Antique Altar

The cross is mounted on a stepped circular base, giving it a sculptural, freestanding presence suitable for an altar or domestic devotional setting. Subtle surface wear and patina ar...

The use of each type varied over time, and altars and cinerary urns would in fact lose importance throughout the 2nd century AD, in favour of sarcophagi.

It was used for all the red porphyry columns in Rome, the togas on busts of emperors, the panels in the revetment of the Pantheon, the Column of Constantine in Istanbul as well as th...

Its semicircular shape suggests that it may originally have formed part of a church interior, an architectural overdoor, a choir or altar surround, or another substantial piece of ec...

Rich in character and historical charm, this piece would have served as a sacred shrine or altar, making it highly desirable for collectors of antique Indian wooden temples, religiou...

During the turbulent transition from the Muromachi period to the early Edo period, smaller, personal Buddhist images like this were commissioned by wealthy patrons or devout samurais...

Such devotional figures were central to household and church altars, often dressed in textiles and used during nativity celebrations or processions.

The four principal border panels each enclose a distinct Neoclassical scene: a procession of draped female figures before a columned altar; a warrior or hero in classical armour with...

Its bold, architectural silhouette is softened by the rounded stones at each terminus, glowing like altar embers. On the reverse, a concealed reliquary compartment hints at its sacre...

With or without candles, they will make a striking pair on a mantel, side table, console, altar, cabinet or in a curated collection of religious art.

These pieces were typically kept on home altars or in local temples where centuries of incense smoke (notable on the figure’s left side, photo #10) and climate exposure created this ...

These pieces were typically kept on home altars or in local temples where centuries of incense smoke (notable on the figure’s left side, photo #10) and climate exposure created this ...

The Italian antique metal drip tray is from a large altar candlestick that has been used for the base.

A spectacular late 18th century simulated marble Italian architectural model of an arched monument or altar originating from Italy, c.1780. Made from wood and composition, this deco...

This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra...

Extremely well cast winged goddess of victory seated on a classical style klismos chair leaning over a burning altar. To the front and sides of the figure are two inkwells.

A compelling sculptural object bridging Mexican religious folk art and modern collectible design, well suited for curated interiors, altar-inspired displays, or folk art collections.

The interior of the Santuario della Consolata or Sanctuary of the Virgin of the Consolation is a prominent Marian sanctuary and minor basilica in central Turin, Italy, has a jubilant...

Standing a commanding 34.5 inches tall and over 20 inches in diameter, this architectural marvel was originally commissioned to enclose a primary load-bearing structural column withi...

Carved during the Muromachi period, an era marked by intense civil strife and the profound flourishing of Zen Buddhism, this statue was originally enshrined in a temple or a private ...

The interior of the Santuario della Consolata or Sanctuary of the Virgin of the Consolation is a prominent Marian sanctuary and minor basilica in central Turin, Italy, has a jubilant...

As though balancing a basket on his head, each ho ho boy is topped with a small cup for burning oil, likely for use during ancestor worship on a home altar.

Flanking the vase are scholarly objects and altar vessels, symbolizing prosperity, refinement, and harmony — a theme frequently found in Chinese Deco carpets of the 1920s and 1930s.

Shortly afterwards, in 133 BC, the Roman state inherited the Kingdom of Pergamon, home to an original and flourishing school of Hellenistic sculpture. The Great Altar of Pergamon, th...

The flat back indicates that the sculpture was intended for placement in a niche, small altar, or retable. Condition: in good condition.

Executed by the renowned Parisian Maison Poussielgue-Rusand—the premier "Orfèvre du Roi" and liturgical bronzier to the French Cathedrals—this pair was originally commissioned for a ...

His most notable work includes murals painted for the Bethlehem Church [Brooklyn], an Altar piece in the Zion Church [Worcester, Mass.], and a memorial portrait and altar piece in th...

The sturdy pedestal bases are adorned with rich detailing and provide a solid foundation, making these suitable for display on an altar or sacred space. These pieces likely originat...

The design is arranged in three horizontal registers, each depicting stylized altar tables bearing an assortment of vases, censers, and flowering branches, accompanied by symbolic im...

These works were often used in altars, chapels, or private devotions, especially among Catholic families.

The top is decorated at its center with a painted medallion depicting two draped female figures positioned on either side of an altar, accompanying a winged Cupid in an allegorical i...

Each vase is symmetrically adorned with highly detailed ormolu friezes depicting classical allegorical scenes of figures and playful putti interacting around an altar, framed by swee...

Compact yet substantial, this sculpture would have functioned as a personal devotional object or altar figure, and today serves equally well as a refined collector’s piece or contemp...

The relatively small size indicates a functional liturgical use (chapel, secondary altar or monastic context), rather than a later decorative object.

The central facade is anchored by a beautifully cast female mask, flanked by classical medallions depicting mythological scenes, including a baccatického bůžka, a sacrificing figure ...

Executed in monochromatic tones to mimic ancient Greek vase painting and relief carvings, the three distinct panels showcase exquisite narrative movement: The Upper Frieze: A rectil...

She was above the main altar for approximately 500 years. The Virgin is placed on a wall bracket that has been made of two Capitals that were part of her original altar.

Intricately bronzed fittings on door. Altar is 3"W when closed, above measurements are when altar is open.

Louis of the royal priory church of Poissy: Apart from the fact that these usually also have chiseled wings and consistently contain attributes of the Passion of Christ (=Arma Christ...

These are known as shokudai (燭台) in Japanese, and this particular style, often with a spike for holding the candle, is frequently found in Buddhist temple altars. These are likely ...

Bronze church altar candelabra with angel and floral motif.

19th Century Chinese Qing Dynasty Elmwood Altar Console Table, Shanxi Province An exceptional 19th-century Chinese Qing Dynasty altar table handcrafted in Shanxi Province from solid...

This would be placed in an altar or temple, with a tray of burning coals and incense placed inside the column or on the top.

With high cylindrical pedestal foot supporting an open and generous bowl, by shape, this bowl appears to be a ceremonial vessel that was used to make ritual offerings on the altar. ...

The view captures the altar, theatre, thrones, pulpit, and seating galleries arranged before the grand procession entered.

This sculptural ceramic object is a Chinese oil lamp from the late Ming dynasty, originally used in altar displays for Buddhist ceremonies and ritual offerings.

Likely produced as a votive offering, this stylized animal figure would have been placed at a temple or altar as an act of devotion and prayer. The bull is rendered with striking sim...

The third plate shows a highly detailed elevation of the master altar from the château chapel, revealing the elaborate sculptural program and architectural framing that characterized...

This early 20th century East Turkestan Khotan pictorial accent rug features a bold and highly stylized composition set against a vibrant red field, where a sequence of abstracted alt...

A pair of 16th Century Spanish altar panels of Cherubs Representing the Omnipresence of God mounted on a Lucite panel with a double frame of hand-carved and finished wood.

This devotional figure likely stood in a private chapel or was part of an altar setting, where it would have served as a visible reminder of Christ’s universal reign.

This figure likely once formed part of a larger altar or devotional ensemble, radiating both spiritual reassurance and artistic mastery.

Reverse (back): Depicts a seated female figure in a classical style, pouring oil into a lamp placed on an altar, symbolizing remembrance and eternal light.

Weighing approximately 100 pounds and measuring 23 inches in height by 11 inches in width, it is an imposing and deeply impressive work—one that has long held a central place on the ...

They are elements of a pyramid the socalled liturgical altar candelabra featuring several lights, usually seven, arranged in a pyramidal shape.

From important historical relics, altar tables, altarpiece, reredos, tabernacle reliquary, Buddhist and Hindu statuary including full body Buddha, Buddha head or hand, life size myth...

This sculptural ceramic object is a Chinese oil lamp from the late Ming dynasty, originally used in altar displays for Buddhist ceremonies and ritual offerings.

Crucifix on pedestal for altar French late 19th century. Silver-plated brass.

At the lower end, a distinctive panel—resembling a symbolic altar or offering device—reinforces its spiritual function while adding visual intrigue and rarity.

The engravings record sculptural elements from the elaborate master altar of the château chapel. Each plate focuses on a different group of figures rendered as classical relief sculp...