Seventeenth Century Paintings

in the portico of Ruben’s courtyard and were reproduced in a number of Flemish seventeenth century

seventeenth century. Piola’s paintings are particularly graceful and charming, as seen here in "Allegoria

way a seventeenth-century painting is seen as a surface which can be read as a description of everyday

Dutch schools of the seventeenth century. The painting elaborated construction brings depth to the whole

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

painting and seventeenth century Dutch portraiture, presenting the viewer with subtly satirical portraits

on Cristoforo Munari and also on seventeenth-eighteenth-century Florentine painting Shipping is

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

the paintings of that era. the thing that fascinates me in particular is the way a seventeenth-century

) entitled “The Practice of Painting and Perspective Made Easy”, resulting from a study of seventeenth

and highly influential contribution to the canon of seventeenth-century Dutch painting. His pictures

-century painting, obviously careful all the visual excitement that his city, Florence, he could offer

) entitled “The Practice of Painting and Perspective Made Easy”, resulting from a study of seventeenth

drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

painting certainly indicates a Roman painter working in the second half of the seventeenth century, whose

great seventeenth-century musical genre scene painting. This artwork is shipped from Italy. Under

reaching back to the seventeenth century. In the seventeenth century landscape painting was an expression

his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch

his death in 2001, Turner noted, "My paintings combine the drama inherent in seventeenth century Dutch

the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

century (and still today) paintings by Titian and his followers of Italian ‘belle’ (beauties) were

last half of the seventeenth century. This highly atmospheric painting features the account of Christ

master of late seventeenth-century Roman painting, and whose pictorial imprint, essentially Baroque, is

-century painting. His paintings incorporate elements of false realism and figurative art, as well as some

continued to be celebrated and sold in art auctions throughout the seventeenth century and beyond. His

-Century Dutch Genre Painting. Exh. cat., Philadelphia Museum of Art. Philadelphia, 1984, p. LII. Bob Haak

, realistic manner referring to the seventeenth century Dutch paintings. The artist's work is distinguished by

decay. Yvonne uses fragments from the paintings of seventeenth-century Dutch masters. She provides her

decay. Yvonne uses fragments from the paintings of seventeenth-century Dutch masters. She provides her

Venetian school of the seventeenth century The Annunciation Oil painting on canvas 57 x 70 cm

fifteenth- through seventeenth-century paintings of royal and aristocratic families, including Giovanna

, Seventeenth-Century Painting in Naples from Caravaggio to Massimo Stanzione ADDITIONAL INFORMATION: The

portraiture. She is particularly interested in fifteenth- through seventeenth-century paintings of royal and

Genoese school of the late seventeenth century Baptism of Jesus Christ with God the Father Oil

devotional painting of the Florentine Carlo Dolci. Among the protagonists of seventeenth-century painting in

Self-Portrait in Seventeenth-Century Dutch Costume. [Hommage to Rembrandt]. Oil on canvas. 20 x 16

Guerrieri (Fossombrone, 1589 - Pesaro, 1657), a leading figure in the seventeenth-century painting of the

of Haarlem's painting of the seventeenth century. The painting is cataloged in the archives of the

the Lombard seventeenth century. His painting is now kept in Palazzo Bianco in Genoa and it is assumed

importance, the quintessence of seventeenth-century Genoese Baroque painting, which re-proposes the famous

seventeenth-century Dutch painting, and in particular by Jacob Jordaens (Antwerp 1593 - Antwerp 1678), who

combine the drama inherent in seventeenth century Dutch painting with the brush work and the economy of

paintings combine the drama inherent in seventeenth century Dutch painting with the brush work and the

the drama inherent in seventeenth century Dutch painting with the brush work and the economy of the

, faithful to the most typical tradition of seventeenth-century Genoese painting. In a first phase in his

luxurious homes they turned to the newly fashionable intimate paintings by seventeenth-century Dutch and

, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work ac...

Giovanni Stanchi (Rome 1608 - 1675) or Niccolò Stanchi (Rome 1623 - 1690), workshop of GARLAND OF FLOWERS WITH PORTRAIT OF THE VIRGIN Rome, First half of the Seventeenth century o...

Guido Reni (Bologna 1575 - 1642) Workshop of Probably Gian Domenico Cerrini, the Cavalier Perugino (Perugia 1609 - Rome 1681) Saint Catherine of Alexandria Oil on canvas 65 x 5...

Landscape in Holland (titled verso) Dutch School, 20th century signed oil painting on canvas, framed framed: 30 x 42 inches canvas: 24 x 36 inches provenance: private collection, Eng...

A rare pair of heliocodal French Directoire library bookcases in solid walnut. This type of bookcases is also known as 'boiseries de Bibliothèque' as they often, together with pannel...

Artist/ School: 17th Century Italian School Title: The Presentation of the Virgin in the Temple Medium: oil painting on canvas, framed Size: canvas: 21” x 16” (53.3 x 40.8cm) Pro...

Signed Lower Right Cyprien-Eugène Boulet (1877 - 1927)

This is a fantastic and hard-to-find drinks set: a group of Gucci-style silver plated hunting themed stirrup cups on a hunting themed silver plated tray, made in Italy in the 1970s. ...

This unusual table-top 'Psyche' table mirror dates from the 18th century, its wooden frame beautifully crafted from yellow-lacquered wood and decorated with hand-painted chinoiserie ...

Tavern Interior Flemish School, 17th century oil on canvas, framed framed: 13.5 x 18 canvas: 11 x 16 inches provenance: private collection, France condition: very good and sound cond...

A fine and large French 19th century old master school oil on canvas titled "Leda and The Swan" within a giltwood frame. Leda and the swan is a motif from Greek mythology, in which Z...

Artist/ School: 18th/ 19th century Continental School, after Murillo Title: Figures eating Grapes Medium: signed oil painting on metal, framed. Size: framed: 18 x 16.75 inches m...

This stunning 17th century Dutch Old Master Golden Age floral oil painting is by noted Dutch artist Simon Pietersz Verelst. The full attribution to Verest was confirmed by Dr Fred Me...

Michele Desubleo (Maubeuge, 1602 - Parma, 1676) - attributable Portrait of gentleman like Solomon, the wise king Oil painting on canvas 120 x 141 cm., By gilded wooden frame cm. 134...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Black marble Roman toga (robe)....

A large and impressive antique stained glass window depicting St John, the Evangelist, dating from circa 1860. In this stunning glasswork piece, the Saint is depicted in vibrant red ...