16th Century Dutch

The Crucifixion, 16th Century PIETER AERTSEN (1507-1575) 16th Century Dutch Old Master of the Crucifixion, oil on panel, by Pieter Aertsen.

, This highly decorative mid 20th century oil on canvas follows the influence of the early 16th century Dutch artists with its dark atmospheric background and vibrant still life disp...

Inspired by Italian majolica, the faience produced in 16th century Holland (now the Netherlands) were known for their beautifully hand-painted cobalt blue scenes on white backgrounds.

Flemish School, late 16th/early 17th century Title: Wide riverscape with bathing figures on the banks of a pond Year: 1620 ca. Medium: Oil on panel, octagon frame Dimensions: witho...

Although these art works were painted in the 20th century, Clayton painted with immense detail. These detailed techniques and centred compositions reminisce the aesthetic of 16th-cen...

Although these art works were painted in the 20th century, Clayton painted with immense detail. These detailed techniques and centred compositions reminisce the aesthetic of 16th-cen...

Although these art works were painted in the 20th century, Clayton painted with immense detail. These detailed techniques and centred compositions reminisce the aesthetic of 16th-cen...

Both of these rare & diminutive 'dwarf' brass capstan candlesticks, aka ‘Rokkandelaars’ (Dutch term meaning 'sconce skirt'), showing cylindrical & belted sockets with twin ej...

This early 16th-century example features a pronounced mid-drip pan with slightly concave form, a turned baluster shaft, and a broad circular base with elegant profile.

The episode likely derives from the voyage accounts of Dutch navigators such as Cornelis de Houtman, who sailed to the East Indies in the late 16th century.

His style combined decorative elements from 16th century Dutch decorative cartography, fine calligraphy, and more contemporary pictorial work.

While the original painting likely dates to the 16th or 17th century, this reproduction was created in the 19th century as part of a revival of interest in anthropomorphic art and Du...

Paul Vogt studied art history, archaeology and prehistory in Göttingen and received his doctorate in philosophy in 1950 under Heinz Rudolf Rosemann (1900–1977) with a dissertation on...

Paul Vogt studied art history, archaeology and prehistory in Göttingen and received his doctorate in philosophy in 1950 under Heinz Rudolf Rosemann (1900–1977) with a dissertation on...

The mirror is designed in the style of grand, architectural frames that once housed 16th and 17th century Dutch Masters still-life paintings.

Designed in the style of the grand, architectural frames that once housed 16th and 17th century Dutch Masters' still-life paintings.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

Matta looked to his friend and mentor Yves Tanguy whose works are reminiscent of 15th and 16th century Dutch artists such as Bosch or Bruegel.

White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table...

Over the next three decades, the Kainens would assemble one of the preeminent private collections of 20th-century German expressionist prints and drawings, in addition to standout wo...

White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table...

White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table...

White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table...

Engraving on cream laid paper laid down to wove paper, 4 1/4 x 2 5/8 inches (109 x 68), trimmed inside the platemark. Scattered discoloration and uniform age tone, all consistent wit...

Studio of Adriaen Isenbrandt 1510 - 1551 The Virgin and Child Enthroned Oil on oak panel, wax seal verso Image size: 10 3/4 x 8 inches (27 x 20.5 cm) Contemporary style frame (image ...

Technique: Copper engraving with original hand coloring Maker: After Willem Barentsz / Gerrit de Veer, Dutch, late 16th century

With historical traces dating back to the Kingdom of Gowa from the 16th century to colonization by the Dutch, this Fort has silently witnessed many episodes in Makassar’s history, pl...

He is responsible for the development of an innovative technique that transfers the use of light of 16th and 17th century Dutch paintings into photography, exploiting its ability to ...