Antique Applique

finely carved wooden appliqués, authentically recalling the splendor of the 18th century. The apron

-white, accented by Neoclassical appliqués in parcel gilt such as anthemion and scrolled designs. Carved

features an elegant baluster silhouette and two sculptural ram’s head appliqués in high relief, crowned

height of Crazy quilting's popularity. Crafted using traditional appliqué and patchwork techniques, each

-silk with a yellow-green plant dye. Clever embroidery using a straight stitch and appliqued with

cloth). This museum-quality textile features breathtakingly intricate reverse appliqué and hand

chased floral garlands, beaded trim, and foliate appliqués, all resting on small turned feet that give

Art Nouveau copper repousse mirror decorated with vines and two salamanders with pearl appliqués on

floral appliqué in gold set with two cultured pearls. On the reverse, the piece opens to reveal a photo

, adorned with applique rocaille scroll work rising from foliate carved and shaped plinth inset feet, the

treasure is a high-karat gold finely crafted applique featuring the radiant face of Helios, the sun god in

merely decorative appliqués but graphic markers that articulate the vertical rhythm and give the lamp its

fronts are flanked and separated with elongated pyramid appliques. The front corners bear wide fluted

adorned with platinum-topped appliqué Bezel set with five old European cut diamonds along the top of

features studded brass bands terminating in decorative fleur de lys appliqués. It opens to reveal a

appliqué—including urn and cartouche forms—add dramatic contrast and dimensionality. The surrounding border

applique in gilt bronze positioned in east-west orientation. Circa 1820. Make sure to view the detailed

gilded bronze, comprising a neck with a broad gadrooned molding, lateral appliques in the form of hanging

case with many Directoire and First Empire dresses. The appliqué collar and pleated falbalas at the

an appliqué of peach-toned lace. At the center, a pastoral scene depicts a young maiden seated among

flambeau and scrolled candle-arms, above palmette appliques & central finial below. (originally wired for

, bright red silk set, embroidered decoration and appliqué, motif of flowers and horseshoe cart.

. Crafted in ebonized birch with gracefully formed brass candle arms, these mirror appliqués present a

conceived as a wall appliqué or with the option for electrification—an approach frequently employed in

gilt bronze appliques. Four elegantly tapering fluted legs support the structure, each terminating in

form white gold head Featuring an appliqué surround of branching floral foliate motif filigree Bezel

. The whole is accented with gilt-brass appliques of rosettes and anthemion motifs typical of the Empire

This enchanting Art Deco 10 karat white gold ring with rose gold appliques features a sparkling

appliqués from grand French residences. Bearing beautiful signs of age—subtle craquelure, surface wear, and

frame with copper floral appliqués.

is flanked by elongated pyramid appliques. The reduction in depth is occupied by split columns

aesthetic. Fluted pilasters with ormolu appliqués flank the opening, while the frieze features a central

pediment over a foliate applique; divided mirror flanked leaf carved columns. Dimensions: 18.75" x 3.25" x

A set of four nineteenth century French gilt bronze Louis XV wall appliques, in the Rococo style

marrying brilliant cobalt, warm amber appliqué, and restrained gilding in a refined, architectonic

Light Wall Appliques (Wall Lights - Wall Sconces) Having A Central Medusa Mask Above A Lyre, After The

, molded floral and grape leaf appliqués. The domed cover is surmounted by a large, finely modeled flower

shaft in black, white, and green mottled. Black square base and top. Finished with gold brass appliqués

cartouche appliqués.

Serge Mouille applique

, beautifully contrasts with the ornate gilt bronze appliqués and elegant cabriole legs. The serpentine-shaped

Achaemenid (Persian) Empire, circa 500 – 400 BC. This striking gold lion appliqué, once adorning

brass appliqués. The perimeter is framed by a continuous brass border. At the center, a removable dark

Lithograph on papier de chine appliqué, realized by Jules Bertrand (1823-1887) after Victor Orsel

dimensional grape foliate motif appliqué Accented by bezel set oval and round turquoise cabochons Measuring

appliqués and jabots.

motifs. The carving is complemented by elaborate metalwork appliqués, also worked with scrolling vine and

pieces of gilded applique - 2 on one piece - and 1 on the other piece. This is how we bought and received

contours en forme d'éventail sont appliqués directement sur le paravent, puis remplis de divers motifs. Les

The Board is a Lithograph realized by Auguste Raffet in 1836. Beautiful proof on chine appliqué

beaded appliqués, flanked by turned columns with brass-mounted capitals. The piece stands on a plinth

with floral motifs and molded porcelain lace appliqués. The composition is notable for its refined

gilt brass decorative appliques and bosses, with etched floral designs, and many with open work heart

straight profiled base, and three drawers. Decorative Gothic-style pointed arch appliqués with gilt

beveled mirror with beautifully decorated corner appliques. This lovely beveled mirror can be displayed in

eglomise tablet flanked with reeded columns, beading and appliques. Historian Rodric Blackburn writes that

with classical motifs, their bronze appliqués sharp and well-defined, still catching the light the way