African Faces

A unique double-faced African tribal mask, mounted on a contemporary base and adorned with a spectacular headdress of natural feathers in dark and earthy tones.

Showing heavily decorated in the bottom with silver nickel hands amulets for the Evil Eye protection and early textiles (wool and silk) and tassels hanging down. Face coverings were ...

This Mid-Century Modern one of a kind horizontal watercolor by William Henry is a combination of cubist individual faces with African influences. Each face is outlined forming an obl...

In this work from 1972, he depicts three African American prisoners with their faces pushed up against and grasping the steel bars that incarcerate them.

A set of vintage brass bar items - a corkscrew and bottle-opener. With African masks or faces. The bottle-opener is marked England and number 958.

Lorraine’s Bijoux has on offer a large African Brass face mask pendant Necklace. Large ovoid Carnelian beads ( and squares), large chased vintage Tibetan brass beads, vintage Venetia...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Santiago, Chile: Taller Experimental. 2004 Faces of Africa (co-authored with Angela Fisher).

Santiago, Chile: Taller Experimental. 2004 Faces of Africa (co-authored with Angela Fisher).

Geometric Barmbara Sukuru Animal Mask with horns, teeth, from Mali, West Africa. Inserted wood teeth, abstract face with open eyes, with raised eyebrows and framed face.

The painting captures a black African woman, her face glowing with happiness. Her skin tone, a harmonious blend of deep red and vibrant purple, reflects a play of light that dances a...

The painting captures a black African woman, her face glowing with happiness. Her skin tone, a harmonious blend of deep red and vibrant purple, reflects a play of light that dances a...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Early to mid century danced light wood mask from the Kumu or Maniema region, Democratic Republic of Congo, Africa with face divided into four opposing quadrants with orange and trace...

Further Background: Originally executed by Basquiat in 1984, “Gold Griot” parodies western fantasies of Africa through a grinning face derived from an African mask.

The work addresses social and intellectual issues faced by African Americans, and is considered to be one of the best English novels of the twentieth century.

The faces and simplified, angular planes of the women in Picasso’s Demoiselles d’Avignon clearly derive their style from African masks and sculptures, and this painting is often hera...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

The artwork captures the diverse physical features and skin tones that make African women unique and exquisite. The women's faces are adorned with vibrant colors, representing the ri...

The faces and simplified, angular planes of the women in Picasso’s Les Demoiselles d’Avignon clearly derive their style from African masks and sculptures, and this painting is often ...

Makonde helmet mask , Tanzania, Africa, early 20th century. Woman's face with a lip plug.

The artist describes this project: This work is a tribute to the recent Mayan immigrants from Southern Mexico, Guatemala and Honduras (as well as many others from the Caribbean isl...

The faces and simplified, angular planes of the women in Picasso’s Les Demoiselles d’Avignon clearly derive their style from African masks and sculptures, and this painting is often ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

The average African Child is usually faced with uncertainty and struggles relating to his future, with only a handful going on to attain higher learning at a serious cost with a so-c...

The average African Child is usually faced with uncertainty and struggles relating to his future, with only a handful going on to attain higher learning at a serious cost with a so-c...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

'If you have been brutally broken but still have the courage to be gentle to other living beings then you're a badass with a heart of an angel' - Keanu Reeves The average African Ch...

Balsamarium shaped as a Bust of a Black Boy Bronze, silver inlaid eyes and lips, Roman, 1st – 2nd Century AD Provenance: Private London Collection formed 1965-1975 H 10 cm (4 in...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

ART SIZE: 11 x 6 inches / 27 x 15 cm FRAME SIZE: 12 x 8 inches / 30 x 20 cm SIGNATURE: lower right Alfredo Florez was a Spanish painter known above all for his works with themes r...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This is a power...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Two black women are the main focus with a young woman standing, reading a book and a larger, more imposing female figure positioned on the right depicted with a bold African mask-lik...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Working primarily with acrylic on canvas, he utilizes impasto realism in his portraiture, capturing the depth and resilience of African skin in the face of adversity. This serves as ...

Tiffany Dae's (US based) "Sea and Stars" is a original, handmade oil painting that depicts an African American face and a Caucasian face transposed over the border where an ocean mee...

As Makunde was trained in the Shona stone carving tradition, the sculpture reflects the visual heritage of African sculpture: the figure's face is round and mask-like, with squared, ...

This mask was hand-carved by an unknown artist from the Mende tribe in Sierra Leone, Africa. It depicts a face with its eyes downcast, hair in rows, and two birds on the top. 16" x...