roman numbered, aside of the edition in roman numbered of 80. Hand signed and numbered in pencil. Very good condition.

Alex Katz - No Kids – Come Into My House album cover (Hand Signed by Alex Katz), 2008, 2013 Offset lithograph album cover (Hand signed in marker by Alex Katz) Album cover designed by...

Gerdine Duijsens’ spirited and evocative figures are instantly recognizable and unforgettable. Through lush, bold colors and energetic marks, her paintings emit a sense of pleasure a...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Marc Chagall created a series of posters at the atelier of Mourlot Freres...

Musing (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #948...

Unknown Italo-Flemish Artist (active circa 1600) Adoration of the Shepherds oil on copper unframed: 32 × 25.5 cm (12.6 × 10 in) framed: 43 × 37 cm (16.9 × 14.6 in) Provenance: Acq...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique; this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

Alphonse Léon GERMAIN-THILL Aumale (Algeria), 1873 – Algiers, 1925 The Harem Oil on canvas 41 x 32.5 cm (56 x 47 cm framed) Signed lower right “AGermain Thill” Born in Algeria, Alph...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

ARTIST: Indistinctly Signed TABE ? (mid 20th Century) English School TITLE: "Portrait Of A Lady" SIGNED: lower left MEDIUM: oil on canvas SIZE: 65cm x 55cm inclusive of frame COND...

Willem van Kessel (c.1691–1727) – Portrait of a Bewigged Gentleman in Armour, 1713 A highly decorative and striking oil painting depicting a bewigged gentleman clad in a suit of arm...

Portrait of Mary Magdalene with an Ointment Jar Spanish School, early 20th century, unsigned after the earlier 16th century painting by Jan van Scorel oil on panel, framed framed: 4...

Antique oil on wood portrait of a woman by Belgium artist, Eugine Smits 1800s. This delightful painting in its rich and powerful tones and scultured impressionist paint layers is ve...

While "Composition for Film" evokes notable associations with masters of painting and poetry known precisely for their ability to evoke slow time, intimacy, poetry, and introversion ...

This piece titled "A Cut Flower Can't Last II" is an original piece by Graham Franciose, and is made from watercolor on panel mounted Rives BFK cotton rag, wax sealed, custom Douglas...

A Finely Drawn, 1930s Modern Figure Study of a Standing Female Nude Model (Back) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon showi...

ALBRECHT DURER (1471-1528) THE VIRGIN AND CHILD SEATED BY A TREE 1513 (Bartsch 35; Meder 34 c-d, Hollstein 34) Engraving a generally good impression. Trimmed slightly into the i...

This painting invites the viewer into a quiet, surreal moment suspended between reality and dream. A young woman, draped in black, leans forward onto a round wooden table, her postur...

This series is born from a personal experience. The model's husband told Uwe Ommer an idea: he wanted to watch his wife with other men hiding behind the curtains. This is how the ser...

Echoes of the Atelier XII, acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agei...

Jesse’s imagery often merges playful and gritty elements, blending floral patterns, vintage-inspired designs, and bold outlines with a touch of whimsy. His artwork exudes a sense of ...

Peter Max, German/American (1937 - ) - Peach Lady, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 224/300, Image Size: 22.25 x 17.25 inches, Size: 26 x ...

Title: Seated Female Nude by Window French Modernist Watercolour Figure Study Artist: Pierre Neveu (French b.1929) Medium: Watercolour on artist paper, unframed Size (H x W): 9.75 x ...

An exceptional impressionistic depiction of Ballerinas in an interior scene by Jules René Hervé. Hervé is known as a painter of the scenes of Parisian life. This piece is a pertinent...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

A captivating, Modern 1930s portrait painting of a young woman in a black sweater by famed Chicago artist, Francis Chapin (Am. 1899-1965). A skilled and expressive portrait of a you...

Andre de Dienes – Nude, 1950 – Original Vintage This striking black-and-white photograph by André de Dienes, taken in 1950, captures a poised nude model reclining on a modernist chai...

Woman In Blue Floral Robe Artist: Pierre Neveu (French b.1929) signed lower right Medium: oil on canvas, unframed Canvas: 39.5 x 39.5 inches Condition: Good and sound condition Sign...

A beautiful late 18th or very early 19th century English oil on copper portrait of a gentleman with his hound. Excellent quality Georgian period work which is unusually painted on c...

Free to Be Myself (part of the “Red Horse” series) This work explores a state of quiet inner freedom — the moment when a woman no longer shapes herself for the outside world, but r...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

An Early 20th Century elegant portrait oil painting by Gordon Stevenson depicting a pensive young woman seated in a serene, indoor setting wearing a l...

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur debout de profil (Dancer Standing in Profile), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur debout de profil (Dancer Standing in Profile), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur debout de profil (Dancer Standing in Profile), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...