70s Painting

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

L.H. Lindberg, Sweden. Oil on board. Modernist landscape with houses. 1960s / 70s. The board measures: 52 x 43 cm. The frame measures: 4.5 cm. In excellent condition. Signed.

This one is as much about male aggression and their love of war as the famous book of the same name from the 70s was about female sexuality. :: Painting :: Impressionist :: This p...

His painting has an aesthetic closeness to the Art brut.

Sayer exhibited at Redfern Gallery, Leicester Galleries, and New Art Centre alongside peers like John Minton and Keith Vaughan. In the 1960s-70s, he balanced painting with teaching, ...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

She flourished between 1902 and 1958, continuing to paint well into her late 70's. This lovely painting, painted in 1934 and signed and dated lower left, is of three pedigree Pekinge...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

This was done in his mid 70s, making it an early painting for Krakower.

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

From printmaking and painting of the late 40’s, influenced by Mexican Art, through the junk metal used from found objects in the 50’s and early 60’s, through the minimalist sculpture...

Oil on medium size panel by the Swiss painter Guy Dessauges. Made in the 70's / 80's using his technique of superimposing "glazes" which gives the painting depth, a typical method of...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

This striking oil on the board was most likely painted in the 1960s or 70s. The painting measures 20 inches wide by 16 inches high.

It is an early 20th-century work; the frame is later, likely dating from the 1960s–70s. The painting has not been prepared or restored.

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which b...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which beg...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which beg...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which beg...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which beg...

But the almighty gaze of the spectator engenders the feelings and sensations of a cosmogonic painting steeped in universality ". We indeed observe in his work an evolution which beg...

Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.

Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.

Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East.

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...

He works from a converted outbuilding studio on his Grand Rapids property, surrounded by drying canvases and a collection of ’70s records. Outside of painting, George is a chef at ...