Seventeenth Century Paintings

in the portico of Ruben’s courtyard and were reproduced in a number of Flemish seventeenth century

seventeenth century. Piola’s paintings are particularly graceful and charming, as seen here in "Allegoria

way a seventeenth-century painting is seen as a surface which can be read as a description of everyday

Dutch schools of the seventeenth century. The painting elaborated construction brings depth to the whole

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

on Cristoforo Munari and also on seventeenth-eighteenth-century Florentine painting Shipping is

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

) entitled “The Practice of Painting and Perspective Made Easy”, resulting from a study of seventeenth

and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures

-century painting, obviously careful all the visual excitement that his city, Florence, he could offer

) entitled “The Practice of Painting and Perspective Made Easy”, resulting from a study of seventeenth

drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

painting certainly indicates a Roman painter working in the second half of the seventeenth century, whose

great seventeenth-century musical genre scene painting. This artwork is shipped from Italy. Under

his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch

reaching back to the seventeenth century. In the seventeenth century landscape painting was an expression

his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch

the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

century (and still today) paintings by Titian and his followers of Italian ‘belle’ (beauties) were

last half of the seventeenth century. This highly atmospheric painting features the account of Christ

master of late seventeenth-century Roman painting, and whose pictorial imprint, essentially Baroque, is

world of early seventeenth-century France. The painting can plausibly be associated with the rare French

-century painting. His paintings incorporate elements of false realism and figurative art, as well as some

continued to be celebrated and sold in art auctions throughout the seventeenth century and beyond. His

-Century Dutch Genre Painting. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1984, p. LII. Bob Haak

, realistic manner referring to the seventeenth century Dutch paintings. The artist's work is distinguished by

decay. Yvonne uses fragments from the paintings of seventeenth-century Dutch masters. She provides her

decay. Yvonne uses fragments from the paintings of seventeenth-century Dutch masters. She provides her

Venetian school of the seventeenth century The Annunciation Oil painting on canvas 57 x 70 cm

fifteenth- through seventeenth-century paintings of royal and aristocratic families, including Giovanna

portraiture. She is particularly interested in fifteenth- through seventeenth-century paintings of royal and

, Seventeenth-Century Painting in Naples from Caravaggio to Massimo Stanzione ADDITIONAL INFORMATION: The

Genoese school of the late seventeenth century Baptism of Jesus Christ with God the Father Oil

devotional painting of the Florentine Carlo Dolci. Among the protagonists of seventeenth-century painting in

Self-Portrait in Seventeenth-Century Dutch Costume. [Hommage to Rembrandt]. Oil on canvas. 20 x 16

Guerrieri (Fossombrone, 1589 - Pesaro, 1657), a leading figure in the seventeenth-century painting of the

of Haarlem's painting of the seventeenth century. The painting is cataloged in the archives of the

the Lombard seventeenth century. His painting is now kept in Palazzo Bianco in Genoa and it is assumed

importance, the quintessence of seventeenth-century Genoese Baroque painting, which re-proposes the famous

seventeenth-century Dutch painting, and in particular by Jacob Jordaens (Antwerp 1593 - Antwerp 1678), who

combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of

paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the

the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

, faithful to the most typical tradition of seventeenth-century Genoese painting. In a first phase in his

luxurious homes they turned to the newly fashionable intimate paintings by seventeenth-century Dutch and

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

Anton Maria Piola (Genoa, 1654 - 1715) circle Madonna and Child Genoese school of the second half of the 17th century Oil on canvas 93 x 74 cm.- In antique frame 110 x 92 cm. (Work...

Giovanni Stanchi (Rome 1608 - 1675) or Niccolò Stanchi (Rome 1623 - 1690), workshop of GARLAND OF FLOWERS WITH PORTRAIT OF THE VIRGIN Rome, First half of the Seventeenth century o...

Moses Striking Water from the Rock; Circle of Pietro Dandini, Italian 1646-1712 Italian School, late 17th century oil on canvas, framed framed: 32 x 28 inches canvas: 29 x 23.5 inch...

Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Oil on canvas, unframed (not signed). The painting depicts Saint Monica in Augustinian habit, caught in a mome...

English sword cane with a fine toledo blade that measures approximately 27 1/2". Triangular blade marked "Toledo" on the ricasso and is beautifully decorated with etched and fire blu...

This is a fantastic and hard-to-find drinks set: a group of Gucci-style silver plated hunting themed stirrup cups on a hunting themed silver plated tray, made in Italy in the 1970s. ...

Michele Desubleo (Maubeuge, 1602 - Parma, 1676) - attributable Portrait of gentleman like Solomon, the wise king Oil painting on canvas 120 x 141 cm., By gilded wooden frame cm. 134...

Italian painter (17th-18th century) - Franciscan pilgrim friar sitting writing (preparatory sketch). 14 x 16.5 cm without frame, 19 x 21.5 cm with frame. Antique oil painting on pa...

Up for sale is a fabulous Oil on canvas painting. French, late 18th to early 19th century. The artwork depicts a gallant scene, a shepherdess, and her lover resting in the forest. Th...

French painter of the late 18th-early 19th century Leda and the Swan (Literary source: Metamorphoses by Ovid, Book VI) Oil on canvas 95 x 126 cm Framed 109 x 142 cm This c...

Figures in Landscape Dutch School, 17th century oil on wood panel, framed in antique wooden frame framed: 14.5 x 17 inches panel : 10 x 12 inches Provenance: private collection, Engl...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Black marble Roman toga (robe)....

Jacob van Ruisdael (Haarlem 1628-Amsterdam 1682) attributable Wooded Landscape with Waterfall Oil on canvas 74 x 94 cm. - framed 91 x 111 cm. A wooded view crossed by a tumultuous...

The Trial of Christ Dutch Old Master, 17th century oil on panel, unframed panel: 11 x 7.5 inches provenance: private collection, England, Christies auction stencil marks verso condi...

Giulio Carpioni (Venice, 1613 - Vicenza, 1678), Attributable to Bacchanale Oil on canvas 98 x 132 cm. - In frame 120 x 154 cm. This high-quality, beautifully preserved painti...