Antique Angels

• Jeannie Deans before Queen Caroline at the International Exhibition 1862 • The Angel's Whisper for James

Fine quality Regency triptych gilt overmantle mirror, with charriot and angel decoration to the top

and feature two pieces of intricately carved natural angel skin coral. Each earring is delicately

adorned with additional angel heads and foliage. The reverse is limewashed and features two polychrome

con una librería de ébano y bronce basada en modelos de Ghiberti y Miguel Ángel. También estuvo

Pair of large statues carved in the round, probably representing cerulean angels (although there is

angels are holding a laurel wreath, symbol for victory, in their hands. The fireback is black/pewter

spiraling bread between two straight angels carved out meticulous and skilfully. As a object working well

Ramón Espuñes is believed to have made with Ángel Marquina in 1865 and is kept in the Royal Palace of

, Angels, Ogres and the Craftsman's initials to central Spere. The set comes with Nine drawers for ample

imagery. Classical central medallion, allegory motifs with angels, birds and cupids Decorative trim around

assumed that the Chinese potters were supplied with a European design of a putto or angel and then created

first canvas, depicting Saint Francis of Assisi in ecstasy. The Saint is accompanied by a splendid angel

face featuring winged angels amongst rococo scalloped arabesques, a faun on either side of the centre

winged angel surmounts the crest, while the lower register features a richly modeled figural scene

17th century Italian oil painting of an angel fountain signed by the artist. The painting is framed

childlike faces, while a kneeling angel presents the jar of ointment. These winged figures testify to

Victorian Rose Diamond Enamel Pendant Brooch-Pendant from the 1870's. Charming design with angel

Bolivia) during the 18th century. The angel appears full-length, with outstretched wings, dressed in a

A 19th Century continental carved wooden putti. The Italian word putti refers to winged angel

silver face featuring a neo-classical gargoyle to its base flanked by winged angels amongst rococo

candlestick from a historical Italian church. The plaster angel is hand-crafted and adorned with the fossil

candlestick from a historical Italian church. The plaster angel is hand-crafted and adorned with the fossil

, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that

surrounded by symbolic elements: attending angels, the Christ Child, lilies representing purity, and a

light. Two angels on the right cradle a crimson mantle - the garment of glory that prefigures Christ’s

, scrolling foliate elements, and putti angels. These transfers were carefully applied to the interior of the

over death. Plate I – Lower scene The Angel at the Empty Tomb The angel announces the Resurrection to

Colonial school oil on canvas, 18th century, depicting the Immaculate Conception surrounded by angels and

painting depicts Christ surrounded by angels, saints, the Virgin Mary and even the Roman soldiers who were

background architecture and, particularly, in the group of angels at the top holding the cartouche with the

borders, the compositions depict sacred Christian scenes populated by angels, saints, and children

bronze ormolus'. The ormolus depicting winged angels, vase and floral design. Simply too much to mention

and a depiction of the Virgin Mary with Christ and angels. Ex votos are votive offerings, usually in

A pair of early 17th Century Baroque polychromed carved wood Angel sculptures with torch shaped

words “Ave Maria” in the center, crowned with floral motifs and kneeling angels. The work, carefully

. The top has a carved angel head flanked by wings. With fantastic detailed iron-work.

the foolhardiness of his elders. Overhead, a black-winged angel watches in silence, evoking divine

mandorla of radiant color, surrounded by saints, angels, and heavenly ranks, her protective veil unfurled

that evoke flower like qualities. Underneath is the European angel of quality touch mark, stamped with

restorations to the painting. Archangel Selaphiel is the angel of prayer and worship, known in Eastern

figures of small Baroque angels bearing symbolic attributes on a dark blue painted background: One figure

represented in heavenly glory, surrounded by cherubic angels bearing garlands and celestial light, emphasizing

age, and adorned with organically formed baroque pearls. The ornate patterns and angelic depictions on

alcoves depicting four writing evangelists with their symbol known as: St. Matthew (the Angel) , St. Mark

, mounted with haloed crucified Christ figure, adorned with palmette tips, projecting winged angel, relief

Art nouveau painting of beautiful maiden and mischievous angels. An allegory of Spring. Watercolor

figure of a Bishop surrounded by attendants and surmounted by celestial angels.

-era clock, made in mercury-gilt bronze with a fine allegorical scene: an angel playing the lyre

of interest in early Christian and medieval visual traditions. Angels hover above, while attendant

of the chalice and angel, He is bathed in an otherworldly light that breaks through the surrounding

deeply articulated drapery animates the relief’s surface. Cherubic angels appear above and below

surrounding fields are densely filled with expressive angel heads, a hallmark of Baroque religious iconography

18th century French pair of oils on gold leaf panels. One is depicting an angel playing the violin

displays a vegetal motif with a winged angel's head, and the area where the Sacred Host would be placed

of the period. The inside of the lid bears the hallmark of jeweler and watchmaker John Perry, Angel

are hallmarks of his style. The angelic figure holding the ointment jar—a symbolic attribute of the